The Danaë is a 1544 painting (oil on canvas, 118.5 x 170 cm), one of
several versions by Titian, a painter of the 16th-century
Venetian school. It is part of the Farnese Collection in the
National Museum of Capodimonte in Naples (inv Q 134), Farnese Gallery. The depicted subject is taken from
Ovid's
Metamorphoses, which tells the story of
Danaë, daughter of the king of Argos, Acrisius, who in the painting is accompanied by
Eros. In the story, an oracle predicted Acrisius's death at the hands of a future grandchild, and so to prevent his daughter from being impregnated, Acrisius decided to shut her up in a bronze dungeon-like tower (or cave, depending on the translation to English from the Greek).
Zeus, however, was infatuated with her and managed to be with her by turning himself into a shower of gold, and of their union was born
Perseus, the heroic slayer of Medusa. The painting was intended for
Cardinal Alessandro Farnese's private rooms, where Titian's interpretation of the Danaë myth became an excuse for the cleric to enjoy viewing a nude female. One of the more sensual works of the sixteenth century, the lady who posed for the painting is traditionally identified as Angela—one of Cardinal Alessandro's lovers. As Danaë, she is painted with her body in a natural pose nestled in soft gauzy bedding, welcoming the golden cloud that takes the form of a shower of coins, possibly also an allusion to Angela's status as a courtesan. In 1815 the painting became an object of censorship and was moved to the so-called "Cabinet of obscene pictures" of the Royal Bourbon Museum. During World War II, the painting was looted by the Nazis and recovered only after the end of the war.