The first edition of I Modi was created in a collaboration between Giulio Romano and Marcantonio Raimondi.[1] It is thought to have been created in around 1524 to 1527.[2]

Pietro Aretino later wrote sonnets to accompany the engravngs.[3]

It is thought that Agostino Veneziano may have engraved a single replacement set of engravings based on offset drawings from the engravings in Marcantonio and Giulio's edition of "I modi".[3][4] This replacement set is thought to have been made in around 1530.[1]

In around 1555 a new edition of I modi was created with images that were made by using woodcut relief printing[3] It is speculated that it was copied from engravings created by Agostino Veneziano.[1]

It is unknown who the artist is of the woodcut booklet that is speculated to have been created in around 1555.[3]

The images in this woodcut booklet were created using woodcut releif printing.[3][1]

It has also been speculated that the images in this book were bound in with contemporary texts.[3]

There are no known copies that currently exist of the edition of I modi by Giulio and Marcantonio.[3]

<nowiki>I Modi; イ・モーディ; I Modi; I modi; Пози Аретіно; I Modi; Позы Аретино; I Modi; I Modi; I Modi; I Modi; libro de Pietro Aretino; livre érotique de la Renaissance italienne; erotisk bok från den italienska renässansen; ספר; boek van Pietro Aretino; позы для секса; Buch von Pietro Aretino; kirja; Engravings by Marcantonio Raimondi. Based on drawings or paintings by Giulio Romano.; كتاب من تأليف بييترو أريتينو; famoso libro erotico del Rinascimento; книга; Sonetti lussuriosi; Les Seize Plaisirs; De omnibus Veneris Schematibus; De omnibus Veneris Schematibus</nowiki>
I Modi 
Engravings by Marcantonio Raimondi. Based on drawings or paintings by Giulio Romano.
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  1. a b c d James Grantham Turner (June 2009). "Woodcut Copics of the "Modi"". Print Quarterly 26 (2): 115, 116 - 117.
  2. James Grantham Turner (June 2009). "Woodcut Copics of the "Modi"". Print Quarterly 26 (2): 117.
  3. a b c d e f g James Grantham Turner (December 2004). "Marcantonio's Lost Modi and their Copies". Print Quarterly 21 (4): 363 - 364, 366, 373, 375, 379, 382 - 384.
  4. James Grantham Turner (2017) Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy, Yale University Press, p. 37, 38, 39, 155, 156, 309, 357 - 358, 367, 377 - 378