English: From the Wikipedia entry:

https://en.wikipedia.org/wiki/Pamphlet_of_Rigas_Feraios

The Pamphlet of Rigas Feraios is a large chalcography (45 × 29 cm) printed in Vienna in 1797 by Rigas Feraios. It depicts a portrait of Alexander the Great framed by war scenes and portraits of his generals. The etching was incised by François Müller,[1] who cooperated with Rigas for his cartographic work which he published the same year. It was released in 1200 copies from the printing press of Nitsch. One of the two copies that have been discovered in Greece is displayed in the National Historical Museum of Greece.[2]

The pamphlet is divided into two parts: the figurative and the explanatory. The iconographic representation occupies the largest part of the picture, while she is repeated in reduction in the left corner. The head of Alexander ( his identity is given in the explanatory ) prevails in the center. He has long hair, wears a helmet decorated with winged dragon tail to the side and human face at the cornice, while the breastplate is decorated with a human figure. The portrait is surrounded by an octagonal frame and is divided in 8 unequal trapezoidal panels. In the four smaller ones, the heads of his most notable generals are illustrated and their names are written in capital letters: Seleucus, Antigonus, Cassander and Ptolemy. In the larger horizontal panels, four multifaceted scenes are pictured from the expedition against the Persians: 1. The triumphal entry of Alexander into Babylon, 2. The fleeing of Persians at Granicus River, 3. The defeat of Darius, 4. The family of the defeated king at the feet of Alexander.[3]

The explanatory text is bilingual (Greek and French) and written in two columns. It is also divided in 3 sections which are distinguished by 3 separate paragraphs at the upper part of the page. The first section is referred to the subject of the picture and the sources that its creator has used.[4] The second section is referred to the personality of Alexander with a short and comprehensive biographical text.[5] The third section is the colophon and declares the creator of the picture and the aim of the publication.[6]