File:A Sunday concert (BM 1954,0809.1).jpg
Original file (1,600 × 1,200 pixels, file size: 444 KB, MIME type: image/jpeg)
Captions
Summary edit
A Sunday concert ( ) | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
Print made by: James Bretherton
|
|||||||||||||||||||||||
Title |
A Sunday concert |
|||||||||||||||||||||||
Description |
English: Musicians are grouped round a piano. Their names (some misspelt) are written in the margin. The pianist sits in profile to the right looking fixedly at his score; he is Ferdinando Bertoni, a Venetian composer who accompanied his friend Pacchierotti to England. The most prominent of the musicians is Pacchierotti, who stands behind the piano next the pianist, holding open a music book, but smiling at a lady, who sits (right) on a bench among the performers. She is Lady Mary Duncan, whose admiration for Pacchierotti's singing was the talk of the town, carried to the point of absurdity, and of discourtesy to other singers. (Walpole, 'Letters', xii. 141, 3 Jan. 1782, and xv. 16-17, 4 July 1791.) She is the largest figure in the design, out of scale with the other figures. She sits in profile to the right holding up a closed fan, gazing intently at Pacchierotti. Behind her stands the player of the bass, identified as Cariboldi. Seated on the bench next her, on her right hand and wearing spectacles, is a man playing the oboe, identified as Hayford. Seated in a chair in front of Lady Mary and on the pianist's right hand is the cellist, Cervetto, evidently the younger Cervetto (1747-1837), who played at the professional concerts at the Hanover Square Rooms from 1780. Behind the piano stand (left to right) a violinist, identified as Salpietro, an oboist, J. C. Fischer (1733-1800), who was a great attraction at the Bach-Abel and Vauxhall concerts, and another violinist, Langani or Langoni. To the right of the piano, blowing the French horn, stands Pieltain. In the foreground (right) in profile to the left sits Miss Wilkes on a stool, her hands in a muff, smiling at Dr. Burney, who stands bending towards her, his hands held out. He wears a bag-wig and sword, and appears to be deep in conversation in spite of the singing of Pacchierotti, a fashionable habit much condemned by his daughter Frances, see 'Cecilia'. Behind Miss Wilkes on the right stands another of the audience, holding his hat under his arm. 4 July 1782
Etching and aquatint |
|||||||||||||||||||||||
Depicted people | Representation of: Ferdinando Bertoni | |||||||||||||||||||||||
Date |
1782 date QS:P571,+1782-00-00T00:00:00Z/9 |
|||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
|
|||||||||||||||||||||||
Collection |
institution QS:P195,Q6373 |
|||||||||||||||||||||||
Current location |
Prints and Drawings |
|||||||||||||||||||||||
Accession number |
1954,0809.1 |
|||||||||||||||||||||||
Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) A concert at Dr. Burney's. Reproduced, Burney, 'Hist. of Music', ed. F. Mercer, 1934. |
|||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_1954-0809-1 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing edit
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 14:42, 9 May 2020 | 1,600 × 1,200 (444 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1782 #2,795/12,043 |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Date and time of data generation | 09:12, 6 December 2005 |
---|---|
ISO speed rating | 50 |
Camera manufacturer | Phase One |
Camera model | H 25 |
Date and time of digitizing | 09:12, 6 December 2005 |
Image width | 4,096 px |
Image height | 5,456 px |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
File change date and time | 09:14, 6 December 2005 |
Date metadata was last modified | 09:14, 6 December 2005 |
Software used | Adobe Photoshop CS Macintosh |