File:A history of painting in Italy - Umbria, Florence and Siena from the second to the sixteenth century (1903) (14781992195).jpg

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Identifier: gri_33125001989728 (find matches)
Title: A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century
Year: 1903 (1900s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 Strong, S. Arthur (Sandford Arthur), 1863-1904 De Nicola, G Borenius, Tancred, 1885-1948 Douglas, R. Langton (Robert Langton), 1864-1951
Subjects: Painting, Italian
Publisher: London : J. Murray
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute

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panels Avere formerly in the Scuola di San GiovanniEvangelista ; No. 17 was in the Malin bequest. The gold grounds are new. ^ Louvre, old catalogue, Napoleon III., No. 37, wood, 124 m. high by C.^O,inscribed : mccclxxii mese setebris lavueci venetis pTsit u. The heads arerepainted. In the Brera at Milan a Coronation of the Virgin, No. 227, is erroneously assignedto Lorenzo. See postea, p. 272. * A picture, or rather, a portion of a picture by Lorenzo Veneziano, representingtwo male saints, one of which is St. John the Baptist, has recently been added tothe Kaiser Jriedrich Museum. These two saints were previously in the Cheneycollection. ^ The lowest course of this antiquated picture contains SS. Martin, Anthony,and Michael, a niche gilt and without ornament, an angel, a saint, and St. Georgeovercoming the Dragon ; above this base, a row of niches with busts in relief ateach side of three little subjects, surmounted by another row of saints, Peter, Paul,Nicolas, Gregory, and another.
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THE ANNUNCIATIONBy Lorenzo VenezianoA portion of an altarpiece in the Venice Academy lU,—To face page 270

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30 July 2014

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