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File:A partir de 1911, parsuite de notre achat, la société Orenstein et Koppel, de Fives-Lille, déjà française de forme.jpg

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A partir de 1911, parsuite de notre achat, la société Orenstein et Koppel, de Fives-Lille, déjà française de forme

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Description
English: « A partir de 1911 », continue mon correspondant, «parsuite de notre achat, la société Orenstein et Koppel, de Fives-Lille, déjà française de forme (nous venons de voir comment) est devenue également françaisede fond tout en conservant l'étiquette allemande qui avait acquis en France une grande notoriété ».
Deutsch: "Ab 1911", fuhr mein Korrespondent fort, "wurde die Firma Orenstein und Koppel aus Fives-Lille, die bereits der Form nach französisch war (wir haben gerade gesehen, wie), durch unseren Kauf auch der Substanz nach französisch, wobei sie das deutsche Etikett, das in Frankreich einen hohen Bekanntheitsgrad erlangt hatte, beibehielt".
Date
Source Senat – Seance du 22 Juillet 1915. S. 364.
Author SÉNAT-- SÉANCE DU 22 JUILLET 1915
Other versions
Jusqu'à 1911 la société Orenstein et Koppel, de Fives-Lille, fut française de forme et allemande de fond

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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current04:04, 3 March 2024Thumbnail for version as of 04:04, 3 March 20241,598 × 600 (264 KB)NearEMPTiness (talk | contribs)Uploaded a work by SÉNAT-- SÉANCE DU 22 JUILLET 1915 from [https://www.senat.fr/comptes-rendus-seances/3eme/pdf/1915/07/S19150722_0351_0369.pdf ''Senat – Seance du 22 Juillet 1915.''] S. 364. with UploadWizard

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