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File:Catedral Metropolitana (Diamantina, Minas Gerais).jpg

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Summary

Object

José Wasth Rodrigues: St. Anthony Cathedral, Diamantina  wikidata:Q18482299 reasonator:Q18482299
Author
José Wasth Rodrigues  (1891–1957)  wikidata:Q10310660
 
Alternative names
Wasth Rodrigues
Description Brazilian historian and painter
Date of birth/death 19 March 1891 Edit this at Wikidata 21 April 1957 Edit this at Wikidata
Location of birth/death São Paulo Rio de Janeiro
Authority file
creator QS:P170,Q10310660
image of artwork listed in title parameter on this page
Designer
José Wasth Rodrigues  (1891–1957)  wikidata:Q10310660
 
Alternative names
Wasth Rodrigues
Description Brazilian historian and painter
Date of birth/death 19 March 1891 Edit this at Wikidata 21 April 1957 Edit this at Wikidata
Location of birth/death São Paulo Rio de Janeiro
Authority file
creator QS:P170,Q10310660
 Edit this at Wikidata
Title
Faixada da catedral Metropolitana de Diamantina
Object type Catholic cathedral Edit this at Wikidata
Description
Português: Faixada da catedral Metropolitana de Diamantina, Minas Gerais
Date 1940
date QS:P571,+1940-00-00T00:00:00Z/9
Object location
18° 14′ 40.9″ S, 43° 35′ 50.9″ W Edit this at Structured Data on Commons Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Photograph

Date
Source Own work
Author Rodrigo Tetsuo Argenton
Permission
(Reusing this file)

Brazil

The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.

Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.

See COM:CRT/Brazil#Freedom of panorama for more information.
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current19:38, 13 April 2018Thumbnail for version as of 19:38, 13 April 20185,006 × 4,005 (8.75 MB)Rodrigo.Argenton (talk | contribs)User created page with UploadWizard

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