File:Johanna Gadski - Grand opera in America (1901) (14591886920).jpg

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English: Johanna Gadski

Identifier: grandoperainamer00lahe (find matches)
Title: Grand opera in America
Year: 1901 (1900s)
Authors: Lahee, Henry Charles, 1856-1953
Subjects: Opera
Publisher: Boston : L. C. Page
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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Mozarts operas, having in her repertoire nearly all of that composers works. Madame Gadski sang again in America dur 266 Grand Opera in America. ing the following season (1895-96), and has been in evidence every season since, becoming one of the most popular singers, and being known almost all over the country. Her husband is an Austrian army ex-officer named Tauscher. She has presented one of the most poetic and admirable interpretations of Elizabeth in Tannhauser ever seen in this country. Madame Johanna Gadski may be classed as one of the best, the most richly endowed of the younger German sopranos, either lyricor dramatic. She has a beautiful voice, amethod such as few German singers possess, a fine and temperamental intelligence, and the golden gift of sincerity in everything she interprets. Ernest Kraus was a young tenor with anexcellent voice, incapable of expressing the softer emotions, a man of magnificent bearing and a good actor. He was regarded asa promising successor to Alvary. Kraus
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JOHANNA GADSKI. German Opera. 267 was born in 1864. He sang at Wiesbaden and Mannheim, and was later engaged to succeed Gudehus at the Royal Opera in Berlin. His principal roles are Lohengrin, Tannhauser, Siegfried, and Faust. A tenor who sprang suddenly into fame was Barron Berthald, and he has been able to hold the position which his good luck placed him in. Berthald was a tenor at the Castle Square Theatre in Boston, where he was a member of the regular stock company. One night, when Lohengrin was to be given at the Boston Theatre, and Jean de Reszke was to sing the title role, the great tenor was indisposed, and at the last moment decided that it would be impossible to sing. There was no substitute available in the company, but some one connected with the theatre happened to know Barron Berthald, and was aware that he had studied the part of Lohengrin. A carriage was sent to the Castle Square Theatre, where Berthald was 268 Grand Opera in America. ready to appear on the stage for his regular part. H

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  • bookid:grandoperainamer00lahe
  • bookyear:1901
  • bookdecade:1900
  • bookcentury:1900
  • bookauthor:Lahee__Henry_Charles__1856_1953
  • booksubject:Opera
  • bookpublisher:Boston___L__C__Page
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:298
  • bookcollection:brigham_young_university
  • bookcollection:americana
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29 July 2014

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29 September 2015

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