File:Microphone-Three-To-One-Law.png

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Die 3:1-Regel (Drei-zu-eins-Regel) für die Mikrofonaufstellung zur Minimierung von hörbaren Kammfiltereffekten lautet: Hat ein Instrument einen bestimmten Abstand x = 1 zu einem Mikrofon, so soll das nächste Mikrofon, das diesen Schall auch aufnimmt, mindestens das Dreifache des Abstands vom ersten Mikrofon (also x = 3) haben.

The 3:1-Regel (three-unity rule) for the microphone list for the minimization of audible comb filter effects reads: If an instrument has a certain distance x = 1 to a microphone, then the next microphone, which also takes up this sound, is to have at least the three-way of the distance from the first microphone (thus x = 3).
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Source sengpielaudio.com de.wikipedia.org/wiki/Benutzer:Ebs
Author de.wikipedia.org/wiki/Benutzer:Ebs

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Public domain This work has been released into the public domain by its author, I, de.wikipedia.org/wiki/Benutzer:Ebs. This applies worldwide.
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current10:38, 24 July 2007Thumbnail for version as of 10:38, 24 July 2007446 × 251 (9 KB)Galak76~commonswiki (talk | contribs){{Information |Description=Die 3:1-Regel (Drei-zu-eins-Regel) für die Mikrofonaufstellung zur Minimierung von hörbaren Kammfiltereffekten lautet: Hat ein Instrument einen bestimmten Abstand x = 1 zu einem Mikrofon, so soll das nächste Mikrofon, das die

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