File:Mount Hood from Sandy River by William Keith.jpg

This expansive scene looks toward Mount Hood, one of the iconic landscapes of the Pacific Northwest used to adorn tourist flyers advertising the route of the Northern Pacific Railroad in the twentieth century. Although it foreshadows such promotional imagery, and recalls Frederick Billings’ railroading interests, this landscape does not feature the railroad in any form. Instead, like Thomas Cole’s view of Niagara hanging nearby in the Mansion, it presents a pristine wilderness before the arrival of development and change. The wisps of smoke which dot the landscape in this painting are rising from Indian encampments, not railroad engines.

Keith was an uncertain, or possibly an inattentive technician of paints. His finished canvas paintings dried irregularly, resulting in the “alligator” cracking of the painted surface which is characteristically evident here.