File:Musée Calvet Chalons de Simon Sainte Parenté 1543.jpg
Original file (2,881 × 2,035 pixels, file size: 3.85 MB, MIME type: image/jpeg)
Captions
Contents
Summary
Object
Simon de Châlons: The Holy Relation ( ) | ||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q960595 |
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Title |
The Holy Relation label QS:Len,"The Holy Relation"
label QS:Lfr,"La Sainte Parenté" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
This painting is the most important of this artist preserved in France. His subject is quite unusual: we see St. Anne, mother of the Virgin Mary, surrounded by her three successive husbands (Joachim, Cleophas and Salome). Among this enlarged Holy Family, one easily identifies, in the center, the Divine Child perched on his cradle, his mother who sustains him, and behind her, St. Anne with a white veil. On the left, appears St Jacques child leaning on his staff of pilgrim and, behind, Saint Antoine recognizable by his little bell. He is, with St. Francis of Assisi, visible on the far right, the only protagonist of the scene not to belong to the lineage of St. Anne. |
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Date |
1543 date QS:P571,+1543-00-00T00:00:00Z/9 |
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Medium | oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259 (walnut) | |||||||||||||||||||||||||
Dimensions |
height: 188 cm (74 in); width: 268 cm (105.5 in) dimensions QS:P2048,188U174728 dimensions QS:P2049,268U174728 |
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Collection |
institution QS:P195,Q1142988 |
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Accession number |
D 907.4 |
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Object history | From the former seminary Saint-Charles of Avignon. | |||||||||||||||||||||||||
Credit line | Deposit of the French State in 1907. | |||||||||||||||||||||||||
Inscriptions | Signed and dated lower left in a cartridge. |
Photograph
Date | ||||||
Source | Self-photographed | |||||
Author | Finoskov | |||||
Permission (Reusing this file) |
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Licensing
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:26, 18 May 2019 | 2,881 × 2,035 (3.85 MB) | Finoskov (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
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Camera model | DMC-FZ200 |
Exposure time | 1/40 sec (0.025) |
F-number | f/2.8 |
ISO speed rating | 400 |
Date and time of data generation | 17:12, 2 May 2019 |
Lens focal length | 6.8 mm |
Orientation | Normal |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
Software used | Ver.1.0 |
File change date and time | 17:12, 2 May 2019 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 17:12, 2 May 2019 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 39 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |