File:Peter Paul Rubens - The Capture of Juliers - WGA20340.jpg
Original file (951 × 1,200 pixels, file size: 204 KB, MIME type: image/jpeg)
Captions
Summary edit
Peter Paul Rubens: Equestrian portrait of Mary de' Medici (1575-1642) and the triumph at Juliers, ca. 1622-1625 | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q5599 |
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Title | ||||||||||||||||||||||||||||
Part of | Marie de' Medici cycle | |||||||||||||||||||||||||||
Object type | painting | |||||||||||||||||||||||||||
Genre | allegory | |||||||||||||||||||||||||||
Description |
Part of a series of 24 paintings illustrating the life of Marie de' Medici. |
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Depicted people | ||||||||||||||||||||||||||||
Date |
between 1621 and 1625 date QS:P571,+1621-00-00T00:00:00Z/8,P1319,+1621-00-00T00:00:00Z/9,P1326,+1625-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 394 cm (12.9 ft); width: 295 cm (116.1 in) dimensions QS:P2048,394U174728 dimensions QS:P2049,295U174728 |
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Collection |
institution QS:P195,Q19675 |
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Current location |
Richelieu, 2nd floor, room 18 |
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Accession number |
INV 1781 |
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Object history |
1620: commissioned by Marie de' Medici (1575-1642) for the Palais de Luxembourg, Paris date QS:P,+1625-00-00T00:00:00Z/7,P1326,+1625-00-00T00:00:00Z/9 : Palais de Luxembourg, Paris
by 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Louvre Museum, Paris |
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References |
Base Atlas Base Joconde RKDimages, Art-work number 194609 |
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Authority file | ||||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/r/rubens/40histor/04medici.html" |
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Other versions |
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Licensing edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Notes edit
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 07:03, 6 June 2011 | 951 × 1,200 (204 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = {{Creator:Peter Paul Rubens}} |title = The Capture of Juliers |description = |date = {{other date|between|1622|1625}} |medium = {{Oil on canvas}} |
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Metadata
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JPEG file comment | RUBENS, Pieter Pauwel
(b. 1577, Siegen, d. 1640, Antwerpen) The Capture of Juliers 1622-25 Oil on canvas, 394 x 295 cm Musée du Louvre, Paris Certainly, it was not the rather heavy features of the Medici family, particularly evident in the queen, that had attracted Henri IV, but the scale of her dowry. Rubens nevertheless contrived to render her portrait agreeable. He disguised her now as an attractive Bellona, now as a proud horsewoman in The Capture of Juliers. The royal couple become Olympian deities in The Meeting of Marie de Médicis and Henri IV at Lyon, while The Fates Spinning Marie's Destiny and The Triumph of Truth became pretexts for a proliferation of female convexity.
Author: RUBENS, Pieter Pauwel Title: The Capture of Juliers Time-line: 1601-1650 School: Flemish Form: painting Type: historical |
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