File:Schedoni Deposizione.jpg
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Captions
Summary edit
Bartolomeo Schedoni: The Deposition ( ) | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q629419 |
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Title |
The Deposition
label QS:Lit,"La Deposizione"
label QS:Lja,"キリスト降架"
label QS:Lfr,"La Déposition"
label QS:Lpl,"Zdjęcie z krzyża"
label QS:Lnl,"De kruisafneming"
label QS:Lde,"Die Kreuzabnahme"
label QS:Lpt,"A Deposição"
label QS:Len,"The Deposition"
label QS:Lvec,"La Deposission"
label QS:Lmk,"Симнување од крстот"
label QS:Les,"El Descendimiento de la cruz" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
1613 date QS:P571,+1613-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Collection |
institution QS:P195,Q772890 |
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Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/s/schedoni/depositi.html" |
Licensing edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 00:17, 29 November 2007 | 1,030 × 821 (116 KB) | Arianna (talk | contribs) | {{Information |Description= Deposizione, ol/tl, Parma, Gall. Naz. |Source= http://www.wga.hu/support/viewer/z.html |Date= 1613 |Author= Bartolomeo Schedoni |Permission= {{PD-Art}} |other_versions= }} Category:Bartolomeo Schedoni [[Category:Painters f |
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Metadata
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JPEG file comment | SCHEDONI, Bartolomeo
(b. 1578, Modena, d. 1615, Parma) The Deposition 1613 Oil on canvas Galleria Nazionale, Parma The two memorable masterpieces, The Two Marys at the Tomb, and The Deposition (originally in the Capuchin church at Fontevivo, near Parma) give us cause to regret the brevity of Bartolomeo Schedoni's tormented artistic life. They show that he really would have been able to point Baroque painting in an original and intense direction. The way he blocked out gestures, used violent light and dazzling whites, combined with perfect clarity of detail to produce an almost metaphysical effect.
Author: SCHEDONI, Bartolomeo Title: The Deposition Time-line: 1601-1650 School: Italian Form: painting Type: religious |
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