File:Sir Charles Bell and guests at Ache Lhamo.jpg

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English: Sir Charles Bell with some of the guests at the Ache Lhamo drama that he hosted. Sitting in front of a textile background hanging from carved and painted pillars of a building. Two servants in background. From left to right seated: Dorje Theji, Duke of Changlochen, Minister Tsarong (Shappe), Sir Charles Bell, Minister Ngar-po (Shappe), Priest Minister Parkang (Monk Shappe), Duke of Punkang, Kennedy. Bell and Kennedy are smoking cigars.

Manual Catalogues - Bell's List of Illustrations entry: "[No. of chapter] XXVII. [Subject of Chapter] Amusements. [Subject of Illustration] H139 (k) At my Ache Lhamo. Left to right, Dorje Techi, Duke of Chang-lo-chen, Minister Tsarong, Bell, Minister Ngar-Po, Priest Minister Parkang, Duke of Punkang, Kennedy"

Other Information - Setting: Bell's Diary for 12th August 1921:"I gave a theatrical (Ache Lhamo) entertainment, lasting three days, to some thirty or forty of my Tibetan friends, the total number entertained including servants being 70 to 80. Tibetan custom prescribes that the servants of those invited shall also be fed. In addition to cups of tea, every half hour or so. Two meals are given daily, one about mid-day, and the other about five in the afternoon. Tsarong Shappe, Palha Kenchen and Ngar-po Shappe, who is related to Palhese, are very generous in lending me silk hangings, cups, cooking utensils etc. etc. The entertainment was given in the Tse-trung Lingka. We, host and guests, sit in the Tro-khang; Kennedy and I with the Shappes and Dukes on the roof under a tent awning; the other guests in the verandah below. The Prime Minister is too unwell to come." [Diary Vol. XI, p.89]
Date
Source http://web.prm.ox.ac.uk/tibet/photo_1998.285.162.html
Author Rabden Lepcha?
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(Reusing this file)
Published in a 1921

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This work is in the public domain in India because its term of copyright has expired.

The Indian Copyright Act applies in India to works first published in India. According to the Indian Copyright Act, 1957, as amended up to Act No. 27 of 2012 (Chapter V, Section 25):

  • Anonymous works, photographs, cinematographic works, sound recordings, government works, and works of corporate authorship or of international organizations enter the public domain 60 years after the date on which they were first published, counted from the beginning of the following calendar year (i.e. as of 2024, works published prior to 1 January 1964 are considered public domain).
  • Posthumous works (other than those above) enter the public domain after 60 years from publication date, counted from the beginning of the following calendar year.
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The Indian Copyright Act, 1957 is not retroactive, so any work in which copyright did not subsist when it commenced did not have its copyright restored, and is in the public domain per the Copyright Act 1911.

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Public domain
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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