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Identifier: gri_33125003146434 (find matches)
Title: Storia della pittura in Italia dal secolo II al secolo XVI
Year: 1883 (1880s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 Mazza, Alfredo
Subjects: Painting, Italian
Publisher: Firenze : Le Monnier
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute

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no destra tiene il lungobordone da pellegrino che posa sul gradino ed è appog-giato alta spalla destra : ha laltra mano aperta ed abbas-sata. E a capo scoperto poiché il cappello a larghe faldegli pende dietro le spalle. A tergo e presso a lui vedesidi profilo una pellegrina genuflessa sul gradino infe-riore, con le braccia e le mani conserte al seno, e conun fazzoletto in capo accomodato sui capelli, chele co-pre le spalle e il seno. Lampio cappello da pellegrinale pende parimente dietro le spalle. * < Queste due figure sono indicate come i ritratti di Gerolamo Ria-rio e di Caterina Sforza, sua moglie; mail Reggiani (op. cit., pagg. 46-49) ne dubita; tuttavia nellimportante opera del conte Pier DesiderioPasolini su Caterina Sforza (Roma, Ermanno Loescher, ISOy), nel vo-lume II, cap. XIII, pag. 196, si legge: «Forlì, chiesa di San Gerolamo.Fresco dePalmezzani, forse su cartoni di Melozzo. Gerolamo Riario eCaterina Sforza sono inginocchiali in abito da pellegrini, Ottaviano loro
Text Appearing After Image:
MARCO PALMEZZANI 321 Dietro ai due pellegrini stanno di fronte quattropersonaggi ritti in piedi in atteggiamenti diversi, ilprimo dei quali è un giovane di lineamenti piacenticon berretta in capo, con folti e ricciuti capelli che gliscendono in due grandi masse fino alle spalle. È al-quanto curvo con la persona verso la pellegrina, elicnela mano del braccio sinistro piegato per accennarle lav-venuto miracolo. * Il secondo è un giovane con folti e co-piosi capelli discriminati nel mezzo, che gli cadonoricciuti intorno alla faccia e al collo sulle spalle. Eglipure coir indice della mano sinistra accenna ai galli re-suscitati, mentre ha laltra mano abbassata ed aperta.Il terzo, in parte nascosto da quest ultimo, è rivolto aguardare il miracolo, ed ha la mano del braccio destropiegato sul fianco. Tra la prima e la seconda delle figure testé de-scritte e dietro a queste, vedesi pure di faccia allo spet-tatore poco più della testa di una quarta figura che haun alta berretta in capo e

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Crowe, J. A. (Joseph Archer), 1825-1896; Cavalcaselle, G. B. (Giovanni Battista), 1820-1897;

Mazza, Alfredo
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28 July 2014
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