File:Thompson for Sheriff, 1970 (Aspen Wall Poster No. 5 verso).jpg

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English: Reverse side of the "Aspen Wall Poster No. 5", promoting Hunter S. Thompson's 1970 run for sheriff of Pitkin County, Colorado. The symbol of a two-thumbed fist with a peyote button represented the so-called "Freak Power" movement, Thompson's self-proclaimed base of support, and was later dubbed the "Gonzo Fist" after "gonzo journalism". Thompson wrote about his campaign in the article "The Battle of Aspen", published in Rolling Stone magazine no. 67 (October 1, 1970).

In HTML text format, the poster reads as follows:

"The Earth belongs to the living
. . . Not to the dead"

Thomas Jefferson in a letter
to John W. Eppes, June 24, 1813

Photo of Thompson looking at Whitmire, both on a debate stage
Thompson contemplates the bust of Whitmire

     The Random House dictionary of the English language defines "Freak" as "... any abnormal product or curiously unusual object ... a person or animal on exhibition as an example of some strange deviation from nature; monster..." Indeed. A very heavy image. And the same dictionary defines "Power" as "... the ability to do or act; capability of doing or accomplishing something." So in the context of semantics or straight word logic, the phrase "Freak Power" is a sloppy contradiction of its own terms. How, after all, could a group of deviates and monsters be capable of acting together to accomplish something? They would be helpless and impotent, almost by definition, a noisy Hellbroth of quirks and demented energy far beyond any channel or focus. Yet, despite the obvious irony of the phrase "Freak Power," NBC, the Los Angeles Times' finest traveling police reporter and maybe a few people in Aspen have apparently taken it at face value. And shuddered somewhere between glee and horror at the thought that some mob of gibbering, drug-crazed geeks might be ready to seize the county courthouse and put all the burghers on trial for their lives.
     In truth, that phrase was a crude, but super-effective piece of political theatre—which worked too well, so now is the time to bury it and move on to the serious action: the task of returning local government to the people who live in this valley, instead of the greedheads—and their local agents—who only want to invest here.
     Which raises a point about Freak Power that I'd like to make before we close the coffin, for some reason that has to embarrass me as a writer I failed to make it clear that I use the word "Freak" in a positive, sympathetic sense. In the ominous, ugly-splintered context of what is happening in 1970 Amerika a lot of people are beginning to understand that to be a freak is an honorable way to go.
"Gonzo Fist" in a six-pointed Sheriff's Star

Hunter S. Thompson for Sheriff Committee
Rev. Thomas Benton [—] Spiritual Director


     This is the real point: that we are not really freaks at all—not in the literal sense—but the twisted realities of the world we are trying to live in have somehow combined to make us feel like freaks. We argue, we protest, we petition—but nothing changes.
     So now, with the rest of the nation erupting in a firestorm of bombings and political killings, a handful of "freaks" are running a final, perhaps atavistic experiment with the idea of forcing change by voting... And if that has to be called Freak Power, well... Whatevers right. H.S.T.

The Aspen Wallposter Box K-3 Aspen, Colorado 81611

Date
Source
English: Scan via Freak Power page at Facebook. Alternate images of the back side can also be seen at tomwbenton.com.
Author
English: Illustrated and printed by Thomas W. Benton (1930–2007). Photo uncredited. Distributed in and around Aspen, Colorado by Benton, Thompson, and other "Freaks".
Permission
(Reusing this file)
English: The poster was publicly distributed (i.e., published) prior to 1978 without a copyright notice and, as such, forfeited copyright protection. Note that the reverse side of the poster was also printed with content, but that side did not include a copyright notice either; see link to source, which includes a high-resolution photo of the reverse side.

NOTE: Not every poster in the "Aspen Wall Poster" is in the public domain. Some of the other posters in the series did carry valid copyright notices and thus remain under copyright. For example, high-res scans from Thompson's FBI file (source, via MuckRock) show that Aspen Wall Poster No. 4 included the notice "© June, 1970 Meat Possum Press Ltd.", and Aspen Wall Poster No. 7 had "© January, 1971 Meat Possum Press Ltd."
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

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Other versions
File:Thompson for Sheriff, 1970 (Aspen Wall Poster No. 5).jpg
Front side
File:Gonzo.svg
SVG of the "Gonzo fist" symbol seen on the poster

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current07:42, 15 August 2020Thumbnail for version as of 07:42, 15 August 20201,434 × 2,048 (386 KB)Blz 2049 (talk | contribs)== {{int:filedesc}} == {{Information |Description={{en|1=Reverse side of the "Aspen Wall Poster No. 5", promoting Hunter S. Thompson's 1970 run for sheriff of Pitkin County, Colorado. The symbol of a two-thumbed fist with a peyote button represented the so-called "Freak Power" movement, Thompson's self-proclaimed base of support, and was later dubbed the "Gonzo Fist" after "gonzo journalism". Thompson wrote about hi...

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