Belem, Berardo Collection, Centro Cultural de Belem, Lisbon, Portugal

Material: Oil on canvas

BIOGRAPHY

PORTUGUESE VERSION

Pintor, escultor, designer de vitrais e escritor alemão, Otto Freundlich estudou História da Arte em Berlim e em Munique. Depois de uma viagem a Florença em 1905-06, começou a estender a sua actividade ao campo da escultura e em 1908-09 esteve em Paris onde conheceu Picasso, Braque e Gris, que influenciaram os seus primeiros trabalhos. De 1918 a 1924 viveu em Paris onde foi um dos membros fundadores do Novembergruppe. Em 1930 tornou-se membro do grupo Cercle et Carré e em 1931 do grupo Abstraction-Création, também em Paris, onde abriu a sua própria academia. Em 1924 estabeleceu-se como pintor de vitrais em França, tendo sido bem sucedido, e tornou-se num dos pintores abstractos que mais contribuiu para o Salão das Réalités Nouvelles juntamente com Kandinsky, Mondrian, Robert e Sonia Delaunay e Kupka. Contudo, na Alemanha o seu trabalho foi condenado pelos nazis, sendo assim mais uma das vítimas do holocausto. Preso e deportado em 1940, Freundlich morreu uns anos mais tarde num campo de concentração.

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ENGLISH VERSION

Freundlich was born in Stolp, Province of Pomerania, Prussia, and studied dentistry before deciding to become an artist. He went to Paris in 1908, living in Montmartre in Bateau Lavoir near to Pablo Picasso, Braque and others. In 1914 he returned to Germany.

After World War I, he became politically active as a member November Group. In 1919, he organized the first Dada - exhibition in Cologne with Max Ernst and Johannes Theodor Baargeld. In 1925, he joined the Abstraction-Création group.

After 1925, Freundlich lived and worked mainly in France. In Germany, his work was condemned by the Nazis as degenerate and removed from public display. Some works were seized and displayed at the infamous Nazi exhibition of degenerate art including his monumental sculpture Der Neue Mensch (The New Man) which was photographed unsympathetically and used as the cover illustration of the exhibition catalogue.

Der Neue Mensch was never recovered and is assumed to have been destroyed. One of his sculptures was recovered in an excavation in Berlin and put on display at the Neues Museum.

While in Paris, he became a member of the Union des Artistes Allemandes Libres.

With outbreak of World War II, Freundlich was interned by the French authorities but released, for a time, under the influence of Pablo Picasso. In 1943 he was arrested and deported to Majdanek Concentration Camp, where he was murdered on the day he arrived.

DOCUMENTARY FILM

Although Otto Freunlich has been largely overlooked since being vilified by the Nazis, a documentary Das Geht Nur Langsam (It Takes Time) was released in 2012. The film traces his vision to build streets of sculptures running through Europe symbolizing his utopian ideas for a world society