User:JWilz12345/FoP

• Commons:Freedom of panorama/table

Countries with compatible freedom of panorama

Angola

Freedom of panorama is provided at Article 51.º 1.c) of Lei n.º 15/14 de 31 de Julho (Angola Copyright Law). Use of works permanently located in public locations is allowed, "given that the title and name of the author of the work are stated, and that their genuinity and integrity is respected." See COM:CRT/Angola#Freedom of panorama for more information.

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  National Assembly building, 2015 (by Dar Al-Handasah, Shair and Partners)

Armenia

According to article 25 of the Armenian Law on Copyright and Related Rights it shall be lawful to reproduce or to communicate to the public, without authorization of the author and without remuneration, a work of architecture or the fine arts, a work of applied arts or a photographic work that is situated on streets, parks, squares and other places open for attendance. See COM:CRT/Armenia#Freedom of panorama for more information.

• 
  Alexander Tamanian Statue, 1974 (by sculptor Artashes Hovsepyan [d. 2017] and Seda Petrossian [d. 2005])
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  Armenian Alphabet Monument, 2005 (by Fred Afrikyan, d. 2018)
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  Armenian Genocide Memorial complex, 1967 (by architects Arthur Tarkhanyan [d. 2008] and Sashur Kalashyan, and artist Hovhannes Khachatryan)
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  Armenian Genocide Museum-Institute, 1995 (by architects Sashur Kalashian and Lyudmila Mkrtchyan, and sculptor F. Araqelyan)
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  Mesrop Mashtots statue (Matenadaran, Yerevan), 1962 (by Ghukas Chubaryan, d. 2009)
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  Mother Armenia (Yerevan), 1967 (by sculptor Ara Harutyunyan [d. 1999] and architect Rafayel Israyelian [d. 1973])
• 
  Sasuntsi Davit, 1959 (by sculptor Yervand "Kochar" Kocharyan [d. 1979] and architect Mikayel Mazmanian [d. 1971])
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  Smoking Woman (Yerevan), 2012 (by Fernando Botero)

Australia

This reproduction is permitted under the Australian Copyright Act, sections 65–68, which state (emphasis added): (65) (1) This section applies to sculptures and to works of artistic craftsmanship of the kind referred to in paragraph (c) of the definition of artistic work in section 10. (2) The copyright in a work to which this section applies that is situated, otherwise than temporarily, in a public place, or in premises open to the public, is not infringed by the making of a painting, drawing, engraving or photograph of the work or by the inclusion of the work in a cinematograph film or in a television broadcast. (66) The copyright in a building or a model of a building is not infringed by the making of a [reproduction]. (68) The copyright in an artistic work is not infringed by the publication of a [reproduction] if, by virtue of section 65, section 66 or section 67, the making of […] did not constitute an infringement of the copyright. This freedom applies to two-dimensional works only if they are considered "artistic works." See COM:CRT/Australia#FOP for more information.

• 
  101 Collins Street, 1991 (by Denton Corker Marshall firm)
• 
  Architectural Fragment, 1992 (by Petrus Spronk)
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  Australia 108, 2020 (by Fender Katsalidis Architects)
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  Australia Square Tower, 1964 (by Harry Siedler, d. 2006)
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  Australian Academy of Science – The Shine Dome, 1959 (by Sir Roy Grounds, d. 1981)
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  Australian–American Memorial, 1954 (by Richard Minchin Ure, d. 1992?)
• 
  Bust of Kim Hughes (Cootamundra), 2007 (by Wendy Black)
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  Chifley Tower, 1992 (by Kohn Pedersen Fox Associates)
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  Council House (Perth), 1963 (by Howlett and Bailey Architects)
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  Crown Sydney, 2020 (by WilkinsonEyre)
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  El Alamein Memorial Fountain, 1961 (by Robert Woodward [d. 2010] and Phill Taranto)
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  Eureka Tower, 2006 (by Fender Katsalidis Architects)
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  Federation Square (Melbourne), 2002 (by Lab Architecture Studio with Bates Smart)
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  Harry and Penelope Seidler House, 1967 (by Harry Seidler [d. 2006] and Penelope Seidler)
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  Italian National Ossario or Murchison Ossario, 1961 (by Paolo Caccia Dominioni, d. 1992)
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  Parliament House (Canberra), 1988 (by Romaldo Giurgola of Mitchell Giurgola & Thorp Architects, d. 2016)
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  Perth Stadium, 2017 (by Hassell, HKS Inc., and Cox)
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  Q1 (Queensland Number One) Tower (Gold Coast), 2005 (by SDG & The Buchan Group)
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  Silence, 2003 (by Adrian Mauriks)
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  Sydney Opera House, 1973 (by Jørn Utzon, d. 2008)
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  Sydney Tower, 1981 (by Donald Crone of Crone Architects)

Austria

Freedom of Panorama This picture of an otherwise copyrighted work may be distributed under the conditions of § 54 (1) Z. 5 of the Austrian copyright law which allows to reproduce, distribute, and publish architectural works of an actual building or other works of visual arts which were created to permanently remain at a public place. Note: Due to the principle of Lex loci protectionis, this applies only to reuse of this picture in Austria. Reuse in other countries is subject to local law. Further information can be found on Commons and in German Wikipedia.

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  Bergisel Ski Jump, 2002 (by Zaha Hadid, d. 2016)
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  Bust of Ferdinand Hanusch (Denkmal der Republik, Vienna), 1928 (by Mario Petrucci, d. 1972)
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  DC Tower 1, 2014 (by Dominique Perrault)
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  Donauturm, 1964 (by Hannes Lintl, d. 2003)
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  Hochhaus Neue Donau, 2002 (by Harry Seidler, d. 2006)
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  Hundertwasserhaus, 1985 (by Friedensreich Hundertwasser [d. 2000] and Josef Krawina)
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  Hypo-Arena (Klagenfurt), 2007 (by Albert Wimmer architectural firm)
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  IZD Tower, 2001 (by Architektengemeinschaft NFOG and Thomas Feiger)
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  Power Tower (Linz), 2008 (by Kaufmann of Linz and Weber & Hofer of Zürich)
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  Vienna International Centre, 1979 (by Johann Staber, d. 2005)
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  Vienna International Airport Terminal 1, 1992
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  Vienna University of Economics and Business – Learning Center, 2013 (by Zaha Hadid, d. 2016)

Bangladesh

According to Sec. 72 of the "2000 Copyright Act of Bangladesh", the following acts shall not constitute infringement of copyright, namely: (19) the making or publishing of a painting, drawing, engraving or photograph of architecture or the display of a work of architecture; (20) the making or publishing of painting, drawing, engraving or photograph of a sculpture or other artistic work falling under section 36(c) (enumerated as "other works of artistic craftsmanship" under Sec. 2, "Definitions"), if such work is permanently situated in a public place or any premises to which the public has access; (21) the inclusion in a cinematograph film of – (i) any artistic work permanently situated in a public place or any premises to which the public has access; or (ii) any other artistic work, if such inclusion is only by way of background or is otherwise incidental to the principal matters represented in the film;[...] Copyright law in Bangladesh See COM:CRT/Bangladesh#Freedom of panorama for more information.

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  City Centre Dhaka, 2012
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  Dhaka Railway Station, 1968 (by Daniel Dunham [d. 2000] and Robert G. Boughey)
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  Independence Monument (Swadhinata Stambha), 2013 (by Marina Tabassum and Kashef Mahboob Chowdhury)
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  The Martyr Tower (Shaheed Minar), 1971 (by Hamidur Rahman [d. 1988] in collaboration with Novera Ahmed [d. 2015])
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  Nagar Bhaban, 1995 (by  A. Imamuddin and Lailun Nahar Ekram)
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  National Parliament House (Jatiyô Sôngsôd Bhôbôn), 1982 (by Louis Khan [d. 1974] and Muzharul Islam [d. 2012])

Barbados

Freedom of panorama is granted by Section 73 of the Barbados Copyright Act, 1998 (archived copy / WIPO copy): (1) This section applies to (a) buildings; (b) sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or on premises open to the public. (2) The copyright in a work referred to in subsection (1) is not infringed by (a) making a graphic work representing it; (b) making a photograph or film of it; (c) broadcasting or including in a cable programme service a visual image of it; or (d) issuing to the public copies, or the broadcasting or including in a cable programme service anything whose making was, by virtue of this section, not an infringement of copyright. For more information, see COM:CRT/Barbados#Freedom of panorama.

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  "Bussa" Emancipation Statue, 1985 (by Karl Broodhagen, d. 2002)

Belgium

The reproduction of this work is covered under the article XI.190 of the Code of Economic Law, which states that "Once a work has been lawfully published, its author may not prohibit: [...] 2/1°. reproduction and communication to the public of works of plastic, graphic or architectural art designed to be placed on a permanent basis in public places, provided that the reproduction or the communication of the work is as it is found there and that this reproduction or communication does not infringe upon the normal exploitation of the work and does not cause unreasonable harm to the legitimate interests of the author [...]." See COM:CRT/Belgium#Freedom of panorama for more information.

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  Altiero-Spinelli building of the European Parliament, 1998
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  Atomium, 1958 (by engineer André Waterkeyn [d. 2005] and architects André [d. 1988] and Jean Polak [d. 2012])
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  Berlaymont building of the European Commission, 1969 (by Lucien De Vestel [d. 1967] in association with Jean Gilson, André Polak, and Jean Polak)
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  Bust of Albert Giraud (Josaphat Park, Brussels) (by Victor Rousseau, d. 1954)
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  Charles Buls monument panel, 1899 (by Victor Rousseau [d. 1954] with architect Victor Horta [d. 1947])
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  De Lopers (Sint-Niklaas), 1978 (by Mariëtte Teugels)
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  Ellipse Building, 2007 (by Montois Partners Architects)
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  Europa, 1993 (by May Claerhout, d. 2016)
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  Ghent University – Boekentoren (Book Tower), 1942 (by Henry van de Velde, d. 1957)
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  Jeanneke Pis, 1987 (by Denis-Adrien Debouvrie, d. 2008)
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  József Antal building, 2008
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  Kazerne Dossin museum and documentation centre building, 2001
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  Liège-Guillemins railway station, 2009 (by Santiago Calatrava)
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  Maison Guiette, 1927 (by Le Corbusier, d. 1965)
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  Mini-Europe theme park, 1989 (various architects)
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  Paul Henri-Spaak building of the European Parliament, 1994 (by Michel Boucquillon)
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  Port Authority Building extension (Antwerp), 2016 (by Zaha Hadid, d. 2016)
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  Villa Dirickz, 1933 (by Marcel Leborgne, d. 1978)
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  Zenith Building, 2009 (by SCAU with José Vandevoorde)

Once copyrighted (as of July 2016), now in public domain

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  Horta Museum, 1901 (by Victor Horta, d. 1947, pd 2018)
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  Old England building (now housing Muziekinstrumentenmuseum), 1899 (by Paul Saintenoy, d. 1952, pd 2023)

Bolivia

Decision 351 of the Andean Community of Nations provides for FOP as follows: "Article 22.- Without prejudice to that put forth in the Chapter 5 and in the previous article, it will be legal to realize, without authorization from the author and without the payment of any remuneration, the following acts:...h) Realizing the reproduction, emitting by radio diffusion or public transmission by cable, of the image of an architectural work, of a work of fine arts, of a photographic work or of a work of applied art, that is found situated in permanent form in a place open to the public". See COM:CRT/Bolivia#Freedom of panorama for more information.

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  Cristo de la Concordia, 1994 (by César and Wálter Terrazas Pardo)

Brazil

The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes. Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party. See COM:CRT/Brazil#Freedom of panorama for more information.

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  Basilica of Our Lady of Aparecida, 1980 (by Benedito Calixto Neto, d. 1972)
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  Catedral de Brasília, 1970 (by Oscar Niemeyer, d. 2012)
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  Cristo Redentor, 1931 (by Paul Landowski, d. 1961)
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  Edifício Copan, 1961 (by Oscar Niemeyer [d. 2012] and his firm)
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  Edifício Itália, 1965 (by Adolf Franz Heep, d. 1978)
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  Museu da Cidade (Brasília), 1960 (by Oscar Niemeyer, d. 2012)
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  Palácio da Alvorada (Palace of the Dawn), 1958 (by Oscar Niemeyer, d. 2012)
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  Palácio do Congresso Nacional, 1960 (by Oscar Niemeyer, d. 2012)

Brunei

Freedom of panorama is granted by Section 66 of the Emergency (Copyright) Order, 1999: (1) This section applies to — (a) buildings; and (b) sculptures, models for buildings and works of artistic craftsmanship, if permanently situated in a public place. (2) The copyright in such a work is not infringed by — (a) the making of a graphic work representing it; (b) the making of a photograph or film of it; (c) the broadcasting of it, or the inclusion in a cable programme service of a visual image of it; or (d) the issue to the public of copies, or the broadcasting or inclusion in a cable programme service, of anything whose making was, under this subsection, not an infringement of the copyright. For more information, see COM:CRT/Brunei#Freedom of panorama.

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  Jame' Asr Hassanal Bolkiah Mosque, 1994

Canada

The photographical reproduction of this work is covered under s. 32.2(1)(b) of the Copyright Act (Canada), which states: 32.2 (1) It is not an infringement of copyright... (b) for any person to reproduce, in a painting, drawing, engraving, photograph or cinematographic work (i) an architectural work, provided the copy is not in the nature of an architectural drawing or plan, or (ii) a sculpture or work of artistic craftsmanship or a cast or model of a sculpture or work of artistic craftsmanship, that is permanently situated in a public place or building This freedom does not apply to typical two-dimensional works such as paintings, murals, advertising hoardings, maps, posters, signs or other flat artworks. See COM:CRT/Canada#Freedom of panorama for more information.

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  La Biosphère de Montréal, 1967 (by Buckminster Fuller, d. 1983)
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  The Bow (Calgary), 2010 (by Foster + Partners and Zeidler Partnership Architects)
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  CN Tower, 1976 (by WZMH Architects, John Hamilton Andrews, Webb Zerafa, Menkes Housden with the help of E.R. Baldwin)
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  Flight Stop, 1979 (by Michael Snow, d. 2023)
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  Olympic Stadium (Montréal), 1976 (by Roger Taillibert, d. 2019)
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  Rogers Centre, 1989 (by Roderick "Rod" Robbie, OC, d. 2012)
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  Science World (formerly "Expo Centre", Vancouver), 1985 (by Bruno Freschi)
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  Telus Sky (Calgary), 2020 (by Bjarke Ingels Group)
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  Women are Persons! monument (Calgary), 1999 (by Barbara Paterson)
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  Women are Persons! monument (Ottawa), 2000 (by Barbara Paterson)

Chile

Article 71F of the Chilean copyright law 17336 provides freedom of panorama: “ The reproduction of architectural works through photography, cinema, television or any other similar process, as well as the publication of the corresponding photographs in newspapers, reviews, books and texts intended for educational purposes, shall be free and not subject to payment, provided that this is not in a complete or partial separate collection, without the author's consent. Similarly, the reproduction through photography, drawing or any other process, of monuments, statues and, in general, those artistic works that adorn squares, avenues and public places on a permanent basis, shall be free and not subject to payment, provided that the publication and sale of the reproductions is lawful. ” See COM:CRT/Chile#Freedom of panorama for more information.

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  Costanera Center Torre 2 / Gran Torre Santiago, 2013 (by César Pelli [d. 2019], Alemparte Barreda & Asociados, and Watt International)
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  Mano del Desierto, 1992 (by Mario Irarrázabal)
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  Titanium La Portada, 2010 (by Abraham Senerman and Andrés Weil)

China

The reproduction of this artistic, architectural, or applied artwork, is covered under the Copyright Law of the People's Republic of China, which allows reproduction of works in public place if the author and the name of the original work is attributed. Note: This does not apply to 2D works of art like outdoor paintings permanently installed in public spaces and murals. Copyright Law of the People's Republic of China, Article 24: In the following cases, a work may be used without permission from, and without payment of remuneration to, the copyright owner, provided that the name of the author and the title of the work shall be indicated, the normal use of the work shall not be affected, and the legitimate rights and interests of the copyright owner shall not be infringed unreasonably: (10) copying, drawing, photographing, or video recording of an artistic work located or on display in a public place; See COM:CRT/China#Freedom of panorama for more information.

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  August 1st Building / Bayi Building, 1997 (by Fourth Design and Research Institute of the Engineering Corps of the Joint Staff Department of the Central Military Commission)
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  Bank of China Tower (Shanghai), 1999 (by Nikken Sekkei Ltd.)
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  Bank of Shanghai Headquarters, 2005 (by Kenzō Tange Associates)
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  Beijing Daxing International Airport, 2019 (by Zaha Hadid Architects)
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  Beijing Railway Station, 1959 (by Yang Tingbao [d. 1982] and Chen Deng'ao)
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  Beijing Yintai Centre (Beijing Yintai Centre Tower 2, Yintai Office Tower, and PICC Office Tower), 2007 (by John C. Portman Jr., d. 2017)
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  Bocom Financial Towers, 2002 (by ABB Architekten)
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  Canton Tower, 2010 (by Mark Hemel and Barbara Kuit of Information Based Architecture)
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  CCTV Headquarters, 2012 (by Office for Metropolitan Architecture and East China Architectural Design & Research Institute)
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  China pavilion at Expo 2010, 2010 (by He Jingtang)
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  China World Trade Center Tower III, 2010 (by Skidmore, Owings and Merrill)
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  CITIC Plaza, 1996 (by Dennis Lau & Ng Chun Man Architects & Engineers)
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  CITIC Tower / China Zun (Beijing), 2018 (by Farrells [concept design] and Kohn Pedersen Fox Associates [finishing design])
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  Emperors Yan and Huang (Zhengzhou), 2007 (by Wu Shuhua)
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  Galaxy SOHO, 2012 (by Zaha Hadid, d. 2016)
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  Gate of the East, 2016 (by RMJM)
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  Grand Buddha at Ling Shan (Wuxi), 1996
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  Great Hall of the People, 1959 (by Zhang Bo [d. 1999] and Zhao Dongri [d. 2005])
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  Guangzhou International Finance Center, 2010 (by WilkinsonEyre)
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  Guangzhou Opera House, 2010 (by Zaha Hadid, d. 2016)
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  Guanyin of Mount Xiqiao (Foshan), 1998
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  Guanyin of Nanshan (Sanya), 2005
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  Guishan Guanyin of the Thousand Hands and Eyes, 2009
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  Jin Mao Tower, 1999 (by Adrian Smith)
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  Long Live the Victory of Mao Zedong Thought, 1970 (by the students from the Art Academy)
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  May Wind Sculpture (Qingdao)
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  Nanjing International Youth Cultural Centre, 2015 (by Zaha Hadid, d. 2016)
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  Nanjing Olympic Sports Centre, 2005 (by Populous)
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  Nanning International Convention and Exhibition Center, 2003 (by Architekten von Gerkan, Marg und Partner in cooperation with HL Technik, Hamburg; Guangxi Architectual Comprehensive Design & Research Institute)
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  National Centre for the Performing Arts, 2007 (by Paul Andreu, d. 2018)
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  National Stadium (Beijing), 2008 (by Herzog & de Meuron, ArupSport, and China Architectural Design & Research Group)
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  Oriental Pearl Tower, 1994 (by Jiang Huancheng, Lin Benlin, and Zhang Xiulin)
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  Ping An International Finance Center (Shenzhen), 2017 (by Kohn Pedersen Fox Associates)
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  Shanghai Pudong Customs Building, 1996
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  Shanghai Tower, 2014 (by Marshall Strabala and Jun Xia)
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  Shanghai Wheelock Square, 2010 (by Kohn Pedersen Fox Associates)
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  Shanghai World Financial Center, 2008 (by Kohn Pedersen Fox)
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  Sheraton Huzhou Hot Spring Resort, 2013 (by Ma Yansong)
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  Spring Temple Buddha, 2008
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  Suzhou Museum, 2006 (by I. M. Pei, d. 2019)
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  Tianjin World Financial Center, 2010 (by Skidmore, Owings and Merrill)
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  Wangjing SOHO, 2014 (by Zaha Hadid, d. 2016)
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  Zifeng Tower (Nanjing), 2010 (by Adrian Smith)

Hong Kong

According to Sect 71 of the Copyright Ordinance of Hong Kong, it is not a copyright infringement to make graphic representations, take photographs, or broadcast the images of buildings, sculptures, models for buildings and works of artistic craftsmanship, if the object is permanently situated in a public place or in premises open to the public. Because Hong Kong was a territory of the United Kingdom until 1997, Hong Kong law is modelled on UK law, and in the absence of any specific case law to the contrary it is reasonable to assume that the rules will be similar. Similar to the UK law, 'works of artistic craftsmanship' is defined separately from 'graphic work'. The latter includes any painting, drawing, diagram, map, chart or plan, and any engraving, etching, lithograph, woodcut or similar work. Therefore freedom given in Sect 71 does not apply to posters or maps in public places. Cap 528 Sect 71, Copyright Ordinance (in traditional Chinese) Definition of 'graphic work' (in traditional Chinese) See COM:CRT/Hong Kong#Freedom of panorama for more information.

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  Bank of China Tower, 1990 (by I. M. Pei [d. 2019] and L. C. Pei)
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  Central Plaza, 1996 (by Dennis Lau & Ng Chun Man Architects & Engineers (HK) Ltd.)
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  The Center, 1998 (by Dennis Lau & Ng Chun Man Architects & Engineers (HK) Ltd.)
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  Cheung Kong Center, 1999 (by Leo A Daly [architectural firm] and César Pelli [d. 2019])
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  Hong Kong Convention and Exhibition Centre, 1989 (by Larry Oltmanns)
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  Hopewell Centre, 1980 (by Gordon Wu)
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  HSBC Main Building, 1985 (by Foster + Partners)
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  International Commerce Centre, 2010 (by Kohn Pedersen Fox Associates)
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  Jardine House, 1973 (by P&T Group)
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  Jockey Club Innovation Tower, 2014 (by Zaha Hadid, d. 2016)
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  Peak Tower, 1997 (by Farrells)
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  Prince's Building, 1965 (by P&T Group)
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  Ruyilun Guanyin statue (Tsz Shan Monastery, Tai Po District), 2012
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  Standard Chartered Bank Building, 1990 (by P&T Group)
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  Tian Tan Buddha (Lantau Island), 1993
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  Two International Finance Centre, 2003 (by César Pelli & Association Architects)

Macao

Macao copyright law allows the use of works installed at public locations. According to Decree-Law No. 43/99/M of August 16, 1999, on the Regime of Copyright and Related Rights (as amended by Law No. 5/2012 of April 10, 2012): It is legal, without the consent of the author ... To make copies by photography, videography, cinematography or other analogous means, of works of art placed in public places.[43/99/M/2012 Article 61(l)] However, the free use of a protected work must not prevent its normal economic exploitation nor unjustifiably prejudice the legitimate interests of the author.[43/99/M/2012 Article 62(l)] The reproductions allowed under article 61 should not be confused with the original works by those who use them, and the reproduction or citation cannot be so extensive as to detract from the interest in those works.[43/99/M/2012 Article 62(3)] See COM:CRT/Macao#Freedom of panorama for more information.

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  Grand Lisboa, 2008 (by Dennis Lau & Ng Chun Man Architects & Engineers (HK) Ltd.)
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  Macao Science Center, 2009 (by I. M. Pei, d. 2019)
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  Morpheus hotel, 2018 (by Zaha Hadid Architects)

Colombia

The Colombian copyright law, Law No. 23 of 1982 on Copyright (text in Spanish from the website of Administrative Department of Public Service), provides a freedom of panorama provision: It shall be permissible to reproduce, through paintings, drawings, photographs or cinematographic films, works that are permanently placed on public roads, streets or squares, and to distribute and communicate to the public such reproductions or works such reproductions of the works. With regards to the works of architecture, this provision shall only be applicable to the external appearance.[23/1982–2023 Art 39] This provision regulates the Article 22 of the Decision 351 (concerning copyright) of the Andean Community of Nations, of which Colombia is part of. See COM:CRT/Colombia#Freedom of panorama for more information.

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  Centro de Comercio Internacional, 1977
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  Edificio Coltejer, 1972 (by a consortium of architects: Raúl Fajardo Moreno [d. 2012], Esguerra, Sáenz y Samper, and Vélez y Jorge Manjarréz)
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  Torre Colpatria, 1978 (by Obregón, Valenzuela & Cía. Ltda)
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  Torre de Cali, 1984 (by Jaime Vélez)

Cuba

Cuban law from 1997 allows 2D reproductions of works of art permanently installed in publicly accessible places, except museums and exhibition venues under Article 38 (c) (translation as follows): Article 38 — It is permissible, without the author's consent and without remuneration, but with obligatory reference to his name and provided the work is public knowledge and respectful of the artist's specific values: c) to reproduce by any means, except those involving direct contact with its surface, a work of art of any type on permanent display in a public place, except those in exhibitions and museums; See COM:CRT/Cuba#Freedom of panorama for more information.

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  Christ of Havana, 1958 (by Jilma Madera, d. 2000)
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  Edificio del Seguro Médico, 1958 (by Antonio Quintana Simonetti, d. 1993)
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  Edificio Focsa, 1956 (by Martín Domínguez Esteban [d. 1970] and Ernesto Gómez Sampera [d. 2004])

Czech Republic

The photographical reproduction of the depicted work is covered under the article §33 of the Czech Copyright Act, which states: (1) Copyright is not infringed by anybody who records or expresses by drawing, painting, graphic art, photography or film a work permanently located on a square, in a street, in a park, on a public route or in any other public place; copyright shall likewise not be infringed by anybody who further uses a work so expressed, rendered or recorded. If possible, the name of the author (unless the work is an anonymous work) or the name of the person under whose name the work is being introduced in public, the title of the work and its location shall be indicated. (2) The provisions of Paragraph (1) shall not apply to making a reproduction or imitation of a work of architecture in the form of erecting a building and to the reproduction and distribution of a work in the form of a three-dimensional reproduction. See COM:CRT/Czech Republic#Freedom of panorama for more information.

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  Dancing House, 1996 (by Vlado Milunić and Frank Gehry)
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  Emmaus Monastery building – roof and steeples, 1968 (by František Maria Černý, d. 1978)
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  Hotel International Prague, 1956 (by František Jeřábek)
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  Ještěd Tower, 1973 (by Karel Hubáček, d. 2011)
• 
  Omega building, 2006 (by Kuba & Pilař architects)
• 
  Statue of Franz Kafka (Prague), 2003 (by Jaroslav Róna)
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  University of Pardubice – Faculty of Chemical Technology building, 2008 (by Kuba & Pilař architects)
• 
  Villa Tugendhat, 1930 (by Ludwig Mies van der Rohe [d. 1969] and Lilly Reich [d. 1947])
• 
  Žižkov Television Tower, 1992 (by Václav Aulický)

Denmark (buildings only)

The article 24 of the Danish copyright law permits free uses of depictions of architecture. This, however, does not extend to the works of art that are located in public places. They cannot be commercially published when they constitute the central element of the picture. English translation Case of The Little Mermaid statue Heirs of the mermaid earn lots on copyright (July 30, 2007 article by Journalisten, in Danish) Denmark's icon… that we can't show you (August 16, 2014 article by The Local, in English) If You Try to Publish a Picture of this Statue in Denmark, You'd Better be Ready to Pay Up (August 20, 2014 article by PetaPixel, in English) See COM:CRT/Denmark#Freedom of panorama for more information.

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  Bagsværd Church, 1976 (by Jørn Utzon, d.2008)
• 
  Copenhagen Opera House, 2004 (by Henning Larsen, d. 2013)
• 
  Ordrupgaard, 2005 (by Zaha Hadid, d. 2016)
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  Svaneke water tower, 1952 (by Jørn Utzon, d. 2008)
• 
  Utzon Center, 2008 (by Jørn Utzon [d. 2008] and Kim Utzon)

Ecuador

Decision 351 of the Andean Community of Nations provides for FOP as follows: "Article 22.- Without prejudice to that put forth in the Chapter 5 and in the previous article, it will be legal to realize, without authorization from the author and without the payment of any remuneration, the following acts:...h) Realizing the reproduction, emitting by radio diffusion or public transmission by cable, of the image of an architectural work, of a work of fine arts, of a photographic work or of a work of applied art, that is found situated in permanent form in a place open to the public". See COM:CRT/Ecuador#Freedom of panorama for more information.

• 
  Virgen de El Panecillo, 1975 (by Agustín de la Herrán Matorras)

Egypt

The reproduction or copying of this artistic work located in a public place is permitted under the copyright law of Egypt. The concept of freedom of panorama is implicitly covered by Article 171 of Egypt's Intellectual Property Law 82 of 2002, which states that the author of a work can not prevent the "reproduction or copying works of fine, applied or plastic arts", if the work is displayed in a public place or is a work of architecture. See COM:CRT/Egypt#Freedom of panorama for more information.

• 
  Cairo Opera House, 1988 (per touregypt.net, "designed by a team of Japanese and Egyptian architects")
• 
  Cairo Tower, 1961 (by Naoum Shebib, d. 1985)
• 
  Grand Hyatt Cairo, 2000 (by William B. Tabler Architects)
• 
  Italian War Memorial (al-ʿAlamayn), 1958 (by Paolo Caccia Dominioni, d. 1992)
• 
  San Stefano Grand Plaza, 2007 (by WZMH Architects)
• 
  Tomb of the Unknown Soldier (Cairo), 1975 (by Sami Rafi, d. 2019)

Finland (buildings only)

Article 25a(4) of the Finnish copyright law permits panorama freedom for buildings, both exteriors and interiors, regardless of whether the place is public (laws of privacy do apply). Freedom of panorama (article 25a(3)) does cover taking photos (or otherwise reproduce in pictorial form) of art in or in the immediate vicinity of a public place, but the reproductions may not be used commercially (therefore not compatible with Commons), when the work of art is the central element of the picture. Finnish law of copyright (8.7.1961/404) in Finnish (as amended; maintained by the Ministry of Justice) Finnish law of copyright (8.7.1961/404) in Swedish (as amended; maintained by the Ministry of Justice) Unofficial English translation of the law (PDF, maintained by the Ministry of Justice; at least amendments up to 22.5.2015/608 included; see list of changes) See COM:CRT/Finland#Freedom of panorama for more information.

• 
  Finlandia Hall, 1971 (by Alvar Aalto, d. 1976)
• 
  Helsinki Music Centre, 2011 (by Marko Kivistö, Ola Laiho, and Mikko Pulkkinen [d. 2016])
• 
  Kallio Church, by Lars Sonck (d. 1956)
• 
  Kamppi Chapel, 2012 (by Kimmo Lintula, Niko Sirola, and Mikko Summanen)
• 
  Kamppi Chapel interior
• 
  Kiasma (Museum of Contemporary Art), 1998 (by Steven Holl)
• 
  Temppeliaukio Church, 1969 (by brothers Timo and Tuomo Suomalainen, d. 2021 and 1988 respectively)
• 
  Villa Kokkonen, 1969 (by Alvar Aalto, d. 1976)

Once copyrighted (as of 2012), now in public domain

• 
  Helsinki Central Station, 1909 (by Gottlieb Eliel Saarinen, d. 1950, pd 2021)

Germany

The photographical reproduction of this work is covered under the article § 59 of the German copyright law, which states that "It shall be permissible to reproduce, by painting, drawing, photography or cinematography, works which are permanently located on public ways, streets or places and to distribute and publicly communicate such copies. For works of architecture, this provision shall be applicable only to the external appearance." As with all other “limits of copyright by legally permitted uses”, no changes to the actual work are permitted under § 62 of the German copyright law (UrhG). See Commons:Copyright rules by territory/Germany#Freedom of panorama for more information.

• Note: German FOP is very particular on photographer's location. The more access-restricted (does not matter if it is publicly-accessible or the public work is paid or owned by the government or the public), the more protected the economic rights of the architects, artists, or their heirs.

• 
  Allianz Arena, 2005 (by Herzog & de Meuron firm)
• 
  Bauhaus Dessau, 1926 (by Walter Gropius, d. 1969)
• 
  Berlin sculpture, 2000 (by Eduardo Chillida)
• 
  Berlin Wall's East Side Gallery –Hommage an die junge Generation, 1990 (by Thierry Noir)
• 
  Commerzbank Tower, 1997 (by Sir Norman Foster)
• 
  Elbphilharmonie, 2017 (by Herzog & de Meuron firm)
• 
  Europaturm (Frankfurt am Main), 1979 (by Johannes Möhrle, d. 2017)
• 
  Federal Chancery (Berlin), 2001 (by Axel Schultes and Charlotte Frank)
• 
  Fernsehturm Berlin, 1969 (by Hermann Henselmann [d. 1995], Jörg Streitparth, Fritz Dieter [d. 2002], Günter Franke [d. 2011], and Werner Ahrendt)
• 
  Florianturm (Dortmund), 1959 (by Will Schwarz, d. 1992)
• 
  Haus Le Corbusier (Weißenhofsiedlung, Stuttgart), 1927 (by Le Corbusier, d. 1965)
• 
  Himmelsblumen, 2003 (by Sergej Alexander Dott)
• 
  Karl-Marx-Monument, 1971 (by Lev Kerbel, d. 2003)
• 
  "Liebe deine Stadt installation" (Köln) (by Merlin Bauer)
• 
  Memorial to the Murdered Jews of Europe, 2004 (by Peter Eisenman)
• 
  Neue Nationalgalerie, 1968 (by Ludwig Mies van der Rohe, d. 1969)
• 
  Norddeutsche Landesbank (Hannover), 2002 (by Behnisch Architekten)
• 
  Phæno Science Center, 2005 (by Zaha Hadid, d. 2016)
• 
  Reichstag dome, 1999 (by Sir Norman Foster)
• 
  Smiling Lips artwork on a cruise ship of German liner AIDA Cruises (by Feliks Büttner) — see Bundesgerichtshof 27 April 2017, case I ZR 247/15 AIDA Kussmund, (2017) 119 GRUR 798
• 
  Unilever headquarters for Germany, Austria, and Switzerland and Marco Polo Tower (Hamburg), 2009 and 2010 respectively (by Behnisch Architekten)
• 
  Vitra Design Museum, 1989 (by Frank Gehry)
• 
  Vitra Fire Station, 1993 (by Zaha Hadid, d. 2016)

Grenada

Section 19(a) of the Copyright Act (Cap. 67, Act No. 21 of 2011) provides for a freedom of panorama provision for artistic works in Grenada that are "permanently situated in public place(s) or in premises open to the public." Allowable means of depictions or representations are works (which include photographic and audiovisual works by definition of "work" under Section 3), broadcasts, and communications to the public. See also COM:CRT/Grenada#Freedom of panorama for more information.

• 
  Molinere Underwater Sculpture Park artworks, 2006–2007 (by Jason deCaires Taylor)

Hungary

This reproduction is permitted under article 68 of the Hungarian copyright law (1999/LXXVI), which specifies that if a fine art, architectural or applied art creation is erected with a permanent character outdoors in a public place, a view of it may be made and used without the authorization of the author and paying remuneration to him. Note: According to the article 68 Paragraph (5), the provision of Article 34, Paragraph (1), that "from a disclosed work any part may be cited by indication of the source and naming the author indicated as such", shall not be applicable to the use of fine art, artistic photographic and applied art creations. According to the article 67 Paragraph (3) the author’s name has to be indicated on a view if this is intended to present a specific fine art, architectural, applied art or industrial design creation or engineering structure. The author’s name has likewise to be indicated if such creations are used for presentation in scientific and educational lectures as well as for school education purposes (Article 33, Paragraph (4)). See COM:CRT/Hungary#Freedom of panorama for more information.

• 
  László Papp Budapest Sports Arena, 2003 (by KÖZTI and Sport Concepts)
• 
  Liberty Statue (Budapest), 1947 (by Zsigmond Kisfaludi Strobl, d. 1975)
• 
  Müpa Budapest, 2005 (by Zoboki, Demeter és Társaik Építésziroda)
• 
  National Theater (Budapest), 2002 (by Mária Siklós and György Vadász)
• 
  Pesti srác, 1996 (by Lajos Győrfi)
• 
  Shoes on the Danube Bank, 2005 (by Gyula Pauer, d. 2012)
• 
  Statue of Gyula Gózon, 2005 (by János Babusa)
• 
  Statue of John Paul II (Budapest), 2008 (by János Babusa)
• 
  Statue of Kálmán Latabár, 2002 (by Péter Párkányi Raab)
• 
  Végvári vitézek (Eger), 1967 (by Zsigmond Kisfaludi Strobl, d. 1975)

India

This reproduction is permitted under the Indian Copyright Act of 1957, Section 52, which states: ... (s) the making or publishing of a painting, drawing, engraving or photograph of a work of architecture or the display of a work of architecture; (t) the making or publishing of a painting, drawing, engraving or photograph of a sculpture, or other artistic work failing under sub-clause (iii) of clause (c) of section 2 ["any other work of artistic craftsmanship"], if such work is permanently situate in a public place or any premises to which the public has access; Note that this does not include copies of paintings, drawings, or photographs, as they do not fall under the referenced sub-clause (iii). They fall under sub-clause (i). (u) the inclusion in a cinematograph film of- (i) any artistic work permanently situate in a public place or any premises to which the public has access; Indian law is modelled on UK law, and in the absence of any specific case law to the contrary it is reasonable to assume that the rules will be similar. See the United Kingdom section for more details. See COM:CRT/India#Freedom of panorama for more information.

• 
  The Imperial, 2010 (by Hafeez Contractor)
• 
  Lotus Temple, 1986 (by Fariborz Sahba)
• 
  National Fisheries Development Board Building (Hyderabad), 2012 (by Central Public Works Department of India)
• 
  Palace of Assembly (Chandigarh), 1961 (by Le Corbusier, d. 1965)
• 
  Punjab and Haryana High Court, 1956 (by Le Corbusier, d. 1965)
• 
  Secretariat Building (Chandigarh), 1958 (by Le Corbusier, d. 1965)
• 
  Statue of Equality, 2022 (by DNV Prasad Sthapathi)
• 
  Statue of Unity, 2018 (by Ram V. Sutar)
• 
  Veera Abhaya Anjaneya Hanuman Swami, 2003

Ireland

The photographical reproduction of this work is covered under the article §93 of the Irish copyright law, which states that it is permitted for photographers to take pictures of sculptures, buildings, and works of artistic craftsmanship that are permanently located in a public place or premises open to the public, and to publish such pictures in any way. See COM:CRT/Ireland#Freedom of panorama for more information.

• 
  Dublin Airport Terminal 2, 2010 (by Pascall+Watson firm)
• 
  The Rabble Children, 1994 (by Maurice Harron)

Israel

The reproduction of this architectural work, work of sculpture or work of applied art, is covered under the Israeli copyright statute (2007), which states that "Broadcasting, or copying by way of photography, drawing, sketch or similar visual description, of an architectural work, a work of sculpture or work of applied art, are permitted where the aforesaid work is permanently situated in a public place." (paragraph 23) See COM:CRT/Israel#Freedom of panorama and COM:CRT/Israel#De minimis for more information.

• 
  Ashdod Performing Arts Center, 2012 (by Haim Dotan)
• 
  Beit Shmuel - Mercaz Shimshon, 1986 (by Moshe Safdie)
• 
  Bet Gabriel on the Sea of ​​Galilee, 1993 (by Ulrich Plesner, d. 2016)
• 
  Design Museum Holon, 2010 (by Ron Arad)
• 
  Jerusalem International YMCA, 1933 (by Arthur Loomis Harmon, d. 1958)
• 
  Mivtachim Sanitarium (now Elma Hotel), 1969 (by Yaakov Rechter, d. 2001)
• 
  Supreme Court of Israel, 1992 (by Ada Karmi-Melamede and Ram Karmi [d. 2013])
• 
  Tel Aviv Museum of Art – Herta and Paul Amir Building, 2011 (by Preston Scott Cohen)

Japan (buildings only)

Reproduction of the architectural work(s) in this image is permitted under Section 46 of the Copyright Law of Japan, as long as it does not constitute "imitative reproduction of an architectural work and offering it to the public by transfer of ownership of its copies." This permission does not apply to artistic works in general or to buildings that are considered artistic works, unless they are in public domain. See COM:CRT/Japan#Freedom of panorama for more information.

• 
  Asahi Breweries – Azumabashi Building, 1989 (by Nikken Sekkei Ltd.)
• 
  Asahi Breweries – Super Dry Hall, 1989 (by Philippe Starck)
• 
  Beppu Tower, 1957 (by Tachū Naitō, d. 1970)
• 
  Fukuoka Tower, 1989 (by Nikken Sekkei Ltd.)
• 
  Hiroshima Peace Memorial Museum, 1951 (by Kenzō Tange, d. 2005)
• 
  Japan National Stadium, 2019 (by Kengo Kuma)
• 
  Kōbe Port Tower, 1963 (by Koichi Ito and Naka Takeo [d. 2008] of Nikken Sekkei, Ltd.)
• 
  Kurashiki City Hall old building, 1960 (by Kenzō Tange, d. 2005)
• 
  Kyōto Tower, 1964 (by Mamoru Yamada, d. 1966)
• 
  Miho Museum, 1997 (by I. M. Pei, d. 2019)
• 
  Mode Gakuen Cocoon Tower (Tōkyō), 2008 (by Tange Associates)
• 
  Nakagin Capsule Tower, 1972 (by Kisho Kurokawa, d. 2007)
• 
  National Museum of Western Art, 1959 (by Le Corbusier, d. 1965)
• 
  Nittele Tower / Shiodome NTV Tower (Tōkyō), 2003 (by Richard Rogers)
• 
  NTT Docomo Yoyogi Building, 2000 (by Kajima Design)
• 
  St. Mary's Cathedral (Tōkyō), 1964 (by Kenzō Tange, d. 2005)
• 
  Tokyo International Exhibition Center, 1996 (by AXS Satow)
• 
  Tokyo Metropolitan Government Building, 1990 (by Kenzō Tange, d. 2005)
• 
  Tokyo Skytree, 2012 (by Nikken Sekkei Ltd.)
• 
  Tokyo Tower, 1958 (by Tachū Naitō, d. 1970)
• 
  Tsūtenkaku ("Tower Reaching Heaven", Ōsaka), 1956 (by Tachū Naitō, d. 1970)
• 
  Umeda Sky Building, 1993 (by Hiroshi Hara)
• 
  Yokohama Landmark Tower, 1993 (by KlingStubbins)
• 
  Yoyogi National Gymnasium, 1964 (by Kenzō Tange, d. 2005)

Some buildings that are treated as "artistic works" than architectural works, either by Japanese jurisprudence or legal literature (hence not OK for hosting on Wikimedia Commons)

• Tower of the Sun (Suita), 1970 (by Tarō Okamoto, d. 1996)

Kenya

The photographical reproduction of this work is covered under Kenyan law (Copyright Act 2001, as last amended 2022), which states that "the exclusive rights under section 26 shall not include the right to control – the reproduction and distribution of copies or the inclusion in an audiovisual work or broadcast, of an artistic work situated in a place where it can be viewed by the public."[Cap 130 Rev 2022 Second Schedule (A.)(1.)(e)] See COM:CRT/Kenya#Freedom of panorama for more information.

• 
  Kenyatta International Convention Centre, 1973 (by Karl Henrik Nøstvik, d. 1992)

Liechtenstein

The Liechtenstein Copyright Act, in article 29, says that works may be depicted when they are permanently located at or on public ground. The depiction may be offered, sold, sent or otherwise distributed. The depiction must not be three-dimensional and not be usable for the same purpose as the original. Gesetz über das Urheberrecht und verwandte Schutzrechte (Urheberrechtsgesetz, URG), LGBl. 1999 Nr. 160 (The Liechtenstein copyright act; in German) See COM:CRT/Liechtenstein#Freedom of panorama for more information.

• 
  Kunstmuseum Liechtenstein, 2000 (by Meinrad Morger, Heinrich Degelo, and Christian Kerez)
• 
  Landtagsgebäude, 2008 (by Hansjörg Göritz)

Malaysia

Reproduction of the subject of the photograph or other type of file is permitted under Malaysian law (section 13(2)(d) the Copyright Act 1987 (Consolidated, 15/08/2000, No. A1082)), which states that the right of control is excluded from: the inclusion in a film or broadcast of any artistic work situated in a place where it can be viewed by the public; and the reproduction and distribution of copies of any artistic work permanently situated in a place where it can be viewed by the public. According to section 3, the definition of artistic work is any graphic work, photograph, sculpture, collage, and work of architecture or artistic craftsmanship. Ref: COM:CRT/Malaysia#Freedom of panorama.

• 
  Istana Darul Ehsan / Abode of Sincerity Palace, 2001
• 
  Istana Kehakiman / Palace of Justice, 2003 (by aQidea Architects, led by Ahmad Rozi Abd Wahab)
• 
  Istana Melawati / Melawati Palace, 2002 (by Senibahri Arkitek, led Raja Kamarul Bahrin)
• 
  Kota Kinabalu City Mosque, 2000 (by Arkitek Bersatu)
• 
  Kuala Lumpur Tower, 1991 (by Kumpulan Senireka Sdn. Bhd.)
• 
  Marlin Statue (Kota Kinabalu), 2000
• 
  Merdeka 118, 2022 (by Fender Katsalidis, in association with RSP KL)
• 
  Ministry of Finance Complex, 2002 (by GDP Architects)
• 
  Ministry of Foreign Affairs Complex (or Wisma Putra)
• 
  National Monument / Tugu Negara, 1966 (by Felix Weihs de Weldon, d. 2003)
• 
  National Mosque / Masjid Negara, 1965 (by Howard Ashley, Ikmal Hisham Albakri [d. 2006], and Baharuddin Abu Kassim)
• 
  Perdana Putra, 1999 (by aQidea Architects, led by Ahmad Rozi Abd Wahab)
• 
  Petronas Towers, 1996 (by César Pelli, d. 2019)
• 
  Putra Mosque, 1999
• 
  Putrajaya International Convention Centre, 2003
• 
  Raja Haji Fisabilillah Mosque, 2015 (by ATSA Architects Sdn Bhd)
• 
  Sultan Salahuddin Abdul Aziz Mosque, 1988 (by Baharuddin Abu Kassim)
• 
  Telekom Tower, 2001 (by Hijjas Kasturi Associates Sdn.)
• 
  The Exchange 106, 2019 (by Mulia Group Architects)
• 
  Tuanku Mizan Zainal Abidin Mosque or Iron Mosque (Masjid Besi), 2009

Malta

The photographical reproduction of this work is covered under Maltese law (Article 9 (1) (p) of Malta's Copyright Act), which states that copyright cannot prohibit "the inclusion in a communication to the public, the making of a graphic representation and the making of a photograph or film, of a work of architecture or sculpture or similar works made to be located permanently in public places."

• 
  Parliament House, 2015 (by Renzo Piano)
• 
  Portomaso Business Tower, 2001 (by Edward Benici & Associates)

Mexico

The photographical reproduction of this work is covered under the article 148, VII of the Mexican copyright law (Ley Federal de Derechos de Autor), which states that «Literary and artistic works already published may be used, provided that normal commercialization of the work is not affected, without authorization from the copyrightholder and without remuneration, invariably citing the source and without altering the work, only in the following cases: […] VII. Reproduction, communication, and distribution by means of drawings, paintings, photographs, and audiovisual means of works visible from public places». See COM:CRT/Mexico#Freedom of panorama for more information.

• 
  Altar a la Patria or Monumento a los Niños Héroes, 1952 (by Enrique Aragón Echegaray and Ernesto Tamariz [d. 1988])
• 
  Cabeza de caballo, 1992 (by Enrique Carbajal González, a.k.a. Sebastián)
• 
  Estatua ecuestre de Carlos III, 1994 (by Miguel Ángel Rodríguez and Eduardo Zancada)
• 
  La Marcha de la Humanidad mural (painted on Polyforum Cultural Siqueiros, Mexico City), 1966 (by David Alfaro Siqueiros, d. 1974)
• 
  Monumento a la Fundación de México-Tenochtitlán, 1970 (by Carlos Marquina)
• 
  Monumento al perro callejero, 2008 (by Girasol Botello)
• 
  Torre Latinoamerica, 1956 (by Augusto H. Álvarez, d. 1995)
• 
  Torre Mayor, 2003 (by Zeidler Partnership Architects and Adamson Associates Architects)
• 
  Torre Reforma, 2016 (by LBR & Arquitectos)
• 
  World Trade Center Ciudad de México, 1972 (by Guillermo Rossell de la Lama [d. 2010], Joaquín Álvarez Ordóñez, and Ramón Miquelajauregui)

Once copyrighted (as of 2012), now in public domain

Artistic works published before 1948–1963 are covered by 20-year p.m.a.; 1963–1982, 30-year p.m.a.; 1982–1994, 50-year p.m.a.; 1994–2003, 75-year p.m.a.; since 2003, current 100-year p.m.a.. note: non-retroactive term extensions. "Works remained in the public domain if they were in the public domain before each new law took effect." (Ref. Commons:Copyright rules by territory/Mexico#Term extensions).

Moldova

According to article 28 of the Moldovan Law on Copyright and Related Rights: It shall be permitted without the consent of the author or other holder of copyright and without payment of remuneration of works: ... (k) use of works, such as works of architecture or sculpture, made to be located permanently in public places. See COM:CRT/Moldova#Freedom of panorama for more information.

• 
  Presidential Palace (Chișinău), 1984 (by Yuri Tumanean, Arkady Zaltman, and Viktor Iavorski)
• 
  Train of Pain – Memorial to Victims of Stalinist Repression, 2013 (by Iurie Platon)

Netherlands

The photographical reproduction of this work is covered under the article 18 of the Dutch copyright law, which states that “it is not an infringement of copyright to reproduce and publish pictures of a work, as meant in article 10, first paragraph, under 6°[1] or of an architectural work as meant in article 10, first paragraph, under 8°[2], which are made to be permanently located in a public place, as long as the work is depicted as it is located in the public space. Where incorporation of a work in a compilation is concerned, not more than a few of the works of the same author may be included”. [1] drawings, paintings, works of architecture and sculpture, lithographs, engravings and the likes [2] drafts, sketches and three-dimensional works relating to architecture, geography, topography or other sciences Note that photographs are not included in Item 6. They are separately listed at Item 9 and are therefore not covered by FOP. See COM:CRT/Netherlands#Freedom of panorama for more information.

• 
  Erasmushuis (Rotterdam), 1940 (by Willem Marinus Dudok, d. 1974)
• 
  Evoluon, 1966 (by Leo de Bever [d. 2015] and Louis Christiaan Kalff [d. 1976])
• 
  Nationaal Monument (Amsterdam), 1956 (by Jacobus Oud [d. 1963], sculptures by John Rädecker [d. 1956] and his sons Han and Jan Willem, reliefs by Paul Grégoire)
• 
  The Night Watch 3D, 2005 (by Alexander Taratynov and Mikhail Dronov)
• 
  One in love sees a flower differently than a camel does, 2014 (by Kathrin Schlegel)
• 
  Rietveld Schröder House / Rietveld Schröderhuis, 1924 (by Gerrit Rietveld, d. 1964)
• 
  Rotterdam Centraal station, 2014 (by Benthem Crouwel Architects, MVSA Architects, and West 8, led by Jan Benthem, Marcel Blom, Adriaan Geuze, and Jeroen van Schooten)
• 
  Zonnestraal (Hilversum), 1931 (by Jan Duiker [d. 1935] in cooperation Bernard Bijvoet [d. 1974] and Jan Gerko Wiebenga [d. 1979])

New Zealand

This reproduction is permitted under the Art. §73 of the New Zealand copyright law, which states: (1) This section applies to the following works: (a) buildings: (b) works (being sculptures, models for buildings, or works of artistic craftsmanship) that are permanently situated in a public place or in premises open to the public. (2) Copyright in a work to which this section applies is not infringed by— (a) copying the work by making a graphic work representing it; or (b) copying the work by making a photograph or film of it; or (c) communicating to the public a visual image of the work. (3) Copyright is not infringed by the issue to the public of copies, or the communication to the public, of anything the making of which was, under this section, not an infringement of copyright. See COM:CRT/New Zealand#Freedom of panorama for more information.

• 
  Sky Tower (Auckland), 1997 (by Gordon Moller of Craig Craig Moller Ltd.)

North Korea

This reproduction is permitted under the Copyright Law (Translated English version) of the Democratic People's Republic of Korea, Article 32 (Original version in Korean 조선민주주의인민공화국 저작권법) states that "A copyrighted work may be used without the permission of the copyright owner [...] When a copyrighted work in public places is copied." Furthermore, architectures are not mentioned in Copyright Act Article 9, so they do not have a copyright in North Korea. See COM:CRT/North Korea#Freedom of panorama for more information.

• 
  Juche Tower, 1982 (by Kim Jong-il [claimed designer, d. 2011])
• 
  Mansu Hill Grand Monument — Kim Il-sung and Kim Jong-il statues, 1972 (former) and 2011 (latter)
• 
  Ryugyong Hotel, 1992 (topped-out)/2011 (exterior finished) (by Baikdoosan Architects & Engineers)
• 
  Yanggakdo International Hotel, 1992

North Macedonia

According to Article 52 (1) 11 of the Law on Copyright and Related Rights adopted by the Assembly of the Republic of Macedonia on 8 September 2010, copyrighted architectural or sculptural works permanently exposed in streets, squares, parks or other public places may be used freely. See COM:CRT/North Macedonia#Freedom of panorama for more information.

• 
  Church of St. Clement of Ohrid, 1991 (by Slavko Brezoski, d. 2017)

Norway (buildings only)

The Norwegian Copyright in Literary, Scientific and Artistic Works Act, in section 31 says that works of art and photographic works may be depicted when they are permanently mounted or located in or near a public place or a publicly accessible passage through some place. However, this does not apply when the work is clearly the main subject and the reproduction is exploited commercially. The same section says buildings may be freely depicted. Since Commons requires that all images be free for commercial use, buildings are the only copyrighted works in Norway for which the FOP exception applies for Commons. The Norwegian copyright act See COM:CRT/Norway#Freedom of panorama for more information.

• 
  Oslo City Hall, 1950 (by Arnstein Arneberg [d. 1961] and Magnus Poulsson [d. 1958])
• 
  Oslo Opera House, 2007 (by Snøhetta AS)

Pakistan

The photographical reproduction of this work is covered under the Pakistani copyright law, which states: "making or publishing of a painting, drawing, engraving or photograph or an architectural work of art" and "making or publishing of a painting, drawing, engraving or photograph of a sculpture or other artistic work if such work is permanently situated in a public place or any premises to which the public has access". See COM:CRT/Pakistan#Freedom of panorama for more information.

• 
  Faisal Mosque, 1986 (by Vedat Dalokay, d. 1991)
• 
  Mazar-e-Quaid or Jinnah Mausoleum, 1971 (by Yahya Merchant, d. 1990)
• 
  MCB Tower, 2005 (by Arshad Shahid Abdulla (Pvt.) Ltd.)
• 
  Ocean Mall (Karachi), 2014 (by Arcop Associates)
• 
  Pakistan Monument, 2007 (by Arif Masoud for overall structure, Guchrung for artwork, and Stone Forever Pvt. Ltd. for marble and granite work)
• 
  Supreme Court of Pakistan, 1993 (by Kenzō Tange, d. 2005)

Once copyrighted (as of 2012), now in public domain

• 
  Minar-e-Pakistan (Lahore), 1968 (by Nasreddin Murat-Khan, d. 1970, pd 2021)

Panama

This reproduction is permitted under the Panama copyright law title VI chapter II article 48, which states: With regard to works that have already been lawfully disclosed, the following shall be allowed without authorization from the author or remuneration: ..... 6. the reproduction of a work of art on permanent display in a street, square or other public place by means of an artistic technique different from that used for the making of the original; with regard to buildings, this exception shall be confined to the outer façade. See COM:CRT/Panama#Freedom of panorama for more information.

• 
  Estación 12 de Octubre of Panama Metro, 2014
• 
  F&F Tower, 2011 (by Pinzón Lozano & Asociados Arquitectos)
• 
  JW Marriott Panama, 2011 (by Arias Serna Saravia S.A.)
• 
  The Point, 2010 (by Mallol & Mallol Arquitectos)
• 
  Torre Mirage, 1997 (by Jesús Díaz Arquitectos)

Paraguay

According to article 36 of the Paraguayan Law on Copyright and Related Rights, this reproduction is permitted without authorization by the author or payment of remuneration in relation to works already disclosed: Reproduction of a work of art on permanent display in streets, squares or other public places, or on the outer walls of buildings, where the artistic medium used is different from that used for the making of the original, provided that the name of the author and the title of the work, if known, and the place in which it is located are mentioned. See COM:CRT/Paraguay#Freedom of panorama for more information.

• 
  Icono Tower (Asunción), 2013 (by Carlos A. Jiménez)

Poland

The copyright act from February 4, 1994 in article 33 point 1 allows the propagation of works that are permanently exhibited on publicly accessible roads, streets, squares or gardens provided that the propagation is not for the same use. The name of the creator and source should be provided if it is possible by article 34. This use is royalty free, provided that it does not harm the legitimate interests of the creator by article 34. See Copyright rights in Poland § Freedom of Panorama for more information.

• 
  Christ the King Statue (Świebodzin), 2010 (by Mirosław Kazimierz Patecki)
• 
  Collegium Stomatologicum in Poznań, 2004 (by Piotr Namysł, d. 2016)
• 
  Gdańsk Lech Wałęsa Airport Terminal 2, 2012
• 
  Palace of Culture and Science (Warsaw), 1955 (by Lev Rudnev, d. 1956)
• 
  Spodek (Katowice), 1971 (by Maciej Gintowt [d. 2003] and Maciej Krasiński [d. 1999])
• 
  Tauron Arena Kraków, 2014

Portugal

Portuguese copyright law allows the use of works permanently installed at public locations. The law explicitly mentions buildings and sculptures as examples of such works (§75(2)q). "Use" includes taking a photograph of such a work and publishing it (§68). However, according to the Berne three-step test, the allowed uses must not conflict with a normal exploitation of the work, nor unreasonably prejudice the legitimate interests of the rights holder (§75(4)). It is also required to identify name of the author, with no exceptions ("wherever possible", as per §76(a)). Portuguese Copyright law, version of August 24, 2004. See COM:CRT/Portugal#Freedom of panorama for more information.

• 
  Casa da Música (Porto), 2005 (by Rem Koolhaas)
• 
  Cristiano Ronaldo (Funchal), 2014 (by Ricardo Velosa)
• 
  Hotel Myriad, 2012 (by Nuno Leónidas)
• 
  Monument of the Three Little Shepherds (Fátima), 1997 (by father and son, sculptor Fernando Marques and architect Francisco Marques)
• 
  Torre Vasco da Gama, 1998 (by Leonor Janeiro, Nick Jacobs, and Skidmore, Owings & Merrill)
• 
  Valinhos (Fátima), 1956 (by Maria Amélia Carvalheira da Silva, d. 1998)

Russia (buildings only)

According to article 1276 of the Civil Code of Russia in the amendment of October 1, 2014, it shall be allowed to reproduce "works of architecture, of urban development, and of garden and landscape design" for any purpose and without consent of the copyright holder(s), provided that these works are "situated in places open for free attendance, or visible from such places". Note that for any other kind of artwork, even if permanently situated in public place (for example, statues and monuments), this exception is still limited to non-commercial usage which is not compatible with Commons:Licensing. For details, see COM:CRT/Russia#Freedom of panorama.

• 
  Adler Arena, 2012
• 
  City of Capitals, 2009 (by NBBJ)
• 
  Evolution Tower, 2014 (by RMJM and Philipp Nikandrov of GORPROJECT)
• 
  Federation Tower, 2017 (by Sergei Tchoban, Peter Schweger)
• 
  Fisht Olympic Stadium, 2013 (by Populous)
• 
  Gazprom Arena, 2017 (by Kisho Kurokawa, d. 2007)
• 
  Hilton Moscow Leningradskaya*, 1954 (by Leonid Polyakov, d. 1965)
• 
  Hotel Ukraina (Moscow)*, 1957 (by Arkadiy Mordvinov [d. 1964] and Vyacheslav Oltarzhevskiy [d. 1966])
• 
  Kotelnicheskaya Embankment Building*, 1952 (by Dmitriy Chechulin [d. 1981] and Andrei Rostkovskiy [d. 2000])
• 
  Kudrinskaya Square Building*, 1954 (by Mikhail Posokhin [d. 1989] and Ashot Mndoyants [d. 1966])
• 
  Lakhta Center, 2019 (by RMJM)
• 
  Ministry of Defence of Russia main building, 1951 (by Lev Rudnev, d. 1956)
• 
  Ministry of Foreign Affairs of Russia main building*, 1953 (by Vladimir Gelfreykh [d. 1967] and Adolf Minkus [d. 1963])
• 
  Minsk Gate, 1953 (by Boris Rubanenko, d. 1985)
• 
  Moscow State University main building*, 1953 (by Lev Rudnev, d. 1956)
• 
  Ostankino Tower, 1967 (by Nikolai Nikitin, d. 1973)
• 
  P. I. Tchaikovskiy Concert Hall, 1940 (by Dmitriy Chechulin, d. 1981)
• 
  Peking Hotel, 1955 (by Dmitriy Chechulin, d. 1981)
• 
  Petrovskiy Stadium, 1961 (by N.V. Baranov [d. 1989], O.I. Guryev, and V.M. Fromzel)
• 
  Red Gate Building*, 1953 (by Alexey Dushkin, d. 1977)
• 
  The Round Houses in Moscow, 1979 (by Yevgeny Stamo, d. 1987)
• 
  Triumph Palace, 2006 (by APB TROMOS)
• 
  Tsentrosoyuz Building, 1933 (by Le Corbusier [d. 1965] and Nikolai Kolli [d. 1966])
• 
  White House a.k.a. The House of the Government of the Russian Federation, 1981 (by Dmitriy Chechulin [d. 1981] and Pavel Shteller [d. 1977])
• 
  White Square Office Center, 2011 (by APA Wojciechowski Architects and ABD Architects)

Once copyrighted (as of October 2014), now in public domain

• 
  Lenin Mausoleum, 1930 (by Alexey Shchusev, d. 1949, pd 2020)

• (*) - the w:Seven Sisters (Moscow)

Serbia

Serbian law from 2009 allows 2D reproductions of permanently publicly displayed works, i. e. the full Freedom of Panorama (translation of relevant Article 51): Article 51: It is permitted to make two-dimensional reproductions of works permanently located on streets, squares or other open places accessible to public, and to distribute such reproductions, without author's permission or paying author's fee. Copyright Law from 2009 See COM:CRT/Serbia#Freedom of panorama for more information.

• 
  Avala Tower, 1965 (by Uglješa Bogunović [d. 1994] and Slobodan Janjić [d. 2003])

Singapore

Reproduction of the subject(s) of this photograph or other type of file made on or after 10 April 1987 is permitted under Singapore law (Copyright Act 2021 (Act 22 of 2021)). Section 265 of the Copyright Act states that it is permitted to make or publish a painting, drawing, engraving, or photograph of the following: building, model of building; sculpture situated "other than temporarily in a public place or premises open to the public," or work of artistic craftsmanship. The section also allows the inclusion of the said works in a film, television broadcast, or cable programme. The definition of a work of artistic craftsmanship in Section 20(1) means it does not include a painting, drawing, engraving, or photograph. Therefore, the Singaporean freedom of panorama does not apply to, among other things, two-dimensional works such as billboards, murals, paintings in art galleries and museums, posters, and signs. For more information, see COM:CRT/Singapore#Freedom of panorama.

• 
  ArtScience Museum, 2011 (by Moshe Safdie)
• 
  Expo MRT station, 2001 (by Foster + Partners)
• 
  Gardens by the Bay – conservatories (Flower Garden and Cloud Forest), c. 2014 (by Grant Associates and WilkinsonEyre)
• 
  Gardens by the Bay – Supertree Grove, c. 2014? (by Grant Associates for concept design and WilkinsonEyre for structural design)
• 
  The Interlace, 2013 (by Ole Scheeren and Office for Metropolitan Architecture)
• 
  Marina Bay Sands, 2010 (by Moshe Safdie)
• 
  The Merlion, 1972 (by Lim Nang Seng, d. 1987)
• 
  One Raffles Place, 1986 (Tower 1) and 2012 (Tower 2) (by Kenzō Tange for Tower 1 [d. 2005] and Kenzō Tange Associates for Tower 2)
• 
  Singapore Changi Airport Terminal 3 – roof, 2008 (by Skidmore, Owings and Merrill)
• 
  Singapore Changi Airport Terminal 3 – interior, 2008 (by Woodhead, with "The Green Wall" by Tierra Design)
• 
  Singapore Changi Airport Terminal 4, 2017 (by Takenaka Corporation)
• 
  Singapore Flyer, 2008 (by Dr. Kisho Kurokawa [d. 2007] and DP Architects)

Once copyrighted (as of 2012), now in public domain

Works published before July 1, 2004 are covered by 50-year p.m.a.; those published on or after that date are covered by current 70 p.m.a.. See Commons:Village pump/Copyright/Archive/2021/06#COM:Singapore: Fix Needed for PD Period.

• 
  Asia Insurance Building / Ascott Raffles Place, 1954 (by Ng Keng Siang, d. 1967, pd 2018)

Slovakia

According to section 37 and 41 of the Slovak copyright law, Slovakia has freedom of panorama. Works permanently located at public places may be freely reproduced and such reproductions may be freely published and sold without the consent of the original author. Slovak copyright law as of 2016 See COM:CRT/Slovakia#Freedom of panorama for more information.

• 
  Most SNP (Most Slovenského národného povstania or "Bridge of the Slovak National Uprising"), 1972
• 
  Slovak Radio Building, 1983 (by Štefan Svetko [d. 2009], Štefan Ďurkovič [d. 1996], and Barnabáš Kissling [d. 1994])
• 
  Statue of Svatopluk I, 2010 (by Ján Kulich, d. 2015)

Solomon Islands

This image of a work of architecture, sculpture, or work of artistic craftsmanship from Solomon Islands, permanently situated in a public place or in premises open to the public, is permitted under Sections 7 and 8 of the Copyright Act [Chapter 138] of the Solomon Islands, and the publication of this image is permitted under Section 10 of the same copyright law. See COM:Copyright rules by territory/Solomon Islands#Freedom of panorama for more information.

• 
  Holy Cross Cathedral, 1979
• 
  Houses of the Parliament (of Solomon Islands), 1993 (by Michael J. Batchelor)

Spain

The photographical reproduction of this work is covered under the article 35.2 of the Royal Legislative Decree 1/1996 of April 12, 1996, and amended by Law 5/1998 of March 6, 1998, which states that: Works permanently located in parks or on streets, squares or other public thoroughfares may be freely reproduced, distributed and communicated by painting, drawing, photography and audiovisual processes. See COM:CRT/Spain#Freedom of panorama for more information.

• 
  A Coruña maritime traffic control tower, 1995
• 
  A fonte, 1999 (by Ramón Conde)
• 
  Auditorio de Tenerife, 2003 (by Santiago Calatrava)
• 
  Basílica de la Sagrada Família – Passion Façade, 1987 (by Josep Maria Subirachs, d. 2014)
• 
  Basílica de la Sagrada Família – Nativity Façade, Doors of the Charity, 2015 (by Etsuro Sotoo)
• 
  Basílica de la Sagrada Família – Nativity Façade, Jesus, Maria i Josep ensemble, 1958 (by Jaume Busquets, d. 1968)
• 
  Birth of a New Man / Nacimiento de un Hombre Nuevo, 1995 (by Zurab Tsereteli)
• 
  City of Culture of Galicia, 2011 (by Peter Eisenman)
• 
  The Comb of the Wind / El Peine del Viento / Haizearen Orrazia, 1977 (by sculptor Eduardo Chillida [d. 2002] and architect Luis Peña Ganchegui [d. 2009])
• 
  Cristo del Otero, 1931 (by Victorio Macho, d. 1966)
• 
  Domus, 1995 (by Arata Isozaki and César Portela)
• 
  Dona i Ocell, 1983 (by Joan Miró, d. 1983)
• 
  Edificio Carrión or Edificio Capitol, 1933 (by Vicente Eced Eced [d. 1978] and Luis Martínez-Feduchi [d. 1975])
• 
  L'Hemisfèric, 1998 (by Santiago Calatrava)
• 
  L'Oiseau (Jardins Turó Parc, Barcelona), 1994 (by Jean-Michel Folon [d. 2005])
• 
  Les quatre barres de la senyera catalana, 2009 (by Ricardo Bofill)
• 
  Pabellón alemán, 1929 (by Ludwig Mies van der Rohe [d. 1969] and Lilly Reich [d. 1947])
• 
  Pabellón Puente (Zaragoza), 2008 (by Zaha Hadid, d. 2016)
• 
  Torres de Santa Cruz, 2006 (by Julian Valladares)
• 
  W Barcelona Hotel, 2009 (by Ricardo Bofill Taller de Arquitectura)

Sweden

It is not clear whether freedom of panorama applies to this image. This is a depiction of a building or work of art in Sweden. The depicted work is believed to be protected by copyright. According to Article 24 of the Swedish copyright act, "Works of art may be depicted if they are permanently placed on or at a public place outdoors" and "Buildings may be freely depicted." It has been widely accepted that this provision made distribution of depictions such as this one legal. On 4 April 2016, however, the Supreme Court of Sweden issued a statement that the first paragraph in Article 24 does not extend to publication of works of art in online repositories, and on 6 July 2017, a lower court ruled that linking to depictions of copyrighted works of art hosted by Wikimedia (including on Commons) in a database constitutes copyright infringement. See COM:CRT/Sweden#Freedom of panorama for more information. The second paragraph in the article, about buildings, was not evaluated in the statement or ruling. The implications of these decisions on Commons' ability to continue to distribute this and other depictions like it are currently under analysis. Reusing or linking to this file can have legal consequences, unless the artist has died before 1 Jan 1954, to which either {{PD-Sweden-photo}} or {{PD-old-70}} may apply. You are solely responsible for ensuring that you do not infringe the copyright belonging to someone else. See our general disclaimer for more information.

• But see COM:CRT/Sweden#Freedom of panorama for the contentious status of Swedish freedom of panorama as it applies for Wikimedia Commons. † – Swedish public art or architecture in which one of its Commons images is implicated in the court ruling against Wikimedia Sweden (see [1]).

• 
  †Binär, 2012 (by Eva Hild)
• 
  Ericsson Globe, 1989 (by Svante Berg and Lars Vretblad)
• 
  †Moby Dick, 2004 (by Johan Paalzow)
• 
  Statue of Poseidon (Göteborg), 1931 (by Carl Milles, d. 1955)
• 
  Stockholm-Arlanda Airport Terminal 2, 1990 (by Lars Wretblad)
• 
  Turning Torso, 2005 (by Santiago Calatrava)

Switzerland

According to article 27 of the Copyright Act (en/de/fr/it), works installed at or on publicly accessible places or ground may be pictured, and such pictures may be offered for sale, sold, transmitted, or otherwise published. The image must not be three-dimensional and it must not be possible to use the picture for the same purpose as the original. The works must be permanently installed, but for the purposes of the law, "permanent" means a fixed installation which may be temporary -- time limited -- but not "accidental", e.g. due to transport of the work. For more information, see COM:CRT/Switzerland#Freedom of panorama.

• 
  Broken Chair, 1997 (by Daniel Berset)
• 
  Celestial Sphere Woodrow Wilson Memorial, 1939 (by Paul Manship, d. 1966)
• 
  Palais des Nations, 1938 (by Henri Paul Nénot [d. 1934], Julien Flegenheimer [d. 1938], Camille Lefèvre [d. 1946], József Vágo [d. 1947], and Carlo Broggi [d. 1968])
• 
  Pavillon Le Corbusier, 1967 (by Le Corbusier, d. 1965)
• 
  Sulzer-Hochhaus (Winterthur), 1966 (by Suter & Suter)
• 
  Villa Jeanneret-Perret, 1912 (by Le Corbusier, d. 1965)
• 
  Villa Schwob / Villa Turque, 1916 (by Le Corbusier, d. 1965)
• 
  World Intellectual Property Organization headquarters, 1978 (by Pierre Braillard, d. 2009)

Taiwan (buildings only)

The reproduction of this architectural work is covered under Article 58 of Taiwan's "Copyright Act" (1992-2016-present), which allows the exploitation of architectural works in a public place. The author of the said architectural work, if known, must be attributed, in accordance with Article 64. Taiwanese freedom of panorama also covers the use of artistic works found "on streets, in parks, on outside walls of buildings, or other outdoor locales open to the public" on a long-term basis, but this privilege no longer applies if the copies of the said works (including photographs of those) are made to be sold (that is, commercial use). Because of this non-commercial restriction, photographs of copyrighted monuments and murals from Taiwan are not allowed on Wikimedia Commons. See COM:CRT/Taiwan#Freedom of panorama for more information.

• 
  85 Sky Tower (Kaohsiung), 1997 (by Chu-Yuan Lee)
• 
  Banqiao Station (New Taipei), 1999
• 
  Chiang Kai-shek Memorial Hall, 1980 (by Yang Cho-cheng, d. 2006)
• 
  Far Eastern Plaza, 1994 (by Chu-Yuan Lee)
• 
  Grand Hotel (Taipei), 1973 (by Yang Cho-cheng, d. 2006)
• 
  Ju Ming Museum, 1999 (by Ju Ming)
• 
  National Concert Hall (Taipei), 1987 (by Yang Cho-cheng, d. 2006)
• 
  National Palace Museum Northern Branch, 1965 (by Huang Baoyu, d. 2000)
• 
  National Taichung Theater, 2014 (by Toyo Ito in collaboration with Cecil Balmond)
• 
  National Theater (Taipei), 1987 (by Yang Cho-cheng, d. 2006)
• 
  New Taipei City Hall, 2003
• 
  Taipei 101, 2004 (by Chu-Yuan Lee and C. P. Wang)

Thailand

Sections 37 to 38 of the Copyright Act, BE 2537 (1994) (translation) state that: Section 37. A drawing, painting, construction, engraving, moulding, carving, lithographing, photographing, cinematographing, video broadcasting or any similar act of an artistic work, except an architectural work, which is openly located in a public place shall not be deemed an infringement of copyright in the artistic work. Section 38. A drawing, painting, engraving, moulding, carving, lithographing, photographing, cinematographing or video broadcasting of an architectural work shall not be deemed an infringement of copyright in the architectural work. See COM:CRT/Thailand#Freedom of panorama for more information.

• 
  Baiyoke Tower II, 1997 (by Plan Architects)
• 
  Bhumibol Bridge, 2006 (by Engineer Paulle Gustafsons)
• 
  Elephant / Chang Building, 1997 (by Ong-at Sattraphan)
• 
  Mahanakhon Tower, 2016 (by Ole Scheeren)
• 
  Phra Phuttha Mahanawamintra Sakayamunee Sri Visejchaicharn (Wiset Chai Chan District), 2008
• 
  Phra Phutta Ming Mongkol Eknakakiri (Phuket Province), 2014
• 
  Phra Phuttha Rattana Mongkhol Maha Munee (Roi Et), 1973
• 
  Rama VIII Bridge, 2002 (by Buckland & Taylor Ltd.)
• 
  Wat Rong Khun (Chiang Rai), 1997 (by Chalermchai Kositpipat)

Timor-Leste / East Timor

Under the Code of Copyright and Related Rights of 2022 (9 June 2023 archived copy of the Portuguese text, pages 19–51), which became effective on 28 May 2023, reproduction of the work depicted in this file is legally permitted without the consent of the author: The use of works, such as, for example, works of architecture or sculpture, made to be kept permanently in public places.[2022/Article 129(2)(o)] See COM:CRT/East Timor#Freedom of panorama for more information.

• 
  Cristo Rei of Dili, 1996 (by Mochamad Syailillah or "Bolil")
• 
  Nicolau Lobato Presidential Palace, 2009

Türkiye

This reproduction is permitted under the Art. §40 of the Turkish copyright law, which states: Works of fine arts permanently placed on public streets, avenues or squares may be reproduced by drawings, graphics, photographs and the like, distributed, shown by projection in public premises or broadcast by radio or similar means. For architectural works, this freedom is only valid for the exterior form. See COM:CRT/Turkey#Freedom of panorama for more information.

• 
  Anıtkabir ("Memorial Tomb," Ankara), 1953 (by Emin Halid Onat [d. 1961] and Ahmet Orhan Arda [d. 2003])
• 
  Atatürk Monument (İzmir), 1932 (by Pietro Canonica [for statue, d. 1959] and Asım Kömürcü [for base])
• 
  Çanakkale Martyrs' Memorial, 1960 (by Doğan Erginbaş [d. 2018], Ismail Utkular, and Feridun Kip)
• 
  Cezayirli Gazi Hasan Paşa Monument, 1974 (by Haluk Tezonar, d. 1995)
• 
  Republic Monument (İstanbul), 1928 (by Pietro Canonica, d. 1959)

United Kingdom

The photographic reproduction of this work is covered under United Kingdom law (Section 62 of the Copyright, Designs and Patents Act 1988), which states that it is not an infringement to take photographs of buildings, or of sculptures, models for buildings, or works of artistic craftsmanship permanently located in a public place or in premises open to the public. This does not apply to two-dimensional graphic works such as posters or murals. See COM:CRT/United Kingdom#Freedom of panorama for more information.

• 
  122 Leadenhall Street, 2013 (by Rogers Stirk Harbour + Partners)
• 
  20 Fenchurch Street, 2014 (by Rafael Viñoly)
• 
  22 Bishopsgate, 2020 (by PLP Architecture)
• 
  30 St Mary Axe / The Gherkin, 2003 (by Foster + Partners)
• 
  8 Canada Square, 2002 (by Foster + Partners)
• 
  Angel of the North, 1998 (by Sir Antony Gormley)
• 
  ArcelorMittal Orbit, 2012 (by Sirs Anish Kapoor and Cecil Balmond)
• 
  Ark Evelyn Grace Academy building, 2010 (by Zaha Hadid, d. 2016)
• 
  Bali Bombings Memorial, 2006 (ball-shaped artwork by Gary Breeze, carvings by Martin Cook and Gary Breeze)
• 
  Beetham Tower, 2006 (by SimpsonHaugh and Partners)
• 
  BT Tower, 1964 (by Eric Bedford [d. 2001] and G. R. Yeats)
• 
  Bust of Andrew Browne Cunningham (Trafalgar Square), 1967 (by Franta Belsky, d. 2000)
• 
  Charing Cross railway station, 1990 (by Sir Terry Farrell of Farrells)
• 
  City Hall (London), 2002 (by Sir Norman Foster with Foster + Partners)
• 
  City of Manchester Stadium, 2002 completion and 2015 expansion (by Arup Group for completed architecture, and Populous for expanded architecture)
• 
  Heathrow Airport Terminal 5, 2008 (by Richard Rogers)
• 
  Isokon Flats, 1934 (by Wells Coates, d. 1958)
• 
  The Kelpies (Falkirk Council Area, Scotland), 2013 (by Andy Scott)
• 
  London Aquatics Centre, 2011 (by Zaha Hadid, d. 2016)
• 
  London Eye, 2000 (by Julia Barfield and David Marks [d. 2017], of Marks Barfield Architects)
• 
  Manchester Civil Justice Centre, 2007 (by Denton Corker Marshall architecture practice)
• 
  Millennium Bridge, 2000 (by Arup Group)
• 
  Nelson's Ship in a Bottle, 2010 (Trafalgar Square) / 2012 (National Maritime Museum) (by Yinka Shonibare)
• 
  Northern & Shell Building, 1985 (by Covell, Matthews & Partners)
• 
  One Angel Square, 2013 (by 3DReid)
• 
  One Canada Square, 1991 (by César Pelli [d. 2019] with Adamson Associates and Frederick Gibberd Coombes)
• 
  Paddington Bear (London Paddington Station), 2000 (by Marcus Cornish)
• 
  Riverside Museum (Glasgow), 2011 (by Zaha Hadid Architects)
• 
  The Shard, 2012 (by Renzo Piano)
• 
  Sky Mirror, 2001 (by Sir Anish Kapoor)
• 
  Statue of Llywelyn ap Gruffydd Fychan, 2000 (by Toby Petersen and Gideon Petersen)
• 
  Statue of Millicent Fawcett, 2018 (by Gillian Wearing)
• 
  Statue of Simon Milton, 2014 (by Bruce Denny)
• 
  Tower 42, 1980 (by Richard Seifert [d. 2001] with R Seifert & Partners)
• 
  The Water of Life, 1994 (by Stephen Broadbent)
• 
  Wembley Stadium, 2007 (by Populous and Foster + Partners firms)

United States of America (buildings only)

The architectural work depicted in this photograph may be covered under United States copyright law (17 USC 120(a)), which states that architectural works completed after December 1, 1990 are protected. However, architectural copyright in the United States does not include the right to prevent the making, distributing, or public display of pictures, paintings, photographs, or other pictorial representations of the work. See COM:CRT/United States#Freedom of panorama for more information. This law only applies to architectural works (such as buildings or other structures) and not other forms of 3D or 2D artwork such as sculptures, paintings, or posters. Images of these artworks taken in the US must be deleted unless they are in the public domain, or their presence is trivial.

• 
  3 World Trade Center, 2018 (by Rogers Stirk Harbour + Partners)
• 
  4 Times Square / Condé Nast Building, 2000 (by Fox & Fowle Architects)
• 
  4 World Trade Center, 2013 (by Fumihiko Maki)
• 
  432 Park Avenue, 2015 (by Rafael Viñoly)
• 
  53W53 / Tower Verre, 2019 (by Jean Nouvel)
• 
  7 World Trade Center, 2006 (by David Childs)
• 
  8 Spruce Street, 2010 (by Frank Gehry)
• 
  Apple Park, 2017 (by Sir Norman Foster of Foster + Partners)
• 
  Aqua (Chicago), 2009 (by Jeanne Gang of Studio Gang Architects)
• 
  Bank of America Plaza (Atlanta), 1992 (by Kevin Roche John Dinkeloo and Associates LLC)
• 
  Bank of America Tower (New York City), 2009 (by COOKFOX Architects
• 
  Blue and Green Diamond (Miami Beach), 2000 (by Robert M. Swedroe Architects & Planners)
• 
  David L. Lawrence Convention Center (Pittsburgh), 2003 (by Rafael Viñoly)
• 
  Gas Company Tower, 1991 (by Richard Keating)
• 
  Getty Center, 1997 (by Richard Meier)
• 
  Kansas City Public Library parking garage, 2004 (by cdfm2 architects, probably now 360 Architects)
• 
  The Longaberger Company former headquarters, 1997 (by The Longaberger Company in cooperation with NBBJ and Korda Nemeth Engineering)
• 
  Luxor Las Vegas, 1993 (by Veldon Simpson)
• 
  Mercedes-Benz Stadium, 2017 (by tvsDesign in collaboration with HOK, Goode Van Slyke Architecture, and Stanley Beaman & Sears)
• 
  Michigan State University – Eli and Edythe Broad Art Museum, 2012 (by Zaha Hadid, d. 2016)
• 
  One Vanderbilt, 2020 (by Kohn Pedersen Fox)
• 
  One World Trade Center, 2013 (by David Childs)
• 
  Rock and Roll Hall of Fame, 1995 (by I. M. Pei, d. 2019)
• 
  St. Nicholas Greek Orthodox Church (New York), 2022 (by Santiago Calatrava)
• 
  St. Regis Chicago, 2020 (by Jeanne Gang with Studio Gang Architects)
• 
  Salesforce Tower, 2018 (by César Pelli, d. 2019)
• 
  Sphere at The Venetian Resort, 2023 (by Populous)
• 
  Staples Center, 1999 (by NBBJ)
• 
  Stratosphere Tower, 1995 (by Ned Baldwin)
• 
  Time Warner Center, North and South Tower, 2003 (by David Childs and Mustafa Kemal Abadan)
• 
  Trump International Hotel and Tower (Chicago), 2009 (by Adrian Smith)
• 
  Vdara Hotel & Spa, 2009 (by Rafael Viñoly)
• 
  Walt Disney Concert Hall, 2003 (by Frank Gehry)
• 
  Wilshire Grand Center, 2017 (by AC Martin Partners)
• 
  World Trade Center Transportation Hub, 2016 (by Santiago Calatrava)
• 
  Yankee Stadium, 2009 (by Populous)

Uruguay

Article 45.8 Reproduction is not unlawful: [...] The photographic reproduction of paintings, monuments, or allegorical figures exhibited in museums, parks or public promenades, provided that the works in question are considered to be outside the private domain; Law No. 9.739 of December 17, 1937, on Copyright and Related Rights (as amended up to Law No. 19.857 of December 23, 2019) See COM:CRT/Uruguay#Freedom of panorama for more information.

• 
  Estatua de José Gervasio Artigas (Banco de la República Oriental del Uruguay, Montevideo), 1949 (by José Luis Zorrilla de San Martín, d. 1975)
• 
  La Mano de Punta del Este, 1982 (by Mario Irarrázabal)
• 
  Mausoleo de José Gervasio Artigas, 1974 (by Lucas Ríos Demalde y Alejandro Morón)
• 
  Monumento al Grito de Asencio, 1936 (by José Luis Zorrilla de San Martín, d. 1975)
• 
  Obelisco a los Constituyentes de 1830, 1938 (by José Luis Zorrilla de San Martín, d. 1975)
• 
  Un sol para Atlántida, 2014 (by Agó Páez Vilaró)

Venezuela

This reproduction is permitted under the Law on Copyright, §44 (9) in Venezuela, which states: The following shall be considered lawful reproductions: (...) (9) the reproduction of a work of art permanently displayed in a street, square or other public place by means of a technique different from that used for the making of the original; with respect to buildings, the said right shall be limited to the external elevations See COM:CRT/Venezuela#Freedom of panorama for more information.

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  Monumento a la Virgen de la Paz (Trujillo), 1983 (by Manuel de la Fuente, d. 2010)