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Stark's Rivers of Norfolk, Norwich, 1834

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  Mouth of the Yare open etching by William Miller after James Stark
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  Mouth of the Yare engraving by William Miller after James Stark
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  Carrow Bridge open etching by William Miller after James Stark
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  Carrow Bridge engraving by William Miller after James Stark

Poems, Samuel Rogers. London, Printed for T. Cadell, Strand; and E. Moxon 1834

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  A Garden, Rawlinson 373
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  Old Manor House, Rawlinson 380
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  Venice, The Rialto - Moonlight, Rawlinson 386
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  Loch Lomond, Rawlinson 396

Turner's Annual Tour - The Loire, Ritchie, Leitch and Turner, J M W, Longman, Rees, Orme, Brown, Green and Longman, London 1833

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  Nantes, Rawlinson 432, 1833
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  Nantes frontispiece, Rawlinson 432, 1833
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  Between Clairemont and Mauves, Rawlinson 447, 1833
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  Chateau de Nantes, Rawlinson 452, 1833

Turner's Annual Tour - The Seine, Ritchie, Leitch and Turner, J M W, Longman, Rees, Orme, Brown, Green and Longman, London 1834

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  Rouen, Rawlinson 466, 1834
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  Rouen St Catherine's Hill, early proof engraving Rawlinson 468, 1834
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  Rouen St Catherine's Hill Rawlinson 468, 1834

Turner's Annual Tour - The Seine, Ritchie, Leitch and Turner, J M W, Longman, Rees, Orme, Brown, Green and Longman, London 1835

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  Pont Neuf, Paris, Rawlinson 486, 1835
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  Melun, Rawlinson 491, 1835

The Poetical Works of Sir Walter Scott, Bart. Each Volume to have a Frontispiece and Vignette Title-page from designs taken from real scenes by J.W. Turner, R.A. Edinburgh: Robert Cadell, Edinburgh; Whittaker, Treacher, and Arnot, London; John Cumming, Dublin 1833 - 1834

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  Dryburgh Abbey engraving after Turner, Rawlinson 501, 1833
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  Melrose engraving after Turner, Rawlinson 503, 1833
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  Edinburgh from Blackford Hill engraving after Turner, Rawlinson 505, 1833
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  Loch Katrine engraving after Turner, Rawlinson 507, 1833
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  Loch Achray engraving after Turner, Rawlinson 508, 1833
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  Skiddaw engraving after Turner, Rawlinson 513, 1833
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  Berwick-upon-Tweed engraving after Turner, Rawlinson 515, 1833

The Miscellaneous Prose Works of Sir Walter Scott, Bart. Embellished with Portraits, Frontispieces, Vignette Titles and Maps. The Designs of the Landscapes from Real Scenes by J.M.W. Turner, R.A.. Edinburgh: Robert Cadell, Edinburgh; Whitaker, Arnot, and Company, London; John Cumming, Dublin 1834 - 1836

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  Dumbarton Castle engraving after Turner, Rawlinson 518, 1834
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  Brussels engraving after Turner, Rawlinson 519, 1834
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  Hougemont proof engraving after Turner, Rawlinson 520, 1834
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  New Abbey, near Dunfries engraving after Turner, Rawlinson 521, 1834
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  Norham Castle, Moonrise engraving after Turner, Rawlinson 522, 1834
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  Jerusalem engraving after Turner, Rawlinson 523, 1834
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  Jerusalem proof engraving after Turner, Rawlinson 523, 1834
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  Brienne engraving after Turner, Rawlinson 527, 1834
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  Venice, the Campanile engraving after Turner, Rawlinson 528, 1834
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  Placenza engraving after Turner, Rawlinson 529, 1834
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  Placenza proof engraving after Turner, Rawlinson 529, 1834
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  Verona engraving after Turner, Rawlinson 530, 1834
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  Vincennes engraving after Turner, Rawlinson 531, 1834
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  Vincennes proof engraving after Turner, Rawlinson 531, 1834
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  St Cloud engraving after Turner, Rawlinson 532, 1834
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  Mayence engraving after Turner, Rawlinson 533, 1834
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  Mayence proof engraving after Turner, Rawlinson 533, 1834
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  The Simplon engraving after Turner, Rawlinson 535, 1834
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  Paris from Pere-la-Chaise engraving after Turner, Rawlinson 536, 1834
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  Paris from Pere-la-Chaise proof engraving after Turner, Rawlinson 536, 1834
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  Malmaison engraving after Turner, Rawlinson 537, 1834
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  Fontainebleau engraving after Turner, Rawlinson 538, 1834
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  Fontainebleau proof engraving after Turner, Rawlinson 538, 1834
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  Chiefswood Cottage engraving after Turner, Rawlinson 541, 1834
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  Chiefswood Cottage, engraved frontispiece by William Miller after Turner, Rawlinson 541, 1834
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  The Rhymer's Glen engraving after Turner, Rawlinson 542, 1834
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  Edinburgh from St Anthony's Chapel engraving after Turner, Rawlinson 543, 1834
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  Craigmillar Castle engraving after Turner, Rawlinson 546, 1834
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  Dunstaffnage engraving after Turner, Rawlinson 547, 1834
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  Linlithgow engraving after Turner, Rawlinson 548, 1834
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  Linlithgow proof engraving after Turner, Rawlinson 548, 1834
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  Glencoe engraving after Turner, Rawlinson 549, 1834
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  Glencoe proof engraving after Turner, Rawlinson 549, 1834
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  Killiecrankie engraving after Turner, Rawlinson 550, 1834
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  Killiecrankie proof engraving after Turner, Rawlinson 550, 1834
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  Inverness engraving after Turner, Rawlinson 551, 1834
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  Fort Augustus engraving after Turner, Rawlinson 552, 1834
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  Craig Crook Castle, near Edinburgh engraving after D O Hill, 1834

Stanfield's Coast Scenery. a Series of Views in the British Channel, from Original Drawings Taken Expressly for the Work. Clarkson Stanfield. Smith, Elder and Co., London, 1836

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  Botallack Mine, Cornwall engraving after C Stanfield, 1836
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  Hastings engraving after C Stanfield, 1836
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  Havre de Grace engraving after C Stanfield, 1836

The Poetical Works of Thomas Campbell. Edward Moxon, London 1837

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  The Dead Eagle - Oran engraving after Turner, 1837, Rawlinson 632

Picturesque Views in England and Wales. From Drawings by J.M.W. Turner, engraved under the superintendence of Mr. Charles Heath with descriptive and historic illustrations by H.E. Lloyd. London: Longman, Orme, Brown, Green, and Longmans, 1838

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  Straits of Dover, engraving after Turner, 1838, Rawlinson 221
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  Great Yarmouth, Norfolk, engraving after Turner, 1838. Rawlinson 234
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  Stamford, Lincolnshire, engraving after Turner, 1838, Rawlinson 241
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  Windsor Castle, Berkshire, engraving after Turner, 1838, Rawlinson 253
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  Chatham, Kent, open etching, engraving after Turner, 1838, Rawlinson 262
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  Chatham, Kent, engraving after Turner, 1838, Rawlinson 262
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  Carew Castle, Pembroke, engraving after Turner, 1838, Rawlinson 275
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  Durham Cathedral, engraving after Turner, 1838, Rawlinson 297

The Land of Burns, A Series of Landscapes and Portraits, Illustrative of the Life and Writings of the Scottish Poet. illus. with numerous engraved plates and portraits, the landscapes from paintings made expressly for the work by D.O. Hill. Wilson, Professor and Chambers, Robert, Glasgow: Blackie & Son, 1840

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  Ayr from Brown Carrick Hill after D O Hill, 1840
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  Ayr Market Cross after D O Hill, 1840
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  Banks of Doon after D O Hill, 1840
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  Bruar Water Upper Fall after D O Hill, 1840
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  Cassilis Castle after D O Hill, 1840
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  Culzean Castle with the Fairy Coves after D O Hill, 1840
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  Dunure Castle Carrick Shore after D O Hill, 1840
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  Loch Turit after D O Hill, 1840

Beauties of Modern Poetry. Edited by J.J. London: Thomas Nelson, Paternoster Row; and Edinburgh. 1840

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  Athens after D McKenzie, 1840
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  Lake of Geneva after D McKenzie, 1840

Engravings from the Pictures of the National Gallery. Published By Authority. Burnet, John, [& others], Illustrated by John Burnet, George Cooke, George T. Doo, William Finden, Edward Goodall, John & Henry Le Keux, John Pye, John H. Robinson, et al. London: Published for the Associated Engravers By John Pye, 42 Cirencestor Place, Fitzroy Square. 1840

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  The Watering Place after Thomas Gainsborough, 1840

The History and Antiquities of the County Palatine of Durham; compiled from original records, preserved in public repositories and private collections: and illustrated by engravings of architectural and monumental antiquities, portraits of eminent persons, etc. etc. etc. (4 Vols). Surtees, Robert, London: printed by and for Nichols, Son, and Bentley .. and G. Andrews, Durham Volume 1 1816, volume 2 1820, volume 3 1823, volume 4 1840

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  Limekilns at Southwick on the Wear after Edward Swinburne 1826
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  Shields Harbour after Edward Swinburne 1827
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  Lower Tees near Dinsdale open etching after Edward Swinburne 1832
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  Lower Tees near Dinsdale after Edward Swinburne 1832
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  High Force on the Tees after Edward Swinburne 1832

Waverley Novels (Abbotsford Edition). Walter Scott. Edinburgh and London: Robert Cadell, Houlston & Stoneman 1842 - 1847

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  Highland Hills, from the Teith below Callender after C Stanfield, 1842
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  Holyrood House and Chapel, from Calton Hill after C Stanfield, 1842
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  View of James' Court Edinburgh after C Stanfield, 1842
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  Queensferry, from the South-east after C Stanfield, 1843
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  Bass Rock etched by William Miller after Thomson 1842
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  Bass Rock, East Lothian after J Thomson, 1843
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  Loch Ard after J Nasmyth, 1843
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  Edinburgh, from St Anthony's Chapel after C Stanfield, 1843
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  View from Fast Castle after C Stanfield, 1844
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  Tantallon Castle after J Nasmyth, 1844
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  Durrenstein on the Danube after Sir D Wilkie, 1844
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  York Minster, Moonlight View after C Stanfield, 1844
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  Loch Leven and Castle after C Stanfield, 1844
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  Barnbugle Castle and Firth of Forth etched by William Miller after C Stanfield 1844
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  Barnbougle Castle and Firth of Forth, from Lauriestone Castle after C Stanfield, 1844
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  Warwick Castle after C Stanfield, 1844
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  View on the Coast of Zetland, near the Ness, Moonlight after W Collins, 1844
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  Castle Rushen, Castletown, Isle of Man after W L Leitch, 1845
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  Peel Castle, Isle of Man after W L Leitch, 1845
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  Cologne after C Stanfield, 1845
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  Tours after C Stanfield, 1845
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  Liege after C Stanfield, 1845
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  Abbotsford, from the North Bank of the Tweed after E Terry, 1845
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  Peebles and River Tweed, from Neidpath Castle after P Paton, 1845
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  St Mary's Loch after P Paton, 1845
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  Dumfries after C Stanfield, 1846
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  The Mouth of the Annan, and Solway Firth, Skiddaw inthe Distance after C Stanfield, 1846
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  Pass of Llanberis, Caernarvonshire after R K Penson, 1846
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  Pass of Nantfrangon, Caernarvonshire after R K Penson, 1846
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  The Dead Sea after D Roberts, 1846
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  Worcester after T Creswick, 1846
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  Kilchurn Castle after H McCulloch, 1846
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  Selkirk after P Paton, 1846
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  Constantinople after T Allom, 1847
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  Ruins of Laodicea after T Allom, 1847

Memorials of the Royal Progress in Scotland, Sir Thomas Dick Lauder, Constable, Edinburgh 1843

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  Touched proof engraving of Edinburgh from St Anthony's Well engraved by William Miller after Leitch

Art and Song. A Series of Original Highly Finished Steel Engravings from Masterpieces of Art of the Nineteenth Century. Bell, Robert (Ed), Bell and Daldy, London 1867

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  Tynemouth Priory, Rawlinson 641
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  Flamborough Head, proof engraving after John Martin
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  Evening, engraving after John Martin

The Book of Gems from the Poets and Artists of Great Britain. The Eighteenth and Nineteenth Century. Wordsworth to Tennyson. Hall, Samuel Carter. Bell and Daldy, London 1866

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  The Minstrel engraving after D O Hill
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  Sunrise engraving after A B Johns
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  St Michael's Mount engraving after Bentley

The Imperial Family Bible According to the Authorized Version (John Martin Illustrator) Glasgow, Edinburgh, and London: Blackie & Son. 1844

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  The Giving of the Law after John Martin, 1844
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  The Deluge after John Martin, 1844

Black's Picturesque Tourist of Scotland with an Accurate Travelling Map, Engraved Charts, and Views of the Scenery; Plans of Edinburgh and Glasgow; and a Copious Itinerary. Adam & Charles Black, Edinburgh; various editions from 1846

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  Entrance to Loch Skavaig, Skye engraving after Rev John Thomson, 1846

Finden's Royal Gallery of British Art, Published by the Proprietors, at 18 and 19, Southampton Place, Euston Square; sold by F. G. Moon, 20, Threadneedle Street, and Ackermann & Co., Strand, London, 1838-1849

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  Sunset at Sea after a Storm after Francis Danby
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  Sunset after the Storm, engraved by William Miller after Francis Danby, proof before letters 1849
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  Battle of Trafalgar after Clarkson Stanfield

The Castles, Palaces and Prisons of Mary of Scotland. Charles Mackie. London. C Cox, 12, King William St, Strand, Oliver & Boyd Edinburgh, David Robertson, Bookseller to the Queen Glasgow, James Chalmers Dundee, & J Robertson Dublin. 1849

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  Lochleven Castle engraving after G F Sargent, 1849
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  Edinburgh Castle engraving after G F Sargent, 1849
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  Dunbar Castle engraving after G F Sargent, 1849
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  Dunbar Castle vignette engraving after G F Sargent, 1849
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  Linlithgow Castle engraving after G F Sargent, 1849
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  Crookston Castle engraving after G F Sargent, 1849
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  Crookston Castle vignette engraving after G F Sargent, 1849

Memoirs of the Life of Sir A Agnew of Lochnaw. London and Edinburgh: 1850

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  Lochnaw, proof engraving after R K Greville, 1850

The Rhine - Osterprey and Feltzen engraving by William Miller after J M W Turner, Rawlinson 669 first published state 1852

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  The Rhine - Osterprey and Feltzen, Rawlinson 669, 1852

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