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File:শহর থেকে দূরে - বাংলা চলচ্চিত্র (১৯৪৩).webm

শহর_থেকে_দূরে_-_বাংলা_চলচ্চিত্র_(১৯৪৩).webm ‎(WebM audio/video file, VP8/Vorbis, length 2 h 1 min 1 s, 640 × 480 pixels, 1.62 Mbps overall, file size: 1.37 GB)

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  • Director: Sailajananda Mukherjee
  • Country: India
  • Year: 1943
  • Language: Bengali
  • Runtime: 121 min
  • Color: Black and White
  • Sound: Mono
  • Studio: Eastern Talkies
  • Producer: Surendra Ranjan Sarkar
  • Writer: Sailajananda Mukherjee
  • Cinematographer: Ajoy Kar
  • Editor: Binoy Bannerjee
  • Composer: Subal Dasgupta
  • Lyricist: Najrul Islam, Sailen Ray
  • Cast: Kanu Bannerjee, Dhiraj Bhattacharya, Prafulla Das, Chitra Devi, Molina Devi, Rajlakshmi Devi, Reba Devi, Jahar Ganguly, Batu Ganguly, Nabadwip Halder, Kumar Mitra, Naresh Mitra, Haridhan Mukherjee, Prabhadevi, Phani Roy, Renuka Roy
  • Genre: Drama, Social
  • Censorship Certificate Number: 81297
  • Date of Censor Certificate: July 27, 1977
  • Certification Centre: Calcutta
  • Rating/Certificate: U
  • Number of Reels: 16
  • Format: 35 mm
  • IMDb ID: 0244772
  • Release date: 24 December, 1943 (Rupabani)
  • Presented By: Prima Films (1938) Limited
  • Assistant Director: Nyangteshwar Mukherjee, Khagen Roy, Kamal Chatterjee, Binoy Banerjee
  • Story: Sailajananda Mukherjee
  • Screenplay: Sailajananda Mukherjee
  • Sound Design: J.D. Irani
  • Sound Recording: Shishir Chatterjee, Siddhi Nag
  • Assistant Cinematographer: Dasharath Bishal
  • Art Director: Batu Sen
  • Production Design: Lalmohan Roy
  • Co-Editor: Robin Das
  • Make-Up: * Sudheer, Teenkori
  • Dance Director: Braja Pal
  • Production Controller: Daud Chand
  • Laboratory: Dhiren Banerjee
'Sahar Theke Durey', an example of the early social realism in Bengali cinema, written and directed by Sailajananda Mukherjee who was an exponent of literary realism, is the story of Ratan, a village simpleton, a drunkard with a heart of gold, and his daily travails, including his interactions with the people around him whom he constantly attempts to look after. At the same time, his home sphere is fraught with tension because of the almost daily tussles between his mother and his wife who has been unable to bear children so far. The arrival of a new doctor, who brings with him upheaval in the superstitious and stagnant life of the villagers, sets the stage for an exposition on the duality of the country and the city and their people - something that came to be established as one of the foremost thematic elements in Indian cinema, especially in the domain of the social melodramas.
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This file has been provided by the Indiancine.ma, an annotated online archive of Indian film intended to serve as a shared resource for film scholars and enthusiasts in India and beyond. It is also made available on the Indiancine.ma website. The metadata of the file has been released under Creative Commons Attribution-ShareAlike 3.0 Unported License. (verify)


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Author Sailajananda Mukherjee

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The Indian Copyright Act applies in India to works first published in India. According to the Indian Copyright Act, 1957, as amended up to Act No. 27 of 2012 (Chapter V, Section 25):

  • Anonymous works, photographs, cinematographic works, sound recordings, government works, and works of corporate authorship or of international organizations enter the public domain 60 years after the date on which they were first published, counted from the beginning of the following calendar year (i.e. as of 2024, works published prior to 1 January 1964 are considered public domain).
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  • Any kind of work other than the above enters the public domain 60 years after the author's death (or in the case of a multi-author work, the death of the last surviving author), counted from the beginning of the following calendar year.
  • Text of laws, judicial opinions, and other government reports are free from copyright.
The Indian Copyright Act, 1957 is not retroactive, so any work in which copyright did not subsist when it commenced did not have its copyright restored, and is in the public domain per the Copyright Act 1911.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 60 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, and Switzerland and the United States are 70 years.

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current05:04, 28 December 20202 h 1 min 1 s, 640 × 480 (1.37 GB)Bodhisattwa (talk | contribs)Imported media from https://indiancine.ma/AKQA/480p1.webm

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Format Bitrate Download Status Encode time
VP9 480P 408 kbps Completed 06:59, 28 December 2020 1 h 51 min 44 s
Streaming 480p (VP9) Not ready Unknown status
VP9 360P 266 kbps Completed 06:19, 28 December 2020 1 h 14 min 41 s
Streaming 360p (VP9) Not ready Unknown status
VP9 240P 191 kbps Completed 06:14, 28 December 2020 1 h 9 min 25 s
Streaming 240p (VP9) 116 kbps Completed 23:26, 15 December 2023 9.0 s
WebM 360P 571 kbps Completed 05:49, 28 December 2020 42 min 14 s
Streaming 144p (MJPEG) 962 kbps Completed 03:05, 20 November 2023 2 min 58 s
Stereo (Opus) 73 kbps Completed 03:39, 29 November 2023 1 min 46 s
Stereo (MP3) 128 kbps Completed 03:05, 20 November 2023 2 min 15 s

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