File:A Canadian winter (BM 1931,1114.349).jpg
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Captions
Captions
Summary
editA Canadian winter
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Artist |
Print made by: John Doyle (HB)
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Title |
A Canadian winter |
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Description |
English: No. 515. A man fallen in water through broken ice in foreground at left (Lord Glenelg), helped by a man standing in water at right, handing him his walking stick to hold onto (Lord Melbourne); a man holding his left hand behind (Lord Russell), supported by a man standing behind at far right (Thomas Spring Rice); they are watched by a group of men (at far left, Lord Brougham, next to him the Duke of Wellington, holding a fishing rod, and John Bull at centre);
Lithograph |
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Depicted people | Representation of: Henry Peter, 1st Baron Brougham and Vaux | |||||||||||||||||||||||
Date |
1838 date QS:P571,+1838-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1931,1114.349 |
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Notes |
Text from 'An Illustrative Key to the Political Sketches of H.B.', London 1841: Many are the points of comparison which will occur to every reflecting mind between a Government and a sheet of ice:- its slipperiness, its frailty, the springs below that undermine its strength, the depths to which those are precipitated under whose feet it gives away, and their small chance of rescue and resuscitation. The unfortunate man who is up to his neck in the water is Lord Glenelg, (lately Mr. C. Grant,) who was the Colonial Secretary at the time of the Canadian revolt; but, though he is the only one of the skating party actually "in for it," it is evident that the whole concern is breaking around him. Lord Melbourne, who hands him his walking-stick, is up to his knees, and Lord John Russell and Mr. Spring Rice, who are holding fast their leader, are already ancle-deep. The figure of John Bull, who seems to be calling for help, may indicate the popularity of the Ministry, even in its sinking state; or it may be intended only to shew that, in the desperate condition to which they seem reduced, they were not wholly unpitied. The contrast between Lord Brougham and the Duke of Wellington is, however, exceedingly striking. While the former looks on with manifest satisfaction, at a calamity which vindicates his reputation as a prophet, the latter, regardless alike of the past and the future, comes down, like a Royal Humane-Society man, with the proper implements, to rescue the sufferer from a watery grave. Whether the complacency which is shewn in the countenance of Lord Glenelg, and his resolution to await the event in perfect tranquillity, be the result of his confidence in the Duke of Wellington's power to save him, or of a frigidity of temperament, which renders him unconscious of his danger, it is difficult to say. See also 1868,0808.11832 |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1931-1114-349 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
editThis image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 09:36, 17 May 2020 | ![]() | 2,500 × 1,738 (763 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1838 #20,817/21,781 |
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Metadata
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Camera manufacturer | SONY |
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Camera model | DSC-RX100 |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/1.8 |
ISO speed rating | 125 |
Date and time of data generation | 10:19, 29 November 2017 |
Lens focal length | 10.4 mm |
Image title | |
Width | 5,472 px |
Height | 3,648 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 350 dpi |
Vertical resolution | 350 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 11:02, 1 December 2017 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 10:19, 29 November 2017 |
Meaning of each component |
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Image compression mode | 2 |
APEX shutter speed | 5.906891 |
APEX aperture | 1.695994 |
APEX brightness | 3.22421875 |
APEX exposure bias | 0 |
Maximum land aperture | 1.6953125 APEX (f/1.8) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 28 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | 10.4-37.1 mm f/1.8-4.9 |
Date metadata was last modified | 11:02, 1 December 2017 |
Unique ID of original document | 7C40EBC70CB4B00F931BE4A92C61FDB2 |
IIM version | 60,362 |