File:Albukhary Gallery, British Museum, stone of Khwarazmshah Jalal al-Din Mangubirti, and engraved with a representation of mihrab, with Quranic inscriptions. Nishapur, Historic Iran, 1230.jpg

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Albukhary Gallery, British Museum, stone of Khwarazmshah Jalal al-Din Mangubirti, and engraved with a representation of mihrab, with Quranic inscriptions. Nishapur, Historic Iran, 1230

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English: Albukhary Gallery, British Museum, stone of Khwarazmshah Jalal al-Din Mangubirti, and engraved with a representation of mihrab, with Quranic inscriptions. Nishapur, Historic Iran, 1230
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The Religious Plot in Museums or the Lack Thereof: The Case of Islamic Art Display
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© 2022 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). [1]
Author Valerie Gonzalez, Department of History of Art and Archaeology, School of Oriental and African Studies (SOAS), University of London, London WC1H 0XG, UK
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current05:55, 10 March 2024Thumbnail for version as of 05:55, 10 March 20243,158 × 4,394 (6.33 MB)पाटलिपुत्र (talk | contribs)Uploaded a work by Valerie Gonzalez, Department of History of Art and Archaeology, School of Oriental and African Studies (SOAS), University of London, London WC1H 0XG, UK from [https://www.mdpi.com/2077-1444/13/4/281 The Religious Plot in Museums or the Lack Thereof: The Case of Islamic Art Display]<br> Provided under CC BY 4.0:<br> © 2022 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Common...

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