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File:Armand Rassenfosse - Huile russe (Musée de la Vie wallonne).jpg

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Français : Lithographie en couleurs, 1896, 96,2 × 63,5 cm.

Musée de la Vie wallonne. N° inventaire : 2088264.

Signification iconographique : Comme dans la plupart de ses réalisations publicitaires, Rassenfosse privilégie la lisibilité et la force d'impact. Le thème de la jeune femme, saisie dans son intimité, ainsi que la facture synthétique, caractérisée par l'accentuation des contours, une palette restreinte et contrastée et une composition simple et dynamique traduisent l'influence de l'estampe japonaise. Bien que la part belle soit accordée à la coquette, le flacon ouvert et sa boîte, disposés à l'avant-plan, favorisent la reconnaissance ultérieure du produit. Présentée dans les plus importantes expositions internationales d'affiches et publiée par la crème des revues dévouées à ceux que l'on ne craignait pas de saluer comme les "maîtres de l'affiche", cette image fit sensation. Le premier spécialiste français de l'affiche belge, Alexandre Demeure de Beaumont feignit de s'effrayer de son "réalisme exagéré" avant de souligner que "la couleur corrige ce qu'il y a d'un peu outré et en fait une estampe d'un négligé charmant". Source : Université de Liège - Culture - exposition Vers la modernité - Liège (5 octobre 2001 - 20 janvier 2002). Article de M. Jean-Patrick Duchesne.
Date
Source Photography of the affiche
Author Armand Rassenfosse

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current15:15, 29 December 2022Thumbnail for version as of 15:15, 29 December 20221,000 × 1,535 (1.48 MB)Galpas79 (talk | contribs)Uploaded a work by Armand Rassenfosse from Photography of the affiche with UploadWizard

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