File:Austria Iunxisti Burgunda et Belgica Iura Maxime per Thalamos Æmiliane tuos (BM 1884,0112.44).jpg
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Summary
editAustria Iunxisti Burgunda et Belgica Iura Maxime per Thalamos Æmiliane tuos
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Artist |
Print made by: Theodoor van Thulden
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Title |
Austria Iunxisti Burgunda et Belgica Iura Maxime per Thalamos Æmiliane tuos |
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Description |
English: Plate 13: The Marriage of Maximillian of Austria and Mary, Duchess of Burgundy; at left Maximillian steps forward, doffing his cap and extending his hand to take that of his bride, Mary of Burgundy; their wedding ceremony takes place before a coffered arch through which the sky is visible beyond; in attendance to the right of Mary is her father, Charles the Bold, Duke of Burgundy, holding her arm as a show of giving her away in marriage; to the left of Maximillian stands Emperor Frederick IV, with a dog at his feet; carrying a blazing torch the young Hymen urges the bride forward; between the bride and groom stands Cybele wearing her mural crown and holding up an orb surmounted by a lion; after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Etching and engraving |
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Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1884,0112.44 |
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Notes |
One of a series of forty-three plates illustrating Gaspar Gevaerts' "Pompa Introitus"; for additional comments see 1884,0112.31. This etching depicts in detail the large canvas adorning the upper tier of the front face of the Arch of Philip. It commemorates the marriage that took place in Ghent in August 1477, resulting the expansion of the Austrian Hapsburgs' rule to include the Netherlands. Charles V's presence in the wedding image deviates from historical events, given that he had died in battle several months before the ceremony. Jacob Jordaens executed the painting for the arch decoration itself after Rubens' design, but van Thulden here seems to have followed Rubens' initial oil sketch for the decoration. Lit.: John Rupert Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London, 1972, cat. 5a, pp. 72-73. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-44 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
editThis image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 00:49, 11 May 2020 | ![]() | 1,316 × 1,166 (230 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #2,094/3,454 |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Apple |
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Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 64 |
Date and time of data generation | 10:17, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 2,448 px |
Height | 3,264 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 10:53, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 10:17, 9 January 2019 |
Meaning of each component |
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APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.8297423100917 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 081 |
DateTimeDigitized subseconds | 081 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 10:53, 9 January 2019 |
Unique ID of original document | BE6A909F2BA2924D35A18558D4E17943 |
IIM version | 20,034 |