File:Bram3.jpg
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Captions
Captions
Summary
editBramantino: Crucifixion
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Artist |
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Title |
Crucifixion label QS:Lja,"磔刑 (ブラマンティーノ)"
label QS:Larz,"الصلب (لوحه)"
label QS:Luk,"Розп'яття"
label QS:Lnl,"Crocifissione"
label QS:Lru,"Распятие"
label QS:Lpt,"Crucificação"
label QS:Len,"Crucifixion"
label QS:Lzh,"受難耶穌" |
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Object type |
painting ![]() |
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Genre |
religious art ![]() |
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Description | |||||||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||||||
Date |
between 1503 and 1511 date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1503-00-00T00:00:00Z/9,P1326,+1511-00-00T00:00:00Z/9 ![]() |
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Medium |
oil on canvas ![]() |
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Dimensions |
height: 372 cm (12.2 ft) ![]() ![]() dimensions QS:P2048,+372U174728 dimensions QS:P2049,+270U174728 |
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Collection |
institution QS:P195,Q150066 |
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Accession number |
981 (Pinacoteca di Brera) ![]() |
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References | |||||||||||||||||||||||||||||
Source/Photographer | Own work, user:Emmeu | ||||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:32, 26 November 2006 | ![]() | 801 × 1,090 (152 KB) | Emmeu (talk | contribs) | Bramantino, ''Crocifissione'', Milano, Brera |
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JPEG file comment | BRAMANTINO
(b. ca. 1460, Milano, d. 1536, Milano) Crucifixion c. 1515 Oil on canvas, 372 x 270 cm Pinacoteca di Brera, Milan This painting may have come from the church of S. Maria di Brera. At one time it was probably an organ shutter. It was formerly attributed to Bramante. A late work, this painting reveals Bramantino's background. His roots were in the art of Ercole de' Roberti, the most energetically emotional fifteenth- century painter in northern Italy. It is from this source that Bramantino drew his highly dramatic style, which led him to freeze the tragedy of the Crucifixion within a framework of lucid abstraction. At the same time he seized the opportunity to seek out new means of formal expression. The crosses of the two thieves are arranged in terms of a centralized perspective, creating a space almost like an interior, and leading directly to the background where typical Bramantino buildings are silhouetted against an evening sky. (One of the buildings resembles the Trivulzio mausoleum, which was designed by the artist.) The marked bisymmetry of the painting, with angel and demon, sun and moon, is less structured in the choral rhythm of the foreground. The Madonna's grief is represented within the circle described by the hands of the saints, while the Magdalene lifts her arms toward the cross as if to raise it up to heaven. A strict intellectual approach dominates the colour scheme, in which subdued olive greens, golden grays and browns predominate. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 22 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/schutz_7worte.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Heinrich Schütz: Die sieben Worte am Kreuz SWV 478</B></A> </TD></TR></TABLE>
--- Keywords: -------------- Author: BRAMANTINO Title: Crucifixion Time-line: 1451-1500 School: Italian Form: painting Type: religious |
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