File:Circle of Francois de Troy - Louise Francois de Bourbon.png

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anonymous: "Louise Francois de Bourbon"   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Circle of François de Troy  (1645–1730)  wikidata:Q1232749
 
Circle of François de Troy
Description French portrait painter and engraver
Date of birth/death February 1645 / 9 January 1645 Edit this at Wikidata 1 May 1730 Edit this at Wikidata
Location of birth/death Toulouse Paris
Work period Baroque
Work location
Paris (1670–1730) Edit this at Wikidata
Authority file
artist QS:P170,Q4233718,P1776,Q1232749
Title
"Louise Francois de Bourbon"
Description

"became the principal painter to the court of King James II in exile at Saint-Germain-en-Laye and later in 1698 was appointed a Professor and later Director of the Academie Royale. His influence was broad in artistic circles emphasized by his abilities as an engraver which circulated his portrait work even more widely. This intimate portrait would have been produced probably for a friend or member of court.


Louise Françoise de Bourbon was the eldest surviving legitimised daughter of Louis XIV of France and his mistress, Madame de Montespan. She was said to have been named after her godmother, Louise de La Vallière, the woman that her mother had replaced as the king’s mistress. Originally known at court as Mademoiselle de Nantes, after her marriage at the age of eleven she became known as Madame la Duchesse, a style which she kept as a widow. She was also Duchess of Bourbon and Princess of Condé. In the hope of ingratiating herself with the new king she later became a leading member of the cabale de Meudon, a group of people who centered on Louis, le Grand Dauphin her older half brother. Whilst her son, Louis Henri, Duke of Bourbon was Prime Minister of France she tried to further her political influence but to little avail.


Very attractive, she had a turbulent love life and was frequently part of scandal during the reign of her father Louis XIV. Later in life, she built the Palais Bourbon in Paris, the present seat of the National Assembly of France, with the fortune she amassed having invested greatly in the Système de Law."
Date 17th century
date QS:P571,+1650-00-00T00:00:00Z/7
Medium painting
Dimensions

Stretcher 11 1/2 x 14 1/2”

Frame 14 1/2 x 18 1/2”
Source/Photographer https://www.ebay.com/itm/386845923568 [1]
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Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current22:09, 25 March 2024Thumbnail for version as of 22:09, 25 March 20241,080 × 1,464 (2.75 MB)Ecummenic (talk | contribs)-
22:08, 25 March 2024Thumbnail for version as of 22:08, 25 March 20241,200 × 1,600 (3.08 MB)Ecummenic (talk | contribs)-
22:06, 25 March 2024Thumbnail for version as of 22:06, 25 March 20241,200 × 1,600 (3.42 MB)Ecummenic (talk | contribs){{Artwork |artist ={{Creator:François de Troy|Circle of}} |title ={{title|"Louise Francois de Bourbon"}} |description="became the principal painter to the court of King James II in exile at Saint-Germain-en-Laye and later in 1698 was appointed a Professor and later Director of the Academie Royale. His influence was broad in artistic circles emphasized by his abilities as an engraver which circulated his portrait work even more widely. This intimate portrait would have been produced p...

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