File:Clevelandart 1942.633.jpg
![File:Clevelandart 1942.633.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Clevelandart_1942.633.jpg/454px-Clevelandart_1942.633.jpg?20190121113320)
Original file (2,575 × 3,400 pixels, file size: 2.03 MB, MIME type: image/jpeg)
Captions
Captions
Summary
editMaster of the Holy Blood: Saint Catherine and Saint Barbara (pair)
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Artist |
Master of the Holy Blood |
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Title |
Saint Catherine and Saint Barbara (pair) |
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Object type |
painting ![]() |
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Genre |
religious art ![]() |
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Description |
Saint Catherine holds the sword with which she was martyred, and Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. These two paintings were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges. Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts. |
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Date |
1515 date QS:P571,+1515-00-00T00:00:00Z/9 |
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Medium | Tempera on wood panel | |||||||||||||||||||||||
Dimensions | Framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); Unframed: 86.6 x 30 cm (34 1/8 x 11 13/16 in.) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q657415 |
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Current location |
Medieval Art |
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Accession number |
1942.633 |
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Place of creation | Netherlands, Bruges, 16th century | |||||||||||||||||||||||
Credit line | Bequest of John L. Severance | |||||||||||||||||||||||
References |
https://clevelandart.org/art/1942.633 ![]() |
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Source/Photographer | https://clevelandart.org/art/1942.633 |
Licensing
edit
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
This digital reproduction has been released under the following licenses:
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. |
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This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:33, 21 January 2019 | ![]() | 2,575 × 3,400 (2.03 MB) | Madreiling (talk | contribs) | pattypan 18.02 |
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File usage on Commons
The following 6 pages use this file:
- File:Clevelandart 1942.633.1.jpg
- File:Clevelandart 1942.633.2.jpg
- File:Clevelandart 1942.633.jpg
- File:Master of the Holy Blood - Saint Barbara - 1942.633.2 - Cleveland Museum of Art.tiff
- File:Master of the Holy Blood - Saint Catherine - 1942.633.1 - Cleveland Museum of Art.tiff
- File:Master of the Holy Blood - Saint Catherine and Saint Barbara (pair) - 1942.633 - Cleveland Museum of Art.tif
File usage on other wikis
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- Usage on en.wikipedia.org
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Author | Chief Photographer, Howard Agriesti |
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Image title | |
Copyright holder | |
Credit/Provider | Howard Agriesti, Cleveland Museum of Art |
Source | Cleveland Museum of Art |
Online copyright statement | http://www.clevelandart.org |
City shown | Cleveland |
Contact information |
Cleveland Museum of Art11150 East Blvd Cleveland, OH, 44106 USA |
Date and time of digitizing | 07:18, 17 May 2018 |
Software used | Adobe Photoshop CC 2018 (Macintosh) |
Date metadata was last modified | 08:40, 19 July 2018 |
File change date and time | 08:40, 19 July 2018 |
Unique ID of original document | xmp.did:F598D29319206811A7BABC07D98658EE |
Sublocation of city shown | Cleveland Museum of Art |
Country shown | USA |
Province or state shown | OH |