File:Díptico da Anunciação Alvaro Pires Sarasota.jpg

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Summary

Object

Alvaro Pirez d'Evora: Annunciation Diptych  wikidata:Q58803622 reasonator:Q58803622
Artist
Alvaro Pirez d'Evora  (fl. 1410 / 1400–1434 / 1450)  wikidata:Q10395841
 
Description Portuguese painter and visual artist
Date of birth/death before 1411
date QS:P,+1411-00-00T00:00:00Z/7,P1326,+1411-00-00T00:00:00Z/9
after 1434
date QS:P,+1434-00-00T00:00:00Z/7,P1319,+1434-00-00T00:00:00Z/9
Location of birth Évora
Work period Early Renaissance
era QS:P2348,Q1472236
Work location
Authority file
creator QS:P170,Q10395841
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Annunciation Diptych
label QS:Len,"Annunciation Diptych"
label QS:Lde,"Verkündigungsdiptychon"
label QS:Lpt,"Díptico da Anunciação"
Part of Polyptych of Sant'Agostino, Nicosia Edit this at Wikidata
Object type diptych Edit this at Wikidata
Genre religious art Edit this at Wikidata
Description
Date 1420s
date QS:P,+1420-00-00T00:00:00Z/8
 Edit this at Wikidata
institution QS:P195,Q612530
Exhibition history
References

Marius Mrotzek, Q106407704, S. 134f

Steinweg datiert die hll. Michael und Johannes der Täufer vor 1423. In der Madonna mit Kind von Livorno (Kat. Nr. 15) vermutet sie aufgrund stilistischer Zusammenhänge das dazugehörige Mittelbild. Mojimir FRINTA datiert das Bild wegen der verwendeten Punzen nach 1423 an entsprechend der Maria und dem Engel der Verkündigung in Sarasota (Kat. Nr. 24), die er wie TODINI (1986) und ROBERTS (2002) einem Altarkomplex zuordnet. TODINI (1992) geht später nicht mehr darauf ein, ebenso wenig wie TARTUFERI (1992) und NAVARRO (1993). Erst DIAS (1994) setzt die Warschauer Tafel zeitlich versetzt zur Madonna in Livorno, nennt aber zur Begründung lediglich die abweichenden Bildformate. Dabei beschrieb der den hl. Johannes irrtümlich als Jesus, der aber immer auf der Mitteltafel und nicht auf der Seitentafel dargestellt würde.

Photograph

NOTE: This image is a panorama consisting of 2 frames that were merged or stitched in GIMP. As a result, this image necessarily underwent some form of digital manipulation. These manipulations may include blending, blurring, cloning, and colour and perspective adjustments. As a result of these adjustments, the image content may be slightly different from reality at the points where multiple images were combined. This manipulation is often required due to lens, perspective, and parallax distortions.

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Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current15:39, 13 July 2018Thumbnail for version as of 15:39, 13 July 20182,755 × 2,943 (2.41 MB)PawełMM (talk | contribs)User created page with UploadWizard

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