File:Die Einführung des Ganymed in den Olymp - Ölskizze.jpg
Original file (2,266 × 1,764 pixels, file size: 3.54 MB, MIME type: image/jpeg)
Captions
Summary edit
Artist |
artist QS:P170,Q128954 |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
Deutsch: Skizze zu dem Deckengemälde Die Einführung des Ganymed in den Olymp.
Die Hauptunterschiede zwischen dieser Skizze und der Ausführung des unten abgebildeten Deckengemäldes im Marmorsaal des Neuen Palais' (Potsdam) sind die Hinzufügung der Figuren Hebe und Hephaistos sowie die Verdeckung der Kartusche mit einem grünen Tuch. Auf der Ölskizze sind eine Krone und die Buchstaben FR (Fridericus Rex) auf der Kartusche sichtbar. Diese Änderungen erfolgten zweifellos auf Anweisung Friedrichs. Die Hinzufügung von Hebe ist als Reverzerweisung an Friedrichs Lieblingsschwester Wilhelmine gedeutet worden. Schon von Zeitgenossen wurde die Abdeckung von Friedrichs Initialen auf der Kartusche als Anzeichen seiner Bescheidenheit ausgelegt. In der griechischen Mythologie wurde Ganymed als Hirtenknabe von Zeus auf den Olymp entführt, damit er dort Mundschenk für die Götter sei und ewig dort lebe. In dieser Aufgabe löste er Hebe, die Tochter des Zeus und der Hera, gegen den Willen Heras ab. English: Oil sketch for the ceiling painting The Induction of Ganymede in Olympus. The chief changes between this sketch and the execution of the ceiling painting in the Marble Hall of the New Palace (Potsdam) (shown below) are the addition of Hebe and Hephaestus as well as the covering of the cartouche with a green cloth. On the cartouche here, a crown and the initials FR (Fridericus Rex) can be discerned. These changes were surely made at Friedrich's direction. The addition of Hebe has been interpreted as a nod to Friedrich's beloved sister, Wilhelmine. The covering of his initials was seen by contemporaries as indicative of Friedrich's modesty. In Greek mythology, Zeus made Ganymede cupbearer to the gods at Olympus, supplanting Hebe. |
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Date |
1768 date QS:P571,+1768-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions | 70 x 91 cm | |||||||||||||||||||||||
Collection |
institution QS:P195,Q531772 |
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Accession number |
GK I 51188 |
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Source/Photographer | Friederisiko. Friedrich der Große. Die Ausstellung, ed. Generaldirektion der Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Munich: Hirmer, 2012), p. 213 | |||||||||||||||||||||||
Other versions |
Annotations InfoField | This image is annotated: View the annotations at Commons |
cartouche with crown and the initials FR
Licensing edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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current | 16:11, 7 November 2013 | 2,266 × 1,764 (3.54 MB) | Jdsteakley (talk | contribs) | {{Information |Description= |Source= |Date= |Author= |Permission= |other_versions= }} |
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File usage on Commons
The following 8 pages use this file:
- Die Einführung des Ganymed in den Olymp (van Loo)
- File:Die Einführung des Ganymed in den Olymp.jpg (file redirect)
- File:Die Einführung des Ganymed in den Olymp (van Loo).jpg
- File:Die Einführung des Ganymed in den Olymp (van Loo) - Ausschnitt.jpg
- File:Die Einführung des Ganymed in den Olymp (van Loo) - Detail.jpg
- File:Die Einführung des Ganymed in den Olymp - Ölskizze.jpg
- File:Einführung des Ganymed in den Olymp (van Loo).jpg
- File:Einführung des Ganymed in den Olymp (van Loo) - Detail.jpg
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Width | 2,103 px |
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Height | 2,579 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS5.1 Windows |
File change date and time | 15:30, 1 November 2013 |
Exif version | 2.21 |
Color space | Uncalibrated |
Unique ID of original document | CE8E45FB58C5A90F0B64086E8CB4E7AF |
Date and time of digitizing | 09:48, 1 November 2013 |
Date metadata was last modified | 10:30, 1 November 2013 |