File:Die Einführung des Ganymed in den Olymp - Ölskizze.jpg

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Artist
Charles-Amédée-Philippe van Loo  (1719–1795)  wikidata:Q128954
 
Charles-Amédée-Philippe van Loo
Description French painter, visual artist and portraitist
Date of birth/death 25 August 1719 / 29 August 1719 Edit this at Wikidata 15 November 1795 Edit this at Wikidata
Location of birth/death Rivoli Paris
Work period 1738 Edit this at Wikidata–1795 Edit this at Wikidata
Authority file
artist QS:P170,Q128954
Object type painting
object_type QS:P31,Q3305213
Description
Deutsch: Skizze zu dem Deckengemälde Die Einführung des Ganymed in den Olymp.
Die Hauptunterschiede zwischen dieser Skizze und der Ausführung des unten abgebildeten Deckengemäldes im Marmorsaal des Neuen Palais' (Potsdam) sind die Hinzufügung der Figuren Hebe und Hephaistos sowie die Verdeckung der Kartusche mit einem grünen Tuch. Auf der Ölskizze sind eine Krone und die Buchstaben FR (Fridericus Rex) auf der Kartusche sichtbar. Diese Änderungen erfolgten zweifellos auf Anweisung Friedrichs. Die Hinzufügung von Hebe ist als Reverzerweisung an Friedrichs Lieblingsschwester Wilhelmine gedeutet worden. Schon von Zeitgenossen wurde die Abdeckung von Friedrichs Initialen auf der Kartusche als Anzeichen seiner Bescheidenheit ausgelegt.
In der griechischen Mythologie wurde Ganymed als Hirtenknabe von Zeus auf den Olymp entführt, damit er dort Mundschenk für die Götter sei und ewig dort lebe. In dieser Aufgabe löste er Hebe, die Tochter des Zeus und der Hera, gegen den Willen Heras ab.
English: Oil sketch for the ceiling painting The Induction of Ganymede in Olympus.
The chief changes between this sketch and the execution of the ceiling painting in the Marble Hall of the New Palace (Potsdam) (shown below) are the addition of Hebe and Hephaestus as well as the covering of the cartouche with a green cloth. On the cartouche here, a crown and the initials FR (Fridericus Rex) can be discerned. These changes were surely made at Friedrich's direction. The addition of Hebe has been interpreted as a nod to Friedrich's beloved sister, Wilhelmine. The covering of his initials was seen by contemporaries as indicative of Friedrich's modesty.
In Greek mythology, Zeus made Ganymede cupbearer to the gods at Olympus, supplanting Hebe.
Date 1768
date QS:P571,+1768-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions 70 x 91 cm
institution QS:P195,Q531772
Accession number
GK I 51188
Source/Photographer Friederisiko. Friedrich der Große. Die Ausstellung, ed. Generaldirektion der Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Munich: Hirmer, 2012), p. 213
Other versions

Gallery view

The final version includes Hebe (at left) and Hephaestus (below)
The final version, with Hebe and the draped shield
A drape conceals Friedrich's initials on the shield
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Licensing edit

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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