Wikimedia Commons

File:Dirk Valkenburg, Rituel slavefest på en sukkerplantage i Surinam, , KMS376, Statens Museum for Kunst.jpg

Original file ‎(8,299 × 10,294 pixels, file size: 63.78 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

edit
Dirk Valkenburg: Slave "Play" on a Sugar Plantation in Surinam  wikidata:Q20426601 reasonator:Q20426601
Artist
Dirk Valkenburg  (1675–1721)  wikidata:Q5280882
 
Dirk Valkenburg
Description Dutch painter
Date of birth/death 17 February 1675 Edit this at Wikidata 1721 Edit this at Wikidata
Location of birth/death Amsterdam Amsterdam
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Rituel slavefest på en sukkerplantage i Surinam

Slave "Play" on a Sugar Plantation in Surinam
title QS:P1476,da:"Rituel slavefest på en sukkerplantage i Surinam"
label QS:Lda,"Rituel slavefest på en sukkerplantage i Surinam"
Object type painting
object_type QS:P31,Q3305213
Genre genre art Edit this at Wikidata
Description
Dansk: Rituel slavefest på en sukkerplantage i Surinam
Dansk: Slaver "spiller teater" på en sukkerplantage i Surinam
Dansk: Negerlystighed i Surinam
Date circa  Edit this at Wikidata
Medium
Dansk: Olie på lærred
Dimensions height: 737 mm (29.01 in); width: 625 mm (24.60 in)
dimensions QS:P2048,737.0U174789
dimensions QS:P2049,625.0U174789
institution QS:P195,Q671384
Accession number
KMS376
Object history
  • Dansk: - 1706/1707 Jonas Witsens samling, Surinam / Amsterdam.

- Figurerer i Abildgaards katalog over Fredensborg 1799/1800 - 1840: inddraget fra Fredensborg (cat. nr. 218(?))

Placeringshistorie: - 1947: ophængningsmagasin rum III - 1969, 4. sept.: Sølvgade - 1975, 21. okt.: til udstilling i The Cleveland Museum of Art (M150) - 1977, 12. jan.: retur - 1987, 24. aug.: Stuttgart (udst.) - 1987. 4. dec.: Sølvgade - 1988, 20. juli: Sydney, Australien (udst.)

- 1988. 19. okt.: Sølvgade
Exhibition history
  • Fokus på fremmede, Sølvgade, 19 January 2002–9 June 2002
  • Histórias Afro-Atlânticas, MASP, 27 June 2018–20 October 2018
  • Ufortalte historier, Sølvgade, 5 May 2017–29 December 2017
  • "Slavery", Rijksmuseum, Amsterdam, 12 February 2021–30 May 2021
  • "The former Dutch coloni Surinam", De Nieuwe Kerk Amsterdam, 4 October 2019–1 February 2020
  • Enslavement and Resistance: Cambridge’s world History, The Fitzwilliam Museum, 8 September 2023–20 January 2024
Inscriptions
D. VB.
Notes
  • Dansk: Værkdatering: 1706 - 1708
  • Dansk: Dateringen er baseret på fagligt skøn, se: Eeghen, 1946, p. 65f og Pollig, 1987, kat. 2.13
  • Dansk: Katalognumre:

- Abildgaard nr. 278 (som Buytewech) - Cat. 1875 nr. 459 (som ubekendt, monogram DVB) - Kat. 1904 nr. 96 (som hollandsk, monogram DVB, se arkiveks. I) - Kat. 1922 nr. 496 (som Dionysos Verburgh?)

- Kat. 1946 nr. 888 (som hollandsk, monogram DVB, midten af 1600-årene)
References
  • W. Martin (1935-36) De hollandsche schilderkunst in de zeventiende eeuw, vol. II: p. 468 (som Verburgh), 13722
  • Ubekendt (1954-) Nederlands kunsthistorisch jaarboek, 2007 - 2008, volume 58, Omt. og afb. p. 242 - 264, i Rebecca Parker Brienen's artikel: "Embodying Race and Pleasure: Dirk Valkenburg's Slave Dance", 17911
  • William Eisler (1988) Terra Australis: the furthest shore, kat. 87, ill. farve p. 117, 53433
  • William Eisler (1995) The furthest shore: images of Terra Australis from the Middle Ages to Captain Cook, p. 116, kat. 87, farveplanche p. 117: Slave "play" on the adjoining plantation of Palmenambo [?] and Surinambo, Surinam, hvor Valkenburgh arbejdede som bogholder, 55618
  • Ubekendt (1975) The european vision of America, nr. 84 (gen), 60531
  • B. Haak (1984) Das Goldene Zeitalter der Holländischen Malerei, p. 59 (geng.), 66190
  • Ubekendt (1987) Exotische Welten: europäische Phantasien, pp. 320, 321, afb. 4 (farve), 479, kat. 2.13 (Amsterdam (?) 1706-08), 88-388
  • Ubekendt (1992) America: bride of the sun, kat. 144 (pp. 250ff), afb. p. 351, 92-296
  • Elmer Kolfin (1997) Van de slavenzweep en de muze: twee eeuwen verbeelding van slavernij in Suriname, p. 24, ill. s/h fig. 7, 97-159
  • Ubekendt (1978-) Oxford art journal, Volume 25, number 1, 2002 Charles Ford, 'People As Property', p 1-16. Omt. p. 4 pp, ill. p. 6 fig. 2, C 13596 ti
  • Kay Dian Kriz (2008) Slavery, sugar, and the culture of refinement: picturing the British West Indies, 1700-1840, ill. nr. 27, ill. p. 60, omt. p. 60, C 42117
  • Ubekendt (1953-) Bulletin van het Rijksmuseum, afb. 2, ill. + omt. p. 236, D 39539 ti
  • Gilles Gauvin (2007) Abécédaire de l'esclavage des noirs, ill. p. 118, D 39642
  • Clazien Medendorp (2008) Kijkkasten uit Suriname: de diorama's van Gerrit Schouten, ill. p. 72, D 40586
  • Rebecca Parker Brienen (2006) Visions of savage paradise: Albert Eckhout, court painter in colonial Dutch Brazil, Fig. 46, p. 140, omt. p. 139, D 44396
  • Chr. P. van Eeghen (date unspecfied) Dirk Valkenburg: boekhouder, schrijver, kunstschilder voor Jonas Witsen, p. 65f (tilskrives Dirk Valkenburg, dateres ca. 1706-08)
  • Richard Prince (1983) First Time: The Historical Vision of an Afro-American People, pp. 108-10
  • Monika Kopplin (date unspecfied) Du bist schwartz, doch du bist schön, p. 36-45, farveill. s. 39, omtale p. 41
  • Adeline Cacan (1970) Le siecle de Rembrandt, p. 218
  • Kurt Wettengledt (1997) Maria Sibylla Merian 1647-1717: Künstlerin und Naturforscherin, afb p.191, fig.63 (s/h), p.192-93 ( et "Klischeebild der Schwarzen, ihrer angeblichen 'geilheit und Lüsternheit"), k2001-225
  • Hans Verbeek (2000) Travels through town and country: Dutch and Flemish landscape drawings 1550-1830, omt. under kat. 66-67 n1, k2005-166
  • Bob Haak (1984) The golden age: Dutch painters of the seventeenth century, Afb. p. 59, B 3425
  • Nicolaas, Eveline Sint (date unspecfied) Shackles and Bonds: Suriname and the Netherlands since 1600, fig. 3.11, afb. p. 62
  • Stephanie Archangel (2021) Slavery, fig. 8, afb. p. 100
  • Natalie Zemon Davis (1995) Women on the margins : three seventeenth-century lives, pp. 190-191
  • Natalie Zemon Davis (date unspecfied) Judges, Masters, Diviners: Slaves’ Experience of Criminal Justice in Colonial Suriname, p. 950
Source/Photographer

Licensing

edit

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1670, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This digital reproduction has been released under the following licenses:

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current02:15, 9 November 2023Thumbnail for version as of 02:15, 9 November 20238,299 × 10,294 (63.78 MB)WLKBot (talk | contribs){{SMK Open|KMS376}}

You cannot overwrite this file.

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Dirk_Valkenburg,_Rituel_slavefest_på_en_sukkerplantage_i_Surinam,_,_KMS376,_Statens_Museum_for_Kunst.jpg&oldid=866501571"