File:El Paral·lel 1894-1939- exhibit at CCCB in Barcelona (92)Eusebi Planes- Noble Juego del Tresillo.JPG

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Català: Exposició realitzada entre el 2012 i el 2013 al CCCB de Barcelona sobre el Paral·lel. El Paral·lel és una de les avingudes de Barcelona que, com la Diagonal o la Gran Via, sorgeix del projecte d’eixamplament de la ciutat de Barcelona ideat per Ildefons Cerdà. Des del seu naixement, un seguit de disposicions urbanístiques contradictòries van facilitar l’aparició d’edificacions efímeres i la conversió d’aquest carrer en una densa àrea d’oci i espectacles. L’any 1894 s’inaugura oficialment com a via urbana de Barcelona. Des d’aleshores al voltant de l’avinguda hi creix un barri d’oci per a les masses, perfectament equiparable als existents en altres grans aglomeracions urbanes europees d’aquell moment.
English: Pictures of an exhibit about The Paral·lel avenue in Barcelona that took place in CCCB cultural center between october 2012 and feb 2013. El Paral·lel emerges from the project to extend the city designed by Ildefons Cerdà. From its birth, a series of contradictory urban planning regulations facilitated the appearance of ephemeral buildings and the conversion of this street into a dense area of leisure and entertainment.

The result was a leisure district for the masses, perfectly comparable to those existing in other major European urban agglomerations at that time, but that immediately became a genuine cultural expression of the social and political conflict that characterised the Barcelona of the early 20th century. El Paral·lel generated shows with perfectly differentiated contents and formats, made up by the audience and the artists.

This exhibition will explain, therefore, why a new entertainment area emerged in the city, leading the weight of the theatrical axis to move from the Plaça Catalunya-Passeig de Gràcia area to the Nou de la Rambla-Paral·lel area.
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Author ca:Eusebi Planas i Franquesa
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Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

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current14:31, 29 October 2012Thumbnail for version as of 14:31, 29 October 20122,592 × 1,936 (2.51 MB)Rotatebot (talk | contribs)Bot: Image rotated by 270° (EXIF-Orientation set from 6 to 1, rotated 0°)
19:27, 28 October 2012Thumbnail for version as of 19:27, 28 October 20121,936 × 2,592 (2.51 MB)Kippelboy (talk | contribs)

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