File:Giotto - Tableau représentant cinq maîtres de la Renaissance florentine (début XVIe siècle ?).JPG
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Original file (2,653 × 3,391 pixels, file size: 3.65 MB, MIME type: image/jpeg)
File information
Structured data
Captions
Captions
Portrait of Giotto di Bondone, made between 1490 and 1550
Portret van Giotto di Bondone tussen 1490 en 1550
Summary
editFive Famous Men of the Florentine Renaissance
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Artist |
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Title |
French: Five Famous Men from the Italian Renaissance label QS:Lit,"Cinque maestri del rinascimento fiorentino"
label QS:Lfr,"Cinq maîtres de la Renaissance florentine"
label QS:Len,"Five Famous Men from the Italian Renaissance" detail |
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Object type |
painting ![]() |
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Genre |
group portrait ![]() |
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Description |
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Depicted people | ||||||||||||||||||||||||
Date |
from 1500 until 1550 date QS:P,+1550-00-00T00:00:00Z/7,P580,+1500-00-00T00:00:00Z/9,P582,+1550-00-00T00:00:00Z/9 ![]() |
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Medium |
tempera on panel ![]() |
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Dimensions |
height: 21.3 cm (8.3 in) ![]() ![]() dimensions QS:P2048,+21.3U174728 dimensions QS:P2049,+65.5U174728 |
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Collection |
institution QS:P195,Q19675 |
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Current location |
Peintures italiennes, room 3: Salon Carré. Denon, 1st floor. This work is part of the collections of the Louvre (Department of Paintings). |
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Accession number |
INV 267 ![]() |
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Notes |
Français : Tableau florentin du début du XVIe siècle représentant cinq maîtres de la Renaissance florentine, d'abord attribué à Paolo Uccello par Vasari qui dit avoir vu un tableau semblable dans la maison de Giuliano da Sangallo à Florence, puis en 1550 à Masaccio, puis en 1568 à Uccello |
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References | ||||||||||||||||||||||||
Authority file | ||||||||||||||||||||||||
Source/Photographer | Own workMOSSOT Taken on 30 March 2012 | |||||||||||||||||||||||
Other versions |
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Licensing
editI, the copyright holder of this work, hereby publish it under the following license:
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:23, 30 March 2012 | 2,653 × 3,391 (3.65 MB) | MOSSOT (talk | contribs) |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
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Camera model | DMC-FZ50 |
Exposure time | 1/8 sec (0.125) |
F-number | f/3.2 |
ISO speed rating | 200 |
Date and time of data generation | 16:11, 30 March 2012 |
Lens focal length | 17.4 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Paint Shop Pro Photo 12,01 |
File change date and time | 22:10, 30 March 2012 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 16:11, 30 March 2012 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 82 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Soft |
Saturation | Normal |
Sharpness | Normal |