File:Guillaume Koller - Hugo van der Goes Painting the Portrait of Mary of Burgundy.jpg
Original file (4,000 × 2,786 pixels, file size: 3.34 MB, MIME type: image/jpeg)
Captions
Summary
editWilhelm Koller: Hugo van der Goes Painting the Portrait of Mary of Burgundy | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q19670719 |
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Title |
Hugo van der Goes Painting the Portrait of Mary of Burgundy |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | |||||||||||||||||||||||
Depicted people | Charles the Bold, Mary of Burgundy, Margaret of York, Hugo van der Goes | |||||||||||||||||||||||
Date |
circa 1872 date QS:P571,+1872-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Dimensions |
height: 59.4 cm (23.3 in); width: 86.4 cm (34 in) dimensions QS:P2048,59.4U174728 dimensions QS:P2049,86.4U174728 |
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Collection |
institution QS:P195,Q160236 |
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Current location |
not on view |
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Accession number |
81.1.662 |
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Credit line |
1881: bequeathed by Stephen Whitney Phoenix (1839–1881) |
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Inscriptions |
Signature bottom right: G.Koller.
Guillaume is the French alternative for the artist's first name |
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Notes |
Alison Hokanson; Edward H. Wouk (4 December 2020). "The past is always present: The image of early Netherlandish art in the long nineteenth century". Oud Holland – Journal for Art of the Low Countries 133 (3-4): 146–154. Brill. ISSN 0030-672x. Retrieved on 11 June 2021. "The picture imagines an encounter between Van der Goes (ca. 1440-1482) and Mary of Burgundy (1457-1482), shown as a child seated on the lap of her young stepmother Margaret of York (1446-1503). Behind them is likely Charles the Bold (1433-1477), who married Margaret after the death of Mary’s mother, Isabella of Bourbon (1434-1465).² Koller’s painting offered nineteenth-century audiences an appealing, if fictional, image of an esteemed northern European artist depicting a moment in the domestic life of a noble dynasty closely identified with the history and heritage of Belgium.³ ... ² Keen-eyed readers will note that Koller exercised some creative license: Margaret of York married Charles the Bold in 1468, when Mary of Burgundy was eleven, much older than the child in the painting. Given that Koller’s title in the 1872 exhibition catalogue incorrectly identifies Margaret of York as Charles the Bold’s second wife (she was actually his third, and Isabella of Bourbon was his second), the artist may not have had access to the correct facts, or may simply have gotten them wrong. In any case, no records exist of a Van der Goes portrait of Mary of Burgundy at any age. On the reception of Hugo van der Goes in the nineteenth century, see D. Wolfthal, ‘Hugo van der Goes: A historiographical study’, Center 26 (2005-2006), pp. 165-167, which discusses Émile Wauters’ The painter Hugo van der Goes at the Rode Klooster (Brussels, Musées royaux des Beaux-Arts de Belgique, inv. 2519), also exhibited at the Brussels Salon in 1872, nr 873. ³ Mary of Burgundy’s marriage in 1477 to Maximilian of Austria (1459-1519), encouraged by her stepmother, was a politically transformative union that aligned the Burgundian State with the Habsburgs and initiated an enduring French-Habsburg breach. We are grateful to Maryan Ainsworth, Jan Dirk Baetens, Douglas Brine, and Diane Wolfthal for their insights into The Met’s painting." |
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References | ||||||||||||||||||||||||
Source/Photographer | Metropolitan Museum of Art |
Licensing
edit
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current | 14:39, 11 June 2021 | 4,000 × 2,786 (3.34 MB) | Mabrndt (talk | contribs) | Uploaded a work by {{Creator|wikidata=Q19670719}} from [https://www.metmuseum.org/art/collection/search/436829 Metropolitan Museum of Art] with UploadWizard |
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- User:Adeletron 3030/botgalleries/Sports/2021 June 10-12
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- File:Guillaume Koller - Hugo van der Goes Painting the Portrait of Mary of Burgundy.jpg
- File:Hugo van der Goes Painting the Portrait of Mary of Burgundy MET ep81.1.662.bw.R.jpg
- Category:Hugo van der Goes Painting the Portrait of Mary of Burgundy by Wilhelm Koller
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Author | Trujillo Juan |
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Image title | |
Copyright holder | |
Short title |
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Date and time of data generation | 21:40, 10 August 2020 |
JPEG file comment | Guillaume Koller, Hugo van der Goes Painting the Portrait of Mary of Burgundy (Painting: Oil on wood, 23 3/8 x 34 in. (59.4 x 86.4 cm)) |
Lens used | HC 120 II |
Serial number of camera | SS38000047 |
Keywords | Front |
Writer | Xue Chen |
Date and time of digitizing | 21:40, 10 August 2020 |
Software used | Adobe Photoshop CC 2019 (Macintosh) |
Date metadata was last modified | 10:14, 1 September 2020 |
File change date and time | 10:14, 1 September 2020 |
Rating (out of 5) | 0 |
Unique ID of original document | xmp.did:a0db6c25-0f5d-457e-9666-ec489f862463 |
Copyright status | Copyright status not set |