File:How to gammon the deep ones or the way to overturn a coach according to act of p-l-m-t. (BM J,4.88).jpg

Original file(1,600 × 898 pixels, file size: 414 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

edit
How to gammon the deep ones or the way to overturn a coach according to act of p-l-m-t.   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist

Print made by: Isaac Cruikshank

Published by: S W Fores
Title
How to gammon the deep ones or the way to overturn a coach according to act of p-l-m-t.
Description
English: A much overloaded stage-coach is driven left to right; the horses are galloping, on each is an amateur postillion. On the roof is a monstrous pile of trunks and packing-cases, &c, some inscribed 'White Lead', 'Candles', 'Glass', 'Soap', with a barrel of 'Porter' on the top. Four persons are seated on the roof behind the box; one says "I suppoze bye & bye the Passengers will all ride on the outside & the Luggage within". The driver is a slim undergraduate in cap and gown; one man sits next him; at their feet, in a receptacle for parcels, &c, are four persons whose heads appear. In the much-extended basket behind the coach are seventeen persons, one of whom is a giant; he receives attentions from two women, one saying, "Pray Sir are you married". An Irishman says, "I say we have just got the game 31 my Bays, tho' the tall Scotchman weighs as much as four". A Scot answers, "Hoot mon, I had rather Twanty Muckle Scotchman were on the Tap then sae mony Kists". The one inside passenger, wearing a coat with a quadruple cape and probably the coachman, leans out of the window, saying, "I'm an inside Passenger & gave him leave to Drive if he should brake a few Necks its as the act Directs". On the off-leader a sailor sits facing the horse's tail. Next him is an Irishman whose hat the driver has just flicked off with his whip; a paper flies in the air behind him: 'Address Highness .. comg to the Throne'. He says, "by Jasus they told me the Address would be in before the Coach, but I think I see it going back again I wish I was in its Pocket". Behind him on the near wheeler sits another Irishman flourishing a club and saying, "Arah Honey I never rode outside of a Coach before". The man on the off-wheeler clutches the reins desperately. The road leads up a very steep hill, a signpost (right) pointing to 'Turn over Hill'. The coach is inscribed 'Holyhead'; on the door are the royal arms and 'According to Act of Parliament'. 1 January 1791.
Hand-coloured etching
Depicted people Associated with: Sir Richard Gamon
Date 1791
date QS:P571,+1791-00-00T00:00:00Z/9
Medium paper
Dimensions
Height: 231 millimetres
Width: 424 millimetres
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
J,4.88
Notes

(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)

A satire on the Bill introduced by Richard Gamon, M.P. for Winchester, tor regulating stage-coaches (30. Geo. III, c. 36). By this a penalty was imposed on the coachman for permitting any other person to drive without the consent of the inside passengers. No more than four passengers were to sit on the roof, or more than one on the box. For the Irishman's 'Address' see BMSat 7511, &c.
Source/Photographer https://www.britishmuseum.org/collection/object/P_J-4-88
Permission
(Reusing this file)
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0

Licensing

edit
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).


This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current00:24, 12 May 2020Thumbnail for version as of 00:24, 12 May 20201,600 × 898 (414 KB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1791 #5,524/12,043

Metadata