File:Indra with thunder olt.jpg

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Description
English: painting / album
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   Object type
       painting term details
       album term details
   Museum number
   1993,0806,0.39
   Description

Gouache painting on paper from an album of eighty-two paintings of Hindu deities. Four-armed and thousand-eyed Indra carries in his upper right hand a vajra (thunderbolt), formed by six rhomboidal elements, with a sword in his upper left. In his lower right he holds a shield and in his lower left another smaller vajra. His many eyes are distributed equally over his four arms.

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   School/style
       Company School term details
   Date
       1850 (circa)
   Production place
       Painted in: Tamil Nadu
       (Asia,India,Tamil Nadu)
   Materials
       paper
   Technique
       painted term details
   Dimensions
       Height: 32.4 centimetres (page)
       Width: 29 centimetres (page)
   Inscriptions
           Inscription Type
           inscription
           Inscription Position
           lower border
           Inscription Language
           French
           Inscription Content
           Dévindren roi des saints de Sorca.
   Curator's comments
   Dallapiccola 2010:
   Indra sports a bushy moustache often seen in mid-nineteenth-century portraits.

This album of eighty-two paintings of Hindu deities is bound in a wooden cover carved with the image of a female figure playing a vina, surrounded by a creeper. It comprises of an almost equal number of Vaishnava and Shaiva themes, a complete set of images of the ashtadikpalas, and a group of murtis (sacred images of a deity) worshipped in specific temples. The exceptional feature of this work is the inclusion of a group of grama devatas, local deities worshipped in rural areas.

The album contains a number of images of murtis worshipped at specific sites, and the geographical distribution of these sites and the presence of local deities such as Kattavarayan, might indicate that this album was produced either in north or central Tamil Nadu.

The paintings are inscribed with French captions, which are carefully written by two different hands, one of which appears only very occasionally. The text of the captions gives only the name of the depicted deity and, if necessary, a short explanation of the illustrated incident. A few inscriptions are not accurate. The names have been phonetically transcribed to suit the French pronunciation of Indian names.

The artist is conversant with an almost ‘impressionistic’ brushwork style, used consistently in rendering the crowns of the trees, which is at odds with the stiff and formal treatment used in the drawings of the deities, imitating the style of woodcut prints of the mid to late nineteenth century. The figures are somewhat heavily built, with the draping of their clothing emphasized.

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   Bibliography
       Dallapiccola 2010 cat. 9.39 bibliographic details
   Subjects
       hinduism term details
       deity term details
   Associated names
       Representation of: Indra biography
   Acquisition name
       Funded by: Brooke Sewell Permanent Fund biography
       Purchased from: Pablo Butcher biography
   Acquisition date
   1993
   Department
   Asia
   Registration number
1993,0806,0.39
Date
Source http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3375713&partId=1&searchText=indra&images=true&page=1
Author company school
Permission
(Reusing this file)
http://www.britishmuseum.org/about_this_site/terms_of_use.aspx


Public domain
This work is in the public domain in India because its term of copyright has expired.

The Indian Copyright Act applies in India to works first published in India. According to the Indian Copyright Act, 1957, as amended up to Act No. 27 of 2012 (Chapter V, Section 25):

  • Anonymous works, photographs, cinematographic works, sound recordings, government works, and works of corporate authorship or of international organizations enter the public domain 60 years after the date on which they were first published, counted from the beginning of the following calendar year (i.e. as of 2024, works published prior to 1 January 1964 are considered public domain).
  • Posthumous works (other than those above) enter the public domain after 60 years from publication date, counted from the beginning of the following calendar year.
  • Any kind of work other than the above enters the public domain 60 years after the author's death (or in the case of a multi-author work, the death of the last surviving author), counted from the beginning of the following calendar year.
  • Text of laws, judicial opinions, and other government reports are free from copyright.
The Indian Copyright Act, 1957 is not retroactive, so any work in which copyright did not subsist when it commenced did not have its copyright restored, and is in the public domain per the Copyright Act 1911.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 60 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, and Switzerland and the United States are 70 years.


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current07:34, 28 September 2013Thumbnail for version as of 07:34, 28 September 2013750 × 998 (144 KB)శ్రీధర్ బాబు (talk | contribs){{subst:Upload marker added by en.wp UW}} {{Information |Description = {{en| painting / album Back to search results Object type painting term details album term details Museum number 1993,0806,0.39 Description ...

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