File:La reine s'efforce de consoler Hamlet (Act.Ier Sc.II) (The Queen tries to console Hamlet) (BM 1911,0412.165).jpg
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Captions
Captions
Summary
editLa reine s'efforce de consoler Hamlet (Act.Ier Sc.II) (The Queen tries to console Hamlet)
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Artist |
Print made by: Eugène Delacroix
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Title |
La reine s'efforce de consoler Hamlet (Act.Ier Sc.II) (The Queen tries to console Hamlet) |
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Description |
English: In the foreground, Hamlet in mourning dress stands sorrowfully in the centre, flanked on the left by Gertrude, who holds his hand, and on the right by Claudius, who watches; other figures behind them. 1834. Impression from the 1864 edition
Lithograph |
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Depicted people | Illustration to: William Shakespeare | |||||||||||||||||||||||
Date |
1834 date QS:P571,+1834-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1911,0412.165 |
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Notes |
According to Delteil, the series, which comprises sixteen lithographs, was begun in 1834 and finished in 1843. Delacroix himself published thirteen of them in 1843 in an edition (according to A. Moreau) of eighty copies, sixty on white paper, twenty on chine. This first edition was printed by Villain and published by Gihaut frères. The sixteen stones were included in the artist's posthumous sale. They were purchased by Paul Meurice for 2050 fr, together with four proofs of each plate. Paul Meurice produced an edition of two hundred copies, published in 1864 by Dusacq & Cie, Michel Lévy frères and Pagnerre, after which the stones were sawn and framed. The British Museum set (1911-4-12-165 to 180) is a complete set of the 1864 edition, with titlepage and list of contents (which are not registered but kept with the series). The plates, however, bear no lettering whatever, and are therefore after Delteil's last state (second, third or fourth, depending on the print) in which Bertauts's name replaces Villain's. Nevertheless, most of the sheets bear the blindstamp of Bertauts. An additional, duplicate impression of D.106 is probably from the 1864 edition but does not have the Bertauts blindstamp (1865-1-14.80). The impressions of the 1911 set in the BM are inferior to the few impressions of the Villain edition that are also in the collection.: see1918-6-29-7 to 9. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1911-0412-165 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
editThis image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 00:39, 17 May 2020 | ![]() | 2,087 × 2,500 (1.02 MB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1834 #11,583/21,781 |
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Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Width | 2,912 px |
Height | 3,489 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Image width | 2,912 px |
Image height | 3,489 px |
Color space | sRGB |
Software used | Adobe Photoshop CS4 Windows |
Date and time of digitizing | 13:22, 25 April 2013 |
Date metadata was last modified | 13:22, 25 April 2013 |
File change date and time | 13:22, 25 April 2013 |
Unique ID of original document | xmp.did:8489566F9AADE211BB0FD3D688BBE818 |