File:Landscape 02-20-22 by Kevin Dooley.jpg
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Summary
editDescriptionLandscape 02-20-22 by Kevin Dooley.jpg |
English: Five Decisions in Photography
Updated March 2022 The process of photography consists of five critical steps, or decisions points. When all five come together, we can have magic. 1. Where to take photos, and why? Location, location, location. If you travel around the world, you have a lot of image possibilities, and if you stay in your house all the time, less. That said, a good photographer can find interesting images in any setting. For me, it’s about whether I can achieve intense focus in that locale. Location is intimately tied to why to go? What's your purpose? What do you want to communicate? Is photography a passenger or pilot on this journey? For example, in my architecture shots, including from Google Street View, I feel a documentary/historian role, and that guides the aesthetic I use in selecting and editing images. 2. What photographic equipment to use? Expensive equipment is nice, not necessary, and often not needed, and may not even be the best choice. Don't buy into the megapixel myth. What my $10 Vivitar Ultra Wide and Slim with some good film is incomparable by any what any digital camera or post-processing software can do. 3. What pictures to take? At locale with equipment in hand, what are you going to click at and how? Camera settings and POVs can make a difference, but a good eye is the foundation. Timing can be everything too. Everyone recognizes the classic picture the captures “the moment”. 4. What shots to keep? Some shots get tossed, some get kept but not shown, some get shown. Being a good judge of your own work is a critical but often over-looked skill. This requires both constraint and judgment, which in part can be developed by looking at other people’s works. 5. How to present image? These decisions include any decisions made during image post-processing, framing, and a decision as to where to show it, including what digital platforms to engage it with. In my own case, my Flickr, Instagram, and Facebook streams contain different content because I have different audiences. These decisions occur within a web of context, experience, creativity, and social and physical dynamism. In the end, only we know how we “got” to the final image, if we even remember. But as photographers, we share in the collective experience of this general process. Image: Prescott Valley at dusk, Arizona. |
Date | |
Source | https://www.flickr.com/photos/pagedooley/51916798681/ |
Author | Kevin Dooley |
Camera location | 34° 26′ 13.46″ N, 112° 16′ 02.56″ W | View this and other nearby images on: OpenStreetMap | 34.437071; -112.267377 |
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Licensing
edit- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
This image was originally posted to Flickr by kevin dooley at https://flickr.com/photos/12836528@N00/51916798681. It was reviewed on 14 March 2022 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
14 March 2022
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 10:46, 14 March 2022 | 4,032 × 2,268 (3.8 MB) | Kamingáwan (talk | contribs) | Uploaded a work by Kevin Dooley from https://www.flickr.com/photos/pagedooley/51916798681/ with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Apple |
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Camera model | iPhone 11 Pro Max |
Exposure time | 1/550 sec (0.0018181818181818) |
F-number | f/2 |
ISO speed rating | 20 |
Date and time of data generation | 07:22, 20 February 2022 |
Lens focal length | 6 mm |
Horizontal resolution | 240 dpi |
Vertical resolution | 240 dpi |
Software used | Adobe Photoshop Lightroom Classic 10.4 (Macintosh) |
File change date and time | 10:35, 27 February 2022 |
Exposure Program | Normal program |
Exif version | 2.32 |
Date and time of digitizing | 07:22, 20 February 2022 |
APEX shutter speed | 9.103288 |
APEX aperture | 2 |
APEX brightness | 8.3313009477103 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 711 |
DateTimeDigitized subseconds | 711 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 52 mm |
Scene capture type | Standard |
Lens used | iPhone 11 Pro Max back triple camera 6mm f/2 |
Date metadata was last modified | 03:35, 27 February 2022 |
Unique ID of original document | 7F018AB35EBCC05FE3C034FAFF1D52EC |
IIM version | 4 |