File:Le stryge (NYPL b13512928-1105501).tiff

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English: * According to Loys Delteil, Meryon published this set in 3 parts between 1852 and 1854, although according to James D. Burke in Charles Meryon Prints & Drawings, it is not certain that this was actually accomplished. An edition was printed by Auguste Delatre in 1861 after Meryon retouched some of the plates.
  • Admission is granted through application to the Office of Special Collections.
  • DW22 and DW39 were not included by Loys Delteil in this set since they were unpublished.
  • DW26 includes pencil inscriptions by artist to an unidentified man. DW35 and DW38 include pencil notations by artist either describing the state or proposing changes for future states, which he later carried out. DW36 includes pencil verses by artist of an early version of L'Hotellerie de la Mort.
  • Forms part of Samuel Putnam Avery Collection.
  • Gift of Samuel Putnam Avery, 1900. DW23 bears collector's mark of unidentified French collection (Lugt 160) DW29 bears portion of unidentified collector's mark. DW34 and DW35 bear collector's mark of Phillipe Burty (Lugt 413) DW38 bears collector's mark of A. Wasset (Lugt 200)
  • Holdings checked in departmental copy of Loys Delteil and Harold Wright, Catalogue raisonne of the etchings of Charles Meryon.
  • S. P. Avery Collection.
  • Set of etchings of views of Paris, partially inspired by Victor Hugo. Includes views of Ile de la Cite, Notre-Dame, Palais de justice, Pantheon, Pont-Neuf, the Seine and the tomb of Moliere, along with many other architectural structures and details including apses, bridges, buttresses, chimneys, church buildings, civic facilities, clock towers, colonnades, columns, gable roofs, gargoyles, grotesques, morgues, pumps, smoke stacks, towers and turrets. Other subjects include albatrosses or seagulls, balloons, barges, boats, covered wagons, crests, crows or ravens, dedications, drowning victims, ducks, heraldry, limestone, moons, pilings, scaffolding, ships and streets. Many prints are present in more than one state, some on colored paper and one is a reproductive print. Some prints printed by Auguste Delatre and some bear the artist's monogram.
  • The states are listed according to Harold Wright's updated edition of Loys Delteil, Catalogue raisonne of the etchings of Charles Meryon. Other catalogs list the states differently.
  • Title from Loys Delteil and Harold Wright, Catalogue raisonne of the etchings of Charles Meryon.
  • Citation/Reference: DW 23(VIII/VIII)
Title
InfoField
Le stryge.
Date
Source https://digitalcollections.nypl.org/items/510d47da-419f-a3d9-e040-e00a18064a99
Author Scan by NYPL
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(Reusing this file)
This image is available from the New York Public Library's Digital Library under the digital ID 104a68c0-c614-012f-e629-58d385a7bc34: digitalgallery.nypl.orgdigitalcollections.nypl.org

This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing.


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UUID
InfoField
104a68c0-c614-012f-e629-58d385a7bc34
Name
InfoField
Notre-Dame de Paris (Cathedral)
MODS
InfoField
http://api.repo.nypl.org/api/v1/items/mods/510d47da-419f-a3d9-e040-e00a18064a99
Image ID
InfoField
1105501
Collection
InfoField
Samuel Putnam Avery Collection
Collection UUID
InfoField
510d47da-419f-a3d9-e040-e00a18064a99
NYPL catalog ID
InfoField
b13512928
Topics
InfoField
Gargoyles


Licensing edit

This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

The author died in 1850, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.


This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


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current13:50, 21 June 2016Thumbnail for version as of 13:50, 21 June 20164,832 × 5,555 (76.8 MB) (talk | contribs)NYPL Samuel Putnam Avery Collection http://digitalcollections.nypl.org/items/510d47da-419f-a3d9-e040-e00a18064a99, part of User:Fæ/Project list/NYPL T1096.4339

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