File:Lecture 14. Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C.webm
Lecture_14._Ostinato_Form_in_the_Music_of_Purcell,_Pachelbel,_Elton_John_and_Vitamin_C.webm (WebM audio/video file, VP9/Opus, length 50 min 4 s, 640 × 360 pixels, 316 kbps overall, file size: 113.03 MB)
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editDescriptionLecture 14. Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C.webm |
English: Listening to Music (MUSI 112)
This lecture begins with a review of all the musical forms previously discussed in class: sonata-allegro, rondo, theme and variations, and fugue. Professor Wright then moves on to discuss the final form that will be taught before the students' next exam: ostinato. With the aid of music by Pachelbel, Purcell, and a few popular artists, Professor Wright shows the multitude of ways in which the ostinato bass has been used throughout the past several centuries. 00:00 - Chapter 1. Review of Musical Forms 05:19 - Chapter 2. Multiple Themes within Beethoven's Third Symphony 22:57 - Chapter 3. The Ostinato Form in Purcell's Opera 42:12 - Chapter 4. The Pachelbel Canon and Conclusion Complete course materials are available at the Yale Online website: online.yale.edu This course was recorded in Fall 2008. |
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Source | YouTube: Lecture 14. Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C – View/save archived versions on archive.org and archive.today |
Author | YaleCourses |
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Short title | Lecture 14. Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C |
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Image title | Listening to Music (MUSI 112)
This lecture begins with a review of all the musical forms previously discussed in class: sonata-allegro, rondo, theme and variations, and fugue. Professor Wright then moves on to discuss the final form that will be taught before the students' next exam: ostinato. With the aid of music by Pachelbel, Purcell, and a few popular artists, Professor Wright shows the multitude of ways in which the ostinato bass has been used throughout the past several centuries. 00:00 - Chapter 1. Review of Musical Forms 05:19 - Chapter 2. Multiple Themes within Beethoven's Third Symphony 22:57 - Chapter 3. The Ostinato Form in Purcell's Opera 42:12 - Chapter 4. The Pachelbel Canon and Conclusion Complete course materials are available at the Yale Online website: online.yale.edu
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Author | YaleCourses |
User comments | https://www.youtube.com/watch?v=TPzYv6DsOHU |
Software used | Lavf60.16.100 |