File:Lecture 4. Rhythm- Jazz, Pop and Classical.webm
Lecture_4._Rhythm-_Jazz,_Pop_and_Classical.webm (WebM audio/video file, VP9/Opus, length 51 min 24 s, 640 × 360 pixels, 375 kbps overall, file size: 137.95 MB)
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editDescriptionLecture 4. Rhythm- Jazz, Pop and Classical.webm |
English: Listening to Music (MUSI 112)
Professor Wright begins this lecture with a brief introduction to musical acoustics, discussing the way multiple partials combine to make up every tone. He reviews fundamental rhythmic terms, such as "beat," "tempo," and "meter," and then demonstrates in more depth some of the more complex concepts, such as "syncopation" and the "triplet." Professor Wright then moves on to discuss the basics of musical texture, giving detailed examples of three primary types: monophonic, homophonic, and polyphonic. The class is then taught the basics of rhythmic dictation -- skill that entails notating the rhythm of a piece after listening to it. Each of these disparate threads is brought together in the conclusion of the lecture, in which Mozart's Requiem is shown to weave different rhythms, textures, and pitches together to depict the text effectively. 00:00 - Chapter 1. Introduction to Multiple Partials 04:30 - Chapter 2. Syncopation and Triplets 14:33 - Chapter 3. Basics of Musical Texture 21:57 - Chapter 4. Counting Measures and Musical Dictation 38:15 - Chapter 5. Mozart's Requiem: Insights on Varying Textures and Pitches Complete course materials are available at the Yale Online website: online.yale.edu This course was recorded in Fall 2008. |
Date | |
Source | YouTube: Lecture 4. Rhythm: Jazz, Pop and Classical – View/save archived versions on archive.org and archive.today |
Author | YaleCourses |
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Short title | Lecture 4. Rhythm: Jazz, Pop and Classical |
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Image title | Listening to Music (MUSI 112)
Professor Wright begins this lecture with a brief introduction to musical acoustics, discussing the way multiple partials combine to make up every tone. He reviews fundamental rhythmic terms, such as "beat," "tempo," and "meter," and then demonstrates in more depth some of the more complex concepts, such as "syncopation" and the "triplet." Professor Wright then moves on to discuss the basics of musical texture, giving detailed examples of three primary types: monophonic, homophonic, and polyphonic. The class is then taught the basics of rhythmic dictation -- skill that entails notating the rhythm of a piece after listening to it. Each of these disparate threads is brought together in the conclusion of the lecture, in which Mozart's Requiem is shown to weave different rhythms, textures, and pitches together to depict the text effectively. 00:00 - Chapter 1. Introduction to Multiple Partials 04:30 - Chapter 2. Syncopation and Triplets 14:33 - Chapter 3. Basics of Musical Texture 21:57 - Chapter 4. Counting Measures and Musical Dictation 38:15 - Chapter 5. Mozart's Requiem: Insights on Varying Textures and Pitches Complete course materials are available at the Yale Online website: online.yale.edu
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Author | YaleCourses |
User comments | https://www.youtube.com/watch?v=h4ROqE4SMyA |
Software used | Lavf60.16.100 |