File:Lee Kyeong yun. Scholar under the pine tree. 16th c. Ewha Womans University Museum.jpg

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English: Lee Kyeong yun. Scholar under the pine tree. 16th c. Ewha Womans University Museum. Note from the the museum : This simple and refined black ink painting from the mid-Joseon era was influenced by the Zhejiang School of the Ming Dynasty. It comes with the critique written by Kim Gwang-guk, a civil official, on its left. The remarks gave harsh words, stating that the painting by Lee Gyeong-yun was not on par with those of Jeong Sun or Sim Sa-jeong ; however, it is notewothy that Kim Gwang-guk himself selected the painting for commentary. The phrase on the seal is an excerpt : « Reading a new book is like meeting a good friend. Reading the book once again is to meet an old friend. »
Français : Lee Kyeong yun. Lettré sous un pin. 16e siècle. Encre sur chanvre, H. env 30cm. Musée de l'université féminine Ewha. Notice du musée : Cette peinture à l'encre noire, simple et raffinée, datant de la période Joseon a été influencée par l'école du Zhejiang de la dynastie Ming. Il est accompagné, à gauche, de la critique écrite par Kim Gwang-guk, un fonctionnaire civil. Le commentaire présente des mots durs, indiquant que le tableau de Lee Gyeong-yun n'est pas à la hauteur de ceux de Jeong Sun ou de Sim Sa-jeong; cependant, il faut noter que Kim Gwang-guk lui-même a composé la peinture pour le commentaire. La phrase sur le sceau est une citation : «Lire un nouveau livre, c'est comme rencontrer un bon ami. Lire le livre une fois de plus, c'est rencontrer un vieil ami. »
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Author Ismoon (talk) 16:01, 3 June 2018 (UTC)

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current16:01, 3 June 2018Thumbnail for version as of 16:01, 3 June 20184,978 × 3,266 (10.59 MB)Ismoon (talk | contribs){{Information |description ={{en|1=Lee Kyeong yun. Scholar under the pine tree. 16th c. Ewha Womans University Museum. Note from the the museum : This simple and refined black ink painting from the mid-Joseon era was influenced by the Zhejiang School of the Ming Dynasty. It comes with the critique written by Kim Gwang-guk, a civil official, on its left. The remarks gave harsh words, stating that the painting by Lee Gyeong-yun was not on par with those of Jeong Sun or Sim Sa-jeong ; however,...

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