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File:Lucas Cranach dÆ, Melankolien, 1532, KMSsp722, Statens Museum for Kunst.jpg

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Captions

Captions

Lucas Cranach the Elder: Melancholia (1532, Copenhagen).

Summary edit

Lucas Cranach the Elder: Melancholy  wikidata:Q4289290 reasonator:Q4289290
Artist
Lucas Cranach the Elder  (1472–1553)  wikidata:Q191748
 
Lucas Cranach the Elder
Description -German painter, printmaker, graphic artist, architectural draftsperson, designer and artist
Date of birth/death 4 October 1472 Edit this at Wikidata 16 October 1553 Edit this at Wikidata
Location of birth/death Kronach Weimar
Work location
Lutherstadt Wittenberg (1505–); Vienna (1501–1504); Weimar Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Melankolien
title QS:P1476,da:"Melankolien"
label QS:Lda,"Melankolien"
Object type painting
object_type QS:P31,Q3305213
Genre allegory Edit this at Wikidata
Description
Dansk: Melankolien
  • Dansk: Fra det håndskrevne katalog: "Billedets emne synes at være modsætningen mellem den melankolske kvindefigur og de muntre, legende børn. Der er ikke givet nogen forklaring på, hvorfor kvinden snitter i en kæp. Morell opfattede, ifgl. Spengler, heksegruppen for oven til venstre som en satire mod Johan Georg af Sachsen".
Date 1532
date QS:P571,+1532-00-00T00:00:00Z/9
Medium
Dansk: Olie på træ
Dimensions height: 663 mm (26.10 in); width: 1,117 mm (43.97 in)
dimensions QS:P2048,663.0U174789
dimensions QS:P2049,1117.0U174789
institution QS:P195,Q671384
Accession number
KMSsp722
Object history
  • Dansk: - I Gottorps Inventar fra 1710

- I Gottorps Inventar fra 1743 (p.62), hvilket benyttedes ved afleveringen til Kunstkammeret i København 1759 - Fra Gottorp til Kunstkammeret i København 1759

OBS: - Von Meyenburg skriver (p.90), at billedet tilhørte Maria Elisabeth fra Dresden, der i 1630 blev gift med Frederik af Gottorp -i kataloget til udstillingen "Cristina, Drotting av Sverige" (1966) foreslås det, at billedet skulle have været med i svenskernes krigsbytte fra Prag og i Cristinas eje, kat. 1 291, p. 514. - Heck følger dette forslag og skriver, at billedet har været hos Rudolf II i Prag i beg. af 1600-tallet, og senere i Christina af Sveriges eje.

Placeringshistorie: - 1970: sal 71 - 1988 14. sept.: Nationalmuseet i Stockholm (udstilling)

- 1988, 23. nov.: Sølvgade
Exhibition history
  • 100 Mesterværker, Sølvgade, 23 June 1996–4 August 1996
  • Dürer and Cranach. Art and Humanism in Renaissance Germany, Museo Thyssen-Bornemisza,, 8 October 2007–6 January 2008
  • Dürer and Cranach. Art and Humanism in Renaissance Germany, Fundación Caja Madrid, 8 October 2007–6 January 2008
  • Cranach och den tyska renæssansen, Nationalmuseum, Stockholm, 23 September 1988–20 November 1988
  • Cranach, Sølvgade, 26 April 2002–8 September 2002
  • Lucas Cranach : Glaube, Mythologie und Moderne, Bucerius Kunst Forum, Hamburg, 6 April 2003–13 July 2003
  • At krydse grænser - Spot på Europæisk Kunst 1300-1800, Sølvgade, 16 August 2017–25 November 2017
  • Lucas Cranach: L'Altro Rinascimento, Galleria Borghese, 13 October 2010–13 February 2011
Inscriptions
Drage og årstallet 1532
Notes
  • Dansk: Værkdatering: 1532
  • Dansk: Tidligere inventarnumre:

- Kunstkammerets inventar Tome II p.40 nr. 158

Katalognumre: - kat. 1864 nr. 146 - kat. 1875 nr. 73 - kat. 1904 nr. 74 (se fotografi og brev indklæbet i Arkiveksemplar I ved p.32) - kat. 1922 nr. 108

- kat. 1946 nr. 146
References
  • Max J. Friedländer (1932) Die Gemälde von Lucas Cranach, kat. nr. 227, 11288
  • Lionel Salem (2000) La science dans l'art, omt. p.103, ill. (s/h) p.103, fig.35, 2000-456
  • Nicolas Barker (2000) A poet in Paradise: Lord Lindsay and Christian art, p.98, 2000-533
  • Margit Kern (2002) Tugend versus Gnade: protestantische Bildprogramme in Nürnberg, Pirna, Regensburg und Ulm, Omt. p. 267-69, afb. p. 478, fig. 65, 2003-019
  • Sven Bjerkhof (2005) SMK highlights: Statens Museum for Kunst, omt. og afb. p. 22, 2005-071
  • Hélène Prigent (2005) Mélancolie. Les métamorphoses de la dépression, afb. og omt. p.56-57, 2006-068
  • G. F. Hartlaub (1925) Giorgiones Geheimnis, ill. fig. 26, 22240
  • Guy de Tervarent (1958-1959) Attributs et symboles dans l'art profane 1450-1600: dictionnaire d'un langage perdu, p. 14, 25881
  • Günter Bandmann (1960) Melancholie und Musik: Ikonographische Studien, pp. 73f, ill. fig. 28, 27563
  • Guy de Tervarent (1941) Les enigmes de l'art du moyen âge, vol. IV: "L'art savant". p. 15, 15, fig. III, 33242
  • Dieter Koepplin (1974-76) Lukas Cranach: Gemälde, Zeichnungen, Druckgraphik, bd. I: p. 269, 38916
  • Werner Schade (1974) Die Malerfamilie Cranach, p. 70, ill. fig. 181 (Heck henviser til Schade som eksempel på, at de oftest er Kbh.-melankolien, der omtales/ill.s), 39009
  • Jean Wirth (1979) La jeune fille et la mort: recherches sur les thèmes macabres dans l'art germanique de la renaissance, p.97, 98, ill. fig.79, 50471
  • Hartmut Böhme (1989) Albrecht Dürer Melencolia I: im Labyrinth der Deutung, p. 23, ill. fig. 12, 53997
  • Peter-Klaus Schuster (1991) Melencolia I: Dürers Denkbild, I: p. 384, II: ill (s/h) fig. 286, 54555
  • Max J. Friedländer (1978) The paintings of Lucas Cranach, kat. 276, ill. fig. 276, 62923
  • Norbert Lieb (1980) Octavian Secundus Fugger, 1549-1600, und die Kunst, p. 163 (se O.S. Fuggers samling?), 64196
  • Christian Müller (1983) Torheiten des Lebens, Matthias Gerungs Melancolia 1558, p. 32, ill. fig. 25, 66512
  • Erwin Panofsky (1923) Dürers Melencolia I: eine Quellen- und Typengeschichtliche Untersuchung, p. 69, 147, 150, ill. fig. 64, 8378
  • Ubekendt ([1988]) Cranach och den tyska renässansen, pp. 72, 73, kat. no. 58, ill., 88-582
  • Bengt Ankerloo (1987) Häxornas Europa 1400 - 1700: historiska och antropologiska studier, ill. detalje (hekseridtet) p. 111 (farve), 90-324
  • Bente Scavenius (c1993) Se på verdenskunst i Danmark, p. 15; ill., 94-78
  • Heinz Spielmann (1997) Gottorf im Glanz des Barock: Kunst und Kultur am Schleswiger Hof 1544-1713, II: p.364 (kat. nr. 431); ill. p. 76 (farve), 97-309
  • Knud W. Jensen (1996) De glade givere, p. 106-7, 98-182
  • Villads Villadsen (1998) Statens Museum for Kunst: 1827-1952, ill. (farve) p.33 omt. p.33, 98-419
  • Wilfred Seipel (1997) Meisterwerke des Kopenhagener Statens Museum for Kunst: im Kunsthistorischen Museum Wien, p. 10-11, ill. p. 13 (Farve), C 27260
  • Ubekendt (2007) Durero y Cranach: arte y humanismo en la Alemania del Renacimiento, kat. nr. 6, ill. p. 163, C 38795
  • Ubekendt (1985-) La part de l'il: revue annuelle, Chaké Matossian, "Proudhon ou la mélancolie de Courbet", i: vol. 14, 1998, p.225-246, p. 243, 244, ill. 242 (sammenlignes med Courbets maleri, Portrait de P.J. Proudhon et ses enfants, 1865, musee de Petit Palais, Paris), C 40693 ti
  • Ubekendt (2010) Cranach: l'altro rinascimento, kat. 12, omt. p. 164 og 16, ill. p. 166-167, C 46631
  • Ubekendt (date unspecfied) Saturnismo y brujeria en dos caprichos de Goya, p.8, ill. fig.8
  • André Chastel (date unspecfied) La tentation de saint Antoine ou le songe du mélancolique, p. 148 (artiklen er genoptrykt i A. Chastel: Fables, formes, figures, I, Paris 1978)
  • G. F. Hartlaub (date unspecfied) Arcana Artis: Spuren alchemistischer Symbolik in der Kunst des 16. Jahrhundert, p. 296, ill. fig. 2
  • Raymond Klibansky (1964) Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion and Art, p. 383
  • Roger Cailbis (1965) Au coeur du fantastique, p. 115
  • Konrad Hoffmann (date unspecfied) Cranachs zeichnungen 'Frauen überfallen Geistlichen', p. 9
  • Claudia Cieri Via (1981) Allegorie morali della bottega belliniana, p. 138, ill. p. 137
  • Maxime Préaud (1982) Mélancolies, p. 57 (ref. fra Heck, som mener, at Preauds analyse af melankoli "griber for meget om sig"!, note 7, p. 263)
  • Christian Müller (date unspecfied) Die melancholie im Garten des Lebens: Matthias Gerungs Melancolia, 1558, in Karlsruhe, p. 34
  • Bettina von Meyenburg (date unspecfied) Heksesabbat: et billedmotivs udvikling, p. 20-21, ill. p. 20
  • Christian Heck (date unspecfied) Entre humanisme et réforme: la Melancolie de Lucas Cranach l'Ancien, p. 259, ill. p. 260
  • Ubekendt (1989) Auktionskatalog fra Christie's New York 31.5 1989, nr. 103
  • Erwin Panofsky (1990) Saturn und melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion in der Kunst, p. 535, 565, ill. (s/h) nr. 134
  • Patricia Emison (date unspecfied) Truth and Bizzaria in an Engraving og Lo Stregozzo, p. 634 n.12
  • Sigrid Schade (1983) Schadenzauber und die Magie des Körpers: Hexenbilder der Frühen Neuzeit, ill. nr. 22 p. 65 (s/h), omt. p. 66
  • Thomas DaCosta Kaufmann (1985) Hermeneutics in the History of Art: Remarks on the Reception of Dürer in the 16th and early 17th Centuries, Thomas DaCosta Kaufmann, "Hermeneutics in the History of Art: Remarks on the Reception of Dürer in the Sixteenth and early Seventeenth Centuries", p.33f, ill fig.13 p.33
  • Beverly Louise Brown (date unspecfied) Genre and Meaning: Crosscurrents between Venice and the North, p. 107, ill. p.109 (s/h) . Vittore Carpaccios billede "To Venetianske kvinder" sammenlignes med Cranach
  • Charles Zika (1997) The Wild Cavalcade in Lucas Cranach's Melancholia Painting: Witchcraft and Sexual Disorder in 16th Century Germany, p. 65-70, p.75, p.79, ill. fig.13+14
  • Hans Vollmer (date unspecfied) Die Alte Gemäldegaleri in Kopenhagen, p. 552
  • Eva Friis (1996) 100 mesterværker, p. 50, afb. p. 51, k1996-233
  • Claude Makowski (1999) Albrecht Dürer: Le songe du Docteur et La Sorcière, omtalt p.58, afb. (farve) fig.48 p.58, k2000-061
  • Hanne Kolind Poulsen (2002) Cranach, kat. 31, p. 49, 50 (ill.), 52, 56, 57, 69, k2002-225
  • Claudia Swan (2005) Art, Science, and Witchcraft in Early Modern Holland: Jacques de Gheyn II (1565-1629), Omt. pp. 191. Afb. p. 127, pl. VIII, k2005-225
  • Claude Makowski (2012) Mélancolie(s): Albrecht Dürer, Lucas Cranach, Omt. p. 66, afb. p. 68-69 (fig. 69), C 55515
  • Julia Carrasco m.fl. (2015) Bild und Bodschaft: Cranach im Dienst von Hof und Reformation, Omt. pp. 59 og p. 68, afb. p. 59
  • Campbell, Stephen J. (2015) Andrea Mantegna, Afb. fig. 7, p. 142
Source/Photographer
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