Wikimedia Commons

File:Mariage de Napoléon Joseph Charles Paul Bonaparte et Ludovica Teresa Maria Clotilde di Savoia. 002.png

Original file ‎(1,743 × 1,007 pixels, file size: 2.55 MB, MIME type: image/png)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

edit
Description
Français : Passage de S. A. I. le prince Napoléon sur la place de San-Carlo, à son arrivée à Turin, d'après des croquis de M. Riou.- Le convoi entra à trois heures dans la gare de Turin. Le prince Napoléon y a trouvé S. A. R. le prince de Carignan, avec lequel il monta dans un des carrosses de la cour au milieu des acclamations de la foule. Ces acclamations se prolongèrent sur tout son passage. Mon dessin a été fait au moment où le cortège traverse la place de Saint-Charles, la piazzua San-Carlo de nos Français qui ont le bonheur de gazouiller Il ne fallait rien moins qu'une double haie de chasseurs sardes au costume si pittoresque pour réserver la voie des équipages royaux, tant la foule était ardente et compacte. J'ai appris ce qu'est une foule italienne. Mon croquis vous en dira quelque chose. Quels crochets! Excusez, comme disent les poètes dramatiques italiens, les fautes dé l'auteur. ED RIOU
Italiano: Passaggio di S.A.S. il Principe Napoleone in Place de San Carlo, al suo arrivo a Torino, secondo i disegni di Signor Riou. -Le convoi entra à trois heures dans la gare de Turin. Le prince Napoléon y a trouvé S. A. R. le prince de Carignan, avec lequel il monta dans un des carrosses de la cour au milieu des acclamations de la foule. Ces acclamations se prolongèrent sur tout son passage. Mon dessin a été fait au moment où le cortège traverse la place de Saint-Charles, la piazzua San-Carlo de nos Français qui ont le bonheur de gazouiller Il ne fallait rien moins qu'une double haie de chasseurs sardes au costume si pittoresque pour réserver la voie des équipages royaux, tant la foule était ardente et compacte. J'ai appris ce qu'est une foule italienne. Mon croquis vous en dira quelque chose. Quels crochets! Excusez, comme disent les poètes dramatiques italiens, les fautes dé l'auteur.ED RIOU
English: Passage of H. H. H. Prince Napoleon on the Place de San Carlo, on his arrival in Turin, according to sketches by Mr. Riou.

-station at three o'clock. The convoy entered the Turin station at three o'clock. Le convoi entra en gare de Turin à trois heures. The convoy entered Turin station at three o’clock. Le convoi entre en gare de Turin à trois heures.

Prince Napoleon found HRH the Prince of Carignan there, with whom he boarded one of the court carriages amidst the cheers of the crowd. These cheers continued throughout his passage. My drawing was made at the moment when the procession crosses the Place de Saint-Charles, the Piazzua San-Carlo of our French people who have the pleasure of chirping Nothing less than a double line of Sardinian hunters in such picturesque costume was necessary to reserve the way for the royal crews, so eager and compact was the crowd. I learned what an Italian mob is. My sketch will tell you something. What hooks! Excuse, as the Italian dramatic poets say, the author's faults.ED RIOU
日本語: ムッシュー・リウーのスケッチによれば、ナポレオン皇太子殿下がトリノ到着時にサン・カルロ広場を通過したところ。-車列は3時にトリノ駅に入った。 ナポレオン王子はそこでカリニャン公殿下を見つけ、群衆の歓声の中、一緒に宮廷馬車に乗り込んだ。 こうした歓声は彼の通過中ずっと続いた。 私の絵は、さえずりを楽しむフランス人のサン・カルロ広場、サン・シャルル広場を行列が横切る瞬間に描かれました。王室乗組員のために道を確保するには、このような絵のように美しい衣装を着たサルデーニャの狩猟者が二列に並ぶ必要があり、群衆は非常に熱心でコンパクトでした。 イタリアの暴徒とは何かを学びました。 私のスケッチが何かを伝えます。 なんというフックでしょう！ イタリアの劇詩人が言うように、作者の落ち度ですみません。エド・リウー
Date
Source
institution QS:P195,Q193563
Author
Édouard Riou  (1833–1900)  wikidata:Q583275 s:pl:Autor:Édouard Riou
 
Édouard Riou
Alternative names
Edouard Riou
Description French illustrator
Date of birth/death 2 December 1833 Edit this at Wikidata 26 January 1900 / 27 January 1900 Edit this at Wikidata
Location of birth/death Saint-Servan-sur-Mer Paris
Work location
France Edit this at Wikidata
Authority file
creator QS:P170,Q583275

Licensing

edit
Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

العربية ∙ English ∙ español ∙ français ∙ 日本語 ∙ 한국어 ∙ македонски ∙ русский ∙ Tiếng Việt ∙ 简体中文 ∙ 繁體中文 ∙ +/−
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current06:31, 17 March 2024Thumbnail for version as of 06:31, 17 March 20241,743 × 1,007 (2.55 MB)織原美津夫 (talk | contribs)Uploaded a work by {{Creator:Édouard Riou}} from {{Institution:Bibliothèque nationale de France}} with UploadWizard

You cannot overwrite this file.

The following page uses this file:

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Mariage_de_Napoléon_Joseph_Charles_Paul_Bonaparte_et_Ludovica_Teresa_Maria_Clotilde_di_Savoia._002.png&oldid=862738281"