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File:Mariage de Napoléon Joseph Charles Paul Bonaparte et Ludovica Teresa Maria Clotilde di Savoia. 006-01.png

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in the armory of the palace, in Turin.

Summary edit

Description
Français : Visite de S. M. Victor - Emanuele et de S. A. I. Le prince Napoléon a la salle d’armes du palais, a Turin.Ce qui suit est un extrait d'une lettre envoyée par Édouard Riou.- Je vous ai envoyé un dessin de la visite de la salle d'armes du palais faite par le prince Napoléon, accompagné du roi et de quelques officiers en costume de ville. Cette galerie est une des curiosités de Turin; on connaît la réputation dont les fabriques d'armures italiennes ont joui au moyen âge et jusques après la Renaissance. A l'excellence de la trempe des aciers, qui permettait d'unir dans leurs confections la force et la légèreté, s'était jointe la perfection des ciselures, et l'on connaît la réputation des joailliers lombards et florentins au siècle de Bervenuto Cellini. ED RIOU
Italiano: Visita di S.M. Vittorio Emanuele e di S.I. il Principe Napoleone all'armeria del palazzo, a Torino. Quello che segue è un estratto di una lettera inviata da Edouard Riou.- Ti ho inviato un disegno della visita all'armeria del palazzo fatta dal principe Napoleone, accompagnato dal re e da alcuni ufficiali in costume cittadino. Questa galleria è una delle curiosità di Torino; conosciamo la reputazione di cui godevano le fabbriche di armature italiane nel Medioevo e fino a dopo il Rinascimento. All'eccellenza della tempera degli acciai, che permetteva di unire forza e leggerezza nelle loro creazioni, si univa la perfezione degli intagli, e conosciamo la fama dei gioiellieri lombardi e fiorentini nel secolo di Bervenuto Cellini. ED RIOU
English: Visit of H.M. Victor - Emanuele and H.I. Prince Napoleon to the armory of the palace, in Turin. The following is an extract from a letter sent by Edouard Riou. -I have sent you a drawing of the visit to the palace's armory made by Prince Napoleon, accompanied by the king and a few officers in city costume. This gallery is one of the curiosities of Turin; we know the reputation that Italian armor factories enjoyed in the Middle Ages and until after the Renaissance. The excellence of the tempering of the steels, which made it possible to unite strength and lightness in their creations, was joined by the perfection of the carvings, and we know the reputation of the Lombard and Florentine jewelers in the century of Bervenuto Cellini.ED RIOU
日本語: ヴィットーリオ・エマヌエーレ2世とナポレオン王子がトリノの宮殿の武器庫を訪問。以下はエドゥアール・リウーが送った手紙からの抜粋である。-ナポレオン王子が国王と市の制服を着た数名の士官を伴って宮殿の武器庫を訪問したときの絵を送りました。 このギャラリーはトリノの珍品のひとつです。イタリアの甲冑工場が中世からルネサンス以降まで栄えていた事実を私たちは知っています。鋼の焼き戻し技術の素晴らしさは、その作品の強度と軽さを融合させることを可能にし、彫刻の完璧さが加わりました。ベンヴェヌート・チェッリーニの世紀におけるロンバルディア州とフィレンツェの宝石商の名声は、私たちにも知られています。エド・リウー
Date
Source
institution QS:P195,Q193563
Author
Édouard Riou  (1833–1900)  wikidata:Q583275 s:pl:Autor:Édouard Riou
 
Édouard Riou
Alternative names
Edouard Riou
Description French illustrator
Date of birth/death 2 December 1833 Edit this at Wikidata 26 January 1900 / 27 January 1900 Edit this at Wikidata
Location of birth/death Saint-Servan-sur-Mer Paris
Work location
France Edit this at Wikidata
Authority file
creator QS:P170,Q583275
Félix Thorigny  (1824–1870)  wikidata:Q18508219
 
Alternative names
Felix Thorigny; felix thorigny
Description French drawer and painter
Date of birth/death 14 March 1824 Edit this at Wikidata 27 March 1870 Edit this at Wikidata
Location of birth/death Caen Paris
Authority file
creator QS:P170,Q18508219

Licensing edit

Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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