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File:Martirio di San Lorenzo. Marcantonio Raimondi-Bartolomeo Bandinelli detto Baccio. XVI secolo.jpg

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Italiano: La paternità bandinelliana dell’invenzione è esplicitata dal nome dello scultore, leggibile su un gradino all’estremità centrale del foglio, affiancata al monogramma M di Marcantonio Raimondi. Questa stampa è uno degli ultimi lavori eseguiti dall’artista ed è considerata una delle sue famose incisioni. La scena ha un impianto teatrale e si svolge davanti al prefetto del senato Cornelius Secularis, la quale figura è stata impostata prendendo spunto dalle antiche raffigurazioni di Giove. Le numerose figure sono un campionario di pose ed espressioni.
English: The Bandinellian paternity of the invention is explained by the name of the sculptor, readable on a step at the central end of the sheet, flanked by the monogram M by Marcantonio Raimondi. This print is one of the artist's last works and is considered one of his famous engravings. The scene has a theatrical facility and takes place in front of the prefect of the Senate Cornelius Secularis, whose figure has been set taking its cue from the ancient depictions of Jupiter. The numerous figures are a sample of poses and expressions.
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Source Archivio Libreria Antiquaria Bourlot - Torino
Author Argonitros

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current15:45, 16 February 2019Thumbnail for version as of 15:45, 16 February 20192,985 × 2,303 (2.56 MB)Argonitros (talk | contribs)User created page with UploadWizard

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