File:Meteor II in 1896, by S. Volger Spence.jpg

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English: Meteor II, by S. Volger Spence. A first-class racing cutter, said by many authorities to be the finest yacht ever built from the plans of premier English designer George L. Watson. Ordered by Kaiser Wilhelm II, Emperor of Germany, she launched and immediately became the fastest racer on water in 1896. This is more impressive once it’s realized that her primary competitors were the big English cutters Britannia and Ailsa. In 22 starts that year, Meteor II won 13 1sts and 4 2nds, including the Queen’s Cup at both the Royal Northern Yacht Club and the Royal Ulster Yacht Club. The then-enormous cutter yacht, her 103' black-hull obliterating the swell and tacking smartly with the wind, flies the Hohenzollern Eagle proudly aloft, while her competitors give chase. The public appetite for the big races was at its peak and with the ruling houses of two countries involved, it was the most widely followed sport of its day. The artist was well associated with clients from the highest echelons of society, and with his Scottish heritage, he found work in London as an illustrator of some of his countrymen’s best known literary works, such as Sir Walter Scott’s “The Tempest”. He undoubtedly was directly commissioned to paint this royal racer.
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Source Vallejo Gallery
Author S. Volger Spence, Scottish (fl.1889-1901)

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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The author died in 1901, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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