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File:Michael Ancher, Pigen med solsikkerne, 1889, KMS3820, Statens Museum for Kunst.jpg

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Michael Peter Ancher: A Girl with Sunflowers  wikidata:Q20275891 reasonator:Q20275891
Artist
Michael Peter Ancher  (1849–1927)  wikidata:Q468252
 
Michael Peter Ancher
Alternative names
Michael Ancher
Description Danish painter
Date of birth/death 9 June 1849 Edit this at Wikidata 19 September 1927 Edit this at Wikidata
Location of birth/death Bornholm Skagen
Work period 1864 Edit this at Wikidata–1927 Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Pigen med solsikkerne Edit this at Wikidata

A Girl with Sunflowers
title QS:P1476,da:"Pigen med solsikkerne Edit this at Wikidata"
label QS:Lda,"Pigen med solsikkerne Edit this at Wikidata"
label QS:Len,"A Girl with Sunflowers"
label QS:Larz,"فتاه مع عباد الشمس"
label QS:Lfr,"Jeune fille aux tournesols"
label QS:Lde,"Mädchen mit Sonnenblumen"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
Dansk: Pigen med solsikkerne
Depicted people Maren Brems Edit this at Wikidata
Date 1889
date QS:P571,+1889-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions height: 101 cm (39.7 in) Edit this at Wikidata; width: 95 cm (37.4 in) Edit this at Wikidata
dimensions QS:P2048,+101U174728
dimensions QS:P2049,+95U174728
institution QS:P195,Q671384
Accession number
KMS3820
Object history
Exhibition history
  • Charlottenborg, Copenhagen 1890, no. 16.
  • Michael Ancher Retrospective Exhibition, Copenhagen 1949, no. 24.
  • Nordic Art. The Modern Breakthrough, Groninger Museum, 8 December 2012–4 May 2013
  • Nordic Art. The Modern Breakthrough, Kunsthalle der Hypo-Kulturstiftung, 29 May 2013–5 October 2013
  • Married to Art - Northern Artist Couples, Gallen-Kallelan Museo, Espoo, 26 May 2007–2 September 2007
  • Zolotoj vek datskoj zivopisi, The Pushkin Museum of Fine Arts, 10 August 1989–17 September 1989
  • Worpswede and the European artists' colonies, Landesmuseum Hannover, 17 March 2016–25 June 2016
  • SOLSTICE – Masterpieces of Nordic Painting 1880–1910, National Museum in Warsaw, 18 November 2022–6 March 2023
  • Anna og Michael Ancher. Sammen og hver for sig, Ordrupgaard, 19 September 2023–7 January 2024
Inscriptions

Signature and date bottom left:

Michael Ancher 1889
Notes
  • Dansk: Værkdatering: 1889
References
  • Elisabeth Fabritius (1999) Michael Ancher og det moderne gennembrud 1880-1890: en hel art ny billeder og bedre billeder fik overhaand=en hel art ny billeder og bedre billeder fik overhånd, afb. p. 231 fig. 214 (f), p. 230-34 (komposition, reception. "Sammenfatter Ancher her sin kunstneriske erfaring"), 2000-042
  • Niels Th. Mortensen (1957) Ny dansk Billedkunst, ill. p. 81, omt. p. 82, 25107
  • Ubekendt (1999) Skagensmaleren Michael Ancher: 1849 - 9. juni - 1999, afb. p. 69 (f), omt. p. 18, 99-235
  • Ubekendt (1985) 1880-tal i nordiskt måleri: Amos Anderssons Konstmuseum, 19 januari - 9 mars 1986: [Oslo, Nasjonalgalleriet, 24 augusti - 13 oktober 1985: Stockholm, Nationalmuseum, 25 oktober 1985 -6 januari 1986: Köpenhamm, Statens Museum for Kunst, 22 mars - 18 maj 1986], kat. 6., C 15940
  • Ubekendt (2012) Nordic art: the modern breakthrough 1860-1920, afb. p. 115. Omt. p. 220 og 239., C 54730
  • Thomas Andratschke (2016) Mythos heimat, kat. nr. 112
  • Anna Schram Vejlby (2018) Michael Ancher og kvinderne, fig. 55, afb. pp. 112-113
  • Agnieszka Baginska (2022) Przesilenie. Malarstwo Północy 1880-1910, Kat. 36
Source/Photographer

Licensing edit

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1927, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 95 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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