File:P18. View from Residency Look-Out Tower.jpg

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anonymous: View from Residency Look-Out Tower   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Jonathan Needham
After Clifford Henry Mecham  (1831–1865)  wikidata:Q117756573
 
After Clifford Henry Mecham
Alternative names
C. H. Mecham; Clifford H. Mecham
Description soldier
Date of birth/death 24 November 1831 Edit this at Wikidata September 1865 Edit this at Wikidata
Authority file
artist QS:P170,Q4233718,P1877,Q117756573
Title
View from Residency Look-Out Tower
Object type print
object_type QS:P31,Q11060274
Description
English: Plate 18. View from Residency Look-Out Tower.

This is a view taken from the top of the Residency, of that part of the city through which the survivors of Lucknow forced their way. The pillars in front are the ruins of the “ Nobut Khana” gateway, which forms the subject of a previous sketch. The lofty range of buildings beyond is the “ Chata Munzil,” which was occupied and so gallantly defended by the relieving force under Sir James Outram. The most distant edifice, slightly to the left of the Chata Munzil, is the Mess-house of Her Majesty’s 32nd Foot, which the enemy had strongly fortified, and from which they opposed the forces under General Havelock, and under Sir Colin Campbell. The farthest building on the left is the “ Mootee Mahul,” from the loopholes of which so destructive a volley was kept up upon the advancing column under Havelock; and the house to the right of it, in the very centre of the illustration, is “ Martin’s Bungalow,” close to the bridge of boats, which was one of the enemy’s most important positions, but from which they were speedily driven in confusion. There is, perhaps, no more beautiful prospect, either in the Eastern or the Western world, than the view from the bridge of boats, looking up the river towards the Chata Munzil at sunset. The banks of the stream are green and velvety as those of England, while 'the magnificent piles of buildings rising sheer out of the river almost remind the beholder of the canals of Venice. The distant foliage too, for which Lucknow is famous amongst the cities of the East, and the glorious hues of the setting sun, gilding dome, minaret, and spire, combine to form a picture which may perhaps be rivalled elsewhere, but can hardly be surpassed. The open space to the left was out of range of our guns, and consequently was thronged with the enemy. It was here that they formed their columns preparatory to attack; and here too they used to drill their recruits, who, considering the indifferent example which has hitherto been invariably set them by their veteran comrades, are hardly likely to turn out good soldiers.

A plate from Sketches & Incidents of the Siege of Lucknow. From Drawings Made during the Siege, by Clifford Henry Mecham, Lieutenant Madras Army, with descriptive notices by George Couper, esq. late secretary to the Chief Commissioner of Oude. First edition, tinted lithographed title with vignette, 27 views on 17 tinted lithographed plates, folio, Day & Son, published 1 Oct 1858.
Depicted place

The Residency, Lucknow

Object location26° 51′ 38.46″ N, 80° 55′ 38.4″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Camera location26° 51′ 42.83″ N, 80° 55′ 32.47″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo
Date 1 October 1858
date QS:P571,+1858-10-01T00:00:00Z/11
Medium lithograph
medium QS:P186,Q15123870
Dimensions height: 57 cm (22.4 in); width: 37 cm (14.5 in)
dimensions QS:P2048,57U174728
dimensions QS:P2049,37U174728
Place of creation London
Source/Photographer

Ames Library of South Asia - University of Minnesota (Minneapolis campus)

http://purl.umn.edu/133840
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Licensing edit

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current13:08, 17 April 2023Thumbnail for version as of 13:08, 17 April 20234,676 × 3,540 (2.52 MB)Broichmore (talk | contribs)Uploaded a work by Various engravers {{Creator:Clifford Henry Mecham|after}} from Ames Library of South Asia - University of Minnesota (Minneapolis campus)<br > http://purl.umn.edu/133840 with UploadWizard