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File:Pinacoteca Querini Stampalia - La cantata delle orfanelle per i duchi del nord - Gabriele Bella.jpg

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Pinacoteca Querini Stampalia - La cantata delle orfanelle per i duchi del nord - Gabriele Bella

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This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Pinacoteca Querini Stampalia - La cantata delle orfanelle per i duchi del nord - Gabriele Bella ( The cantata of the orphans for the dukes of the north). You can see its nomination here.

Object

Gabriele Bella: : English: The cantata of the orphans for the dukes of the northFrançais : La cantate des orphelins pour le duc du nordItaliano: La cantata delle orfanelle per i duchi del nord   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Gabriele Bella  (1730–1799)  wikidata:Q3094052
 
Gabriele Bella
Alternative names
Gabriela Bella; Gabriel Bella; Bella
Description Italian painter
Date of birth/death 1730 Edit this at Wikidata 2 June 1799 Edit this at Wikidata
Location of birth/death Venice Venice
Authority file
artist QS:P170,Q3094052
Title
English: The cantata of the orphans for the dukes of the north
Français : La cantate des orphelins pour le duc du nord
Italiano: La cantata delle orfanelle per i duchi del nord
Object type painting
object_type QS:P31,Q3305213
Description
English: Cantata performed by the young ladies of the four “ospedali” (hospitals) during the incognito visit to Venice between 18 and 25 January 1782 of the heirs to the throne of Russia: the Grand Duke Paul Petrovitz, son of Peter III and Catherine II, later Tsar under the name Paul I, and his wife. Three nights in a row, performances were given in their honor at the “Casino of the Philharmonia” shown on the canvas. The four musical hospitals were founded in Venice by religious or civil orders in the 16th and 17th century, during a period of famine, to bring in foundlings from the streets, orphans, and sick [children]. These establishments existed thanks to public charity; the children learned a trade to allow them to enter into society. Music teachers were present in each hospital but music lessons were limited to girls. Between 1650 and 1750, music occupied an ever-expanding place. The “chorus” of an establishment could include 100 young girls and instrumentalists.
Français : Cantate exécutée par les jeunes filles des quatre "ospedali" lors de la visite incognito à Venise du 18 au 25 janvier 1782 des héritiers du trône de Russie : le grand duc Paolo Petrowitz, fils de Pierre III et de Catherine II, puis tsar sous le nom de Paul Ier, et son épouse. Trois soirs de suite, des spectacles ont été donnés en leur honneur au "Casino dei Filarmonici" représenté sur la toile. Quatre hospices musiciens ont été fondés à Venise par des religieux ou des civils aux XVIe et XVIIe siècle, en période de famine, pour recueillir les enfants trouvés dans les rues, orphelins ou malades. Ces établissements subsistaient grâce à la charité publique, les enfants y apprenaient un métier pour leur permettre de s'insérer dans la société. Des maîtres de musique étaient présents dans chaque hospice mais les leçons de musique y étaient réservées aux filles. Entre 1650 et 1750, la musique y occupe une place grandissante. Le "chœur" d'un établissement pourra compter jusqu'à 100 jeunes filles, chanteuses et instrumentistes.
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
institution QS:P195,Q7194793
Current location
Salla Scene di vita veneziana
References Pinacoteca Querini Stampalia (pdf)

Photograph

Date Taken on 4 May 2019
Source Own work
Author Didier Descouens
Permission
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attribution share alike
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Object location45° 26′ 00.82″ N, 12° 19′ 36.44″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

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