File:Porter (JW Edy plate 24).jpg

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John William Edy: English: "Porter" Norsk bokmål: «Porter»   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
John William Edy  (1760–1820)  wikidata:Q3374273
 
Alternative names
John William Edye; John William Edge; Edye; Edge; Edy
Description Danish artist, engraver and painter
Date of birth/death 7 May 1760 Edit this at Wikidata 1820 Edit this at Wikidata
Location of birth Denmark
Work period 1779 Edit this at Wikidata–1820 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q3374273
Title
English: "Porter"
Norsk bokmål: «Porter»
Description
No. XXIV. VIEW OF PORTER.

The coast between Öster Riisöer and Porter is hideous in the extreme. Wherever the eye turns, nothing is to be observed but dreariness or danger. While the shore exhibits an uninterrupted series of naked, frowning rocks, innumerable breakers and fragments of vessels impress the mmd with the most awful reflections on a seafaring life. Here the language of an able and correct writer is most strikingly applicable. "The coasts of Norway are accounted the most dangerous of any in Europe to run with in the night, or in a storm ; on which, if you chance to be driven, there is no escaping, the shore being all along high rocks, at the very foot of which one may find 200 fathoms water." 1 Safety may, however, be said to go hand in hand with danger on the coast of Norway. This is most beautifully exemplified by the romantic situation of Porter, which in common with Norwegian harbours, in general, presents to the mmd the most lively and striking images of security. Though not capacious, the harbour of Porter has sufficient depth of water for the largest ships to ride safely at anchor; the port being nearly surrounded by rocks, and of course well sheltered from storms. An enthusiastic admirer of nature, in her awful and solemn attitudes,might retire from this place, and declare that he had been on enchanted ground.

Norway abounds in scenery calculated to excite the most opposite emotions in the human breast. While her coast inspires terror, the interior of the country unfolds a great variety of rural scenes of most exquisite beauty. Little benelit has, however, hitherto been drawn from the picturesque treasures of this country ; they have been under-rated by natives, and scarcely valued by foreigners. An attempt was certainly made between twenty and thirty years ago by Professors Lorentzen and Pauelsen, two most excellent painters, to awaken the attention of their own country and the world at large to the grand, sublime, and beautiful scenery of Norway. A considerable number of their paintings were engraved by Professor Haas and Mr. Grosch ; but the undertaking, except in the case of one or two views, did not meet with that degree of success which would have justified perseverance or encouraged hope.

1.^ An Account of Denmark, as it was in the year 1692, by the Right Honourable Robert Lord Viscount Molesworth, sixth edition, Glasgow, 1752, page 3.


Date 1800
date QS:P571,+1800-00-00T00:00:00Z/9
Source/Photographer Boydell's picturesque scenery of Norway, London, 1820. Plate no. 24 (p. 165 in scanned copy)
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This file is a digital replica of a document or a part of a document available at the National Library of Norway under the URN no-nb_digibok_2011072910001.

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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current01:31, 17 March 2012Thumbnail for version as of 01:31, 17 March 20122,294 × 1,428 (1,010 KB)Danmichaelo (talk | contribs)== {{int:filedesc}} == {{Artwork | Artist = {{Creator:John William Edy}} | Title = {{en|1="Porter"}} {{no|1=«Porter»}} | Year = 1800 | Technique = | Description = | Source = ''[http://urn.nb.no/URN:NBN:no-nb_digibok_2011072910001 Boyd...

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